Margriet de Moor - The Storm

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The Storm: краткое содержание, описание и аннотация

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On the night of January 31, 1953, a mountain of water, literally piled up out of the sea by a freak winter hurricane, swept down onto the Netherlands, demolishing the dikes protecting the country and wiping a quarter of its landmass from the map. It was the worst natural disaster to strike the Netherlands in three hundred years.
The morning of the storm, Armanda asks her sister, Lidy, to take her place on a visit to her godchild in the town of Zierikzee. In turn, Armanda will care for Lidy's two-year-old daughter and accompany Lidy’s husband to a party. The sisters, both of them young and beautiful, look so alike that no one may even notice. But what Armanda can’t know is that her little comedy is a provocation to fate: Lidy is headed for the center of the deadly storm.
Margriet de Moor interweaves the stories of these two sisters, deftly alternating between the cataclysm and the long years of its grief-strewn aftermath. While Lidy struggles to survive, surrounded by people she barely knows, Armanda must master the future, trying to live out the life of her missing sister as if it were her own.
A brilliant meshing of history and imagination,
is a powerfully dramatic and psychologically gripping novel from one of Europe’s most compelling writers.

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The straits formed a funnel through which the flood came pouring in, thundering against the coastal ramparts in an ever-rising tide. On the south side of the island these coastal defenses were lower and in a great deal more wretched condition than those in the north, where the unceasing northwest winds ensured that the sea was taken seriously.

The Citroën meanwhile was driving north. Lidy, now over her sleepiness and her initial confusion, saw that Izak Hocke knew exactly where he was going and, with the wind blowing at them head-on, was focused entirely on the driving. She felt his concentration, without any sense of anxiety or panic. But he was in a hurry, as was Simon Cau: you can tell something like that even when you can’t see your hand in front of your face. Which is to say: exasperation when the car suddenly had to stop. The engine died. Curses from Hocke. An electric pole was lying right across the road, along with all sorts of drifting debris, including a piece of reddish-orange tarpaulin that had got caught up in it.

Pity, just when we’re almost there, she thought.

Glistening harshly in the headlights, the tarpaulin sprang toward them. Like a dog on a chain. She stared into the chaos. She knew that somewhere behind it, maybe twenty or thirty yards from here, were two farms diagonally across from each other. To the left, Simon Cau’s, though neither the farmhouse nor the outbuildings were visible, but to the right of the road, where Izak Hocke lived with his wife and children and his mother, she could see light. An upstairs window showed that the old lady, alone in the house, was still awake.

She leaned toward the man sitting beside her, but before she could ask anything, he was already out of the car, and Simon Cau with him.

What can they do? she wondered. The two figures stood at the barrier after some futile tugging and had a discussion. Simon Cau turned his face toward her and nodded, while Hocke, head forward with the cap pulled right down, spread his arms wide and shrugged. She switched off the windshield wipers. It was hardly raining anymore. Curious, her eyes wandered to the distant little illuminated rectangle, and suddenly she knew: he would rather leave the car standing in the middle of the road than leave her alone for another five minutes.

From that moment on, she sensed that she was in danger.

She had watched Izak Hocke climb over the barricade and disappear into the bottomless darkness on the other side without so much as a backward glance. Simon Cau came back to the car, crawled behind the steering wheel, started the engine, and as it sprang to life, shifted awkwardly into reverse.

“Now what?” asked Lidy, who was thinking the storm had suddenly intensified.

“We’re going to drive along behind the unloading docks. We turn right there, and then on the other side we’ll get to where we’re going.”

“How long will it take?”

She didn’t get an answer right away. It wasn’t easy navigating a road that was underwater and had ditches on both sides.

“Ten, twelve minutes.”

Lidy glanced sideways. An almost unrecognizable figure. Simon Cau, her only link now to the putative bed that was waiting for her somewhere in all this violence, and was beckoning her to come to sleep in ten, twelve minutes, all warm and snuggled in.

