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Clemens Meyer: All the Lights

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Clemens Meyer All the Lights

All the Lights: краткое содержание, описание и аннотация

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A man bets all he has on a horserace to pay for an expensive operation for his dog. A young refugee wants to box her way straight off the boat to the top of the sport. Old friends talk all night after meeting up by chance. She imagines their future together…Stories about people who have lost out in life and in love, and about their hopes for one really big win, the chance to make something of their lives. In silent apartments, desolate warehouses, prisons and down by the river, Meyer strikes the tone of our harsh times, and finds the grace notes, the bright lights shining in the dark.

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Maybe Wolfgang hadn’t written for so long because he’d taken Maria Pilar to Brazil. He was certain the two of them had long since seen Sugarloaf Mountain. The light went out automatically, and he switched it on again and jangled his keys as he walked up to his flat. He tried to jangle his keys so it sounded kind of South American. What did they dance in Brazil? Salsa, cha-cha-cha? He’d bought himself a book about Brazil; it had said something about samba schools, next to photos of beautiful women wearing next to nothing, decorated with sequins and feathers. He had sat at the kitchen table night after night looking at the photos, not just the ones of the beautiful women. The Church of São Francisco with all its gold, the white foaming waterfalls of Iguaçu, Guanabara Bay off Rio de Janeiro. He jangled his keys, stamping his feet as he walked, and then he started whistling, trying to whistle a tune that matched with the jangling and stamping. Once he reached his front door on the fourth floor he went silent and took a deep breath.

‘I’m standing on the peak of Sugarloaf Mountain, looking down at Guanabara Bay. It’s night, and there are lights everywhere on the little islands, and between the islands and further out are the lights of the ships. Behind me the sky is bright, no stars. Rio de Janeiro.’

THE SHOTGUN, THE STREET LAMP AND MARY MONROE

The room I’m sitting in is pretty small and shitty. There are shittier rooms, in jail and that.

No. I open my eyes. I’m not in my little room at all, my little one-room flat, I like my little one-room flat, but I kind of lost control of everything there. There’s too much stuff on the floor, the shelves are empty; just a few plates on them with dried-on leftovers. And now that the weather’s getting warmer the flies and other creepy-crawlies are having a ball, and it’s all theirs now because I don’t go to my little flat any more. But I took my shotgun with me. It’s a great shotgun, an air rifle, 177 calibre. It’s a spring-piston rifle; you have to pull back the cocking lever before every shot to produce the air pressure. The butt and the shaft of my shotgun are made of beautiful brown wood and the gun looks pretty real, like a carbine. But it’s not as if I take my shotgun with me everywhere. It’s actually a shotgun for at home. I used to spend hours shooting at the flies. Once I got a spider, one of those long, thin-legged spiders that don’t live in webs. Got it right in the middle of its little body. I didn’t hit first time — the wall and ceiling were covered in bullet holes, and when I did hit it its little body got stuck in the wall and the long thin legs kept moving for a while. That did my head in. I chucked the gun in the corner, and if I’d been religious I’d have said a prayer for that poor spider. But that’s stupid really; I’ve never had a good relationship with spiders. I don’t have a good relationship with a lot of people, but I’ve never actually shot one. I have to admit, I’m scared of a lot of people and all, just like I’m scared shitless of spiders. Like, there’s a bar down on the ground floor of the building where my one-room flat is, the flat I’ve left to the flies and all the other creepy-crawlies. It’s called ‘Feasters’ Retreat’, and there are always hundreds of Neo-Nazis in there, feasting. Usually on beer and spirits. I’ve had a drink in there once or twice, and every time I wished I’d taken my shotgun down with me. But I bet they’d only have laughed at my beautiful spring-loader. You can do a lot of damage with the butt, though. And the thing has a twenty-shot magazine, and I wouldn’t very much like to get one of those 0.177-inch balls of lead in the eye.

‘Sweetheart,’ I call out. ‘Sweetheart,’ and then I hide my shotgun under the sofa. She doesn’t like my shotgun, that’s why. I don’t know if she can see me; the bedroom door’s open. My sweetheart doesn’t like my shotgun, so I only get it out when my sweetheart’s in the bedroom. But she’s not asleep. She’s lain down in bed because she’s angry with me.

Oh shit, what have I done now? ‘Sweetheart,’ I call out, making my voice all gentle, the way she likes it. I’m a master at making my voice gentle the way women like it. But my sweetheart’s the only one I want to love my gentle seduction voice. And I really love that girl, even when she’s angry with me and hiding in the bedroom. And I think she loves me too, or she wouldn’t have stuck it out with me so long in my one-room flat. She already had her flat back then, the one I’m in now, but the thing was I couldn’t leave my flat, I used to hide out in bed, and she’d sit on the edge of the bed and wipe my forehead and really sweet things like that. She didn’t even have a go at me for having my shotgun in bed next to me. The shotgun had to go though, whenