T. Johnson - Welcome to Braggsville

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From the PEN/Faulkner finalist and critically acclaimed author of
comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment — a fierce, funny, tragic work from a bold new writer
Welcome to Braggsville. The City That Love Built in the Heart of Georgia. Population 712. Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of "Berzerkeley," the nineteen-year-old white kid is uncertain about his place, until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung fu comedian" from California; Candice, an earnest do-gooder from Iowa claiming Native roots; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians."
But everything changes in the group's alternative history class, when D'aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious at first but has devastating consequences.
With the keen wit of
and the deft argot of
, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.
A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart,
reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.

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Laughter erupted from the backyard while Daron was toeing one of the squares of dead grass where The Charlies had stood, and he looked up to see his mother kicking the other. He had not heard her come out.

Those were heavy. She flexed her arms.

That explained the ruts. Daron muttered his thanks.

Does our deal still stand, D’aron?

Yes’m.

Don’t Yes’m me. Does our deal still stand?

Yeah, Mom, it does.

Okay. She pinched his cheek and it burned even more than the slap. He flinched. Trying to disfigure me?

They laughed. She kissed him.

You don’t really think I forgot about your girlfriend, did you?

She’s not exactly my girlfriend, and she does eat meat, just not beef.

Oh. Well. Anyway, what I was going to say was I forgot to take those veggie thingamabobs out of the freezer. And who knows, after she gets to see you in your home environment that might change. Hmmm?

Daron tore the blade of grass he was holding.

His mother chucked his chin. I love you, hon.

Me too.

She went, as she always did, Thank you, honey. You know that’s my favorite band.

WHEN HE RETURNED TO THE BACKYARD, Quint and Louis were sitting on the red beer cooler, thumb wrestling, Candice and his stripper cousin — at least he thought it was her — were in the gazebo in deep conversation, and Charlie was talking to Daron’s father. The Davenports were big men and women. Two generations in the mill. Before that, three generations of farming, his father liked to say, Yeoman. Yo-man! His uncles would kite their arms like they were steering a bullwhip and declare, We’re the original Georgia Crackers. But next to Charlie, his father looked puny. He never thought of Charlie as large until he saw him next to other people, or recognized the look of closeted alarm some people wore as they tried to avoid being next to him. In The City, rarely did anyone sit beside him on the subway, even during rush hour. At night, women clutched purses, crossed streets; guys steered wide. Charlie would occasionally whistle Vivaldi to reassure bystanders because, No one expects to be mugged by a dude who knows classical music. More than once he claimed he enjoyed the extra space. Daron never believed that. Today, no one behaved like that. But then again, they knew if anyone was going to gladly handle their possessions, it would be Quint. His father waved him over.

D’aron, is there something you want to say?

Daron stuttered, giving Charlie a quizzical look.

Tell me again what D’aron told you about us, Charlie.

Charlie looked confused.

His father laughed. I’m just teasing you. I wouldn’t want to know what you said, especially if you didn’t say anything. I thought my mom was old-fashioned for scaring us off the radio, D’aron thinks we’re old-fashioned, and your kids — he rested a hand on Charlie’s shoulder — will think you’re old-fashioned.

Just a cycle, sir.

That’s right, sir.

They went back to talking about the playoffs, and Daron quickly excused himself. The smoke rising from the Green Egg swayed lazy in the wind, the bright coolers were lined up beside the house like Legos. Candice was now moving through the crowd, snapping pictures of everybody. Daron would have to ask her about that later. He didn’t want his family to be featured in the final project, the object of academic scrutiny, their every cough subject to diagnosis by his professor and classmates. But he couldn’t say, No, no he couldn’t, not while she was hugging up next to his uncle and aunt, teetering, extending her arm before her to capture what she called her Paparazzi shot. Last year she’d cut her hair short a few days after they first met. He remembered because the week after the dot party, she waved him over to her bench on Lower Sproul Plaza and he felt a momentary thrill at being hailed by an unknown female. With the cropped hair, she looked tomboyish, which he liked. In profile tonight, with her dreadlocks pulled back, he saw that again, the slight nose, the prominent forehead, and the smile, always a smile like she knew you. Over the sound of the breakers at César Chávez Park, she’d once admitted that her family wasn’t close; that her father expressed a greater affinity for moths and fruit liqueurs and her mother a keen interest in civil rights. She dubbed them emotionally abusive. Taking it to mean that she wasn’t as spoiled as she would have preferred, Daron had laughed so hard he hadn’t even seen her walk off, vanish into the grassy hill, footsteps light as a squirrel. But as she shared more about her parents, he wasn’t so sure, and now prided himself on the fact that in his family, no one had ever been interested in anything other than someone else’s business. Candice remained between Roy and Chester for several minutes, showing them photos, or who knew what else, on her phone. With Aunt Chester gasping in amazement and Uncle Roy squinting with disbelief and Candice grinning proudly, they looked like a family. Daron took a picture. He had anticipated protecting his friends, running interference, but everything was going smoothly. Even Quint and Louis were still getting along. They stood at the table, deep in conversation, eating directly off the serving dishes, Louis gnawing a rib and Quint a piece of chicken, both ignoring Daron when he walked up.

Louis’s fingers and face oozed, gooey as those of a zombie at a fresh coffin trough. He sucked the knuckle of one hand so hard it looked like he might take the skin off. This is the shit! Someone put their foot in the sauce.

Oh. Is that a — Chinese — saying, too? asked Quint.

Simple math. Everything Chinese saying, if you add accent and subtract words. You put foot in sauce!

Quint guffawed, spraying flecks of chicken across the table. Daron made a mental note of the dishes seasoned thusly.

You oughta be a comedian. Chinese people are funny and all, but you got some jokes.

Louis beamed like he’d found a buttered Olsen twin in his bed. Quint kept talking, all the while pouring a shot from a bottle of Jack, which he handed to Louis while taking an impressive draw himself, enough to bob his apple a few times. Louis continued bobbleheading. About ten minutes later Quint called for everyone’s attention.

Hey, hey! he yelled, tapping a fork against a beer bottle. Before they all could hush up, Quint escalated to bottle-on-bottle action, head-butting two fallen soldiers, which he did until one broke, at which point everyone fell silent and looked at Janice, who stood in the kitchen doorway, one hand holding open the screen door, the red spatula at her side.

What the heck are you doing, Quintillion Lee Jackson?

I’m gettin’ y’allses attention. The stony grit in his voice ground down a measure, he continued, I see you’re armed, so I sure ain’t aiming to get on your short side, Aunty J. They all laughed. No, ma’am, not when you standing there looking knotted like Sheriff when he come ’round to see me the odd Friday. Used to be he came only after something went wrong. Now he rolls by every couple weeks, asks me if I got anything to confess. I always say, No. Quint winked. But y’all knows I always do. More laughter. I’m just the opener. Just the opener, not the beer, so sit back. We’re fixing to have a show. It’s the first performance in the South of the famous California comic Lenny Bruce Lee! Clap, y’all! Let’s hear it. Make him welcome, dammit.

Quint set a white plastic chair in front of the food table. Louis sat down and Quint grabbed his arm. After a moment of drunken pantomime, Louis understood and stood on the chair, at which point Daron’s family applauded as if a trick had been performed.

Louis cleared his throat and appeared to be reciting something to himself. Okay, let’s get started.

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