An almost black landscape under breaking clouds. Here and there an obstacle, a house or a barn. Lidy, still believing in the bed, hadn’t lost her mind. All around here, people were sleeping securely, although they knew, indeed took as given, that this was a region of ancient and thus deep-lying polders. The older the dikes, the lower the land. Rationally or irrationally, over the course of many generations, people in this area had developed the unshakable conviction that whoever lived in this waterlogged, self-created terrarium made their homes here by inalienable right and would never leave. Very close to here, during the night, the sea dike would collapse in several places. Lidy, who was a stranger here, was not the only one who had no premonition of this. This was land that had been pushing itself outward for centuries, changing its shape constantly and sometimes drastically, because it lay embedded between two arms of the sea that did what arms usually do: they move. That their villages and hamlets were in some way impermanent, as was the sea itself, was not a perception held by the inhabitants. Unwaveringly they drew the common boundaries of their polders far out beyond the sea dike. They counted eddies, shallows, and barely navigable channels as part of their living space just as they counted drowned church towers, windmills, farms, and livestock sheds on the sea floor.

The detour that Simon Cau was taking now led directly to the sea dike, where a few little harbors used to ship farm produce lay in a bay of the Grevelingen. Lidy, who had lost any idea of where she was some time ago, along with any sense of time, straightened herself up at a certain point: on the left-hand side of the road she thought she was seeing some kind of ghostly apparition running toward them in the beam of the headlights. Simon Cau braked. He knew exactly where he was, he also knew the boy lurching at them, yet he brought the car to a halt in a kind of trance.

“The water’s coming!”

It was his nephew, Marien Cau, who was poking his windblown head through the open car window. The boy had studied advanced agricultural economy, but the only thing that counted for his widowed, childless uncle was that he had proved himself to be perfect with horses.

“Are you heading for the stables?”

“Yes.”

The two of them consulted for a moment, while Cau, prey to some wild, rising impatience, kept peering through the windshield in the direction of the dike, which here, right in the Grevelingen, rose a good twenty feet above the official Normal Amsterdam Water Level. The boy, they agreed, should continue to his uncle’s farm without delay, where the animal quotient consisted of not just the ten horses that were the pride and joy of both uncle and nephew but also thirty cows. It was almost two thirty in the morning, it was not yet high tide, and neither Simon nor Marien Cau had yet seen the water come right over the dike. Nevertheless, they agreed that the boy should untie the cows for safety’s sake. The cowshed was low-lying. The road, and the inner dike, ran approximately five feet higher. It was an impulsive thought, and not illogical, but neither of them had ever tested it as an emergency measure. This night Marien would indeed herd the cows out up onto the dike, and his uncle, unable to reach the farm anymore, would be able to watch from a window on the other side of the road to see it being done. But the cows, all thirty of them, would be found some weeks later by a group of men nicknamed the cadaver team, their bloated bodies dragged up out of the mud. The cowshed being the only thing they knew, they had swum back to it in the darkness. The horses …

Horses are something else. It is certain that Simon Cau told his nephew and chosen successor to get to the horses first, as soon as he reached the farm, to talk to them, calm them down, and watch over them till his uncle returned from his mission. But nothing happened that way. Two of the horses, the heaviest and most handsome, were photographed some days later by a journalist in a boat. They had been standing for more than fifty hours in water by then, up to their nostrils at first, then even up to their withers as time went on. The photo, intended to be a prize shot, was for the next day’s paper. Two horses, about sixty feet between them, turned away from the camera lens in a gray-white rectangle of endless sea. That they had been intelligent enough to remain on the dike can be seen from some things sticking up from the water in front of them, and the parapet of a bridge. The two horses seem to find themselves in some mysterious harmony with their hopeless situation. In exactly the same poses, heads turned a little to the left in the direction of the wind, they stare at the water, each moved independently by the same feeling of deep sadness that they are the only creatures surviving on earth.

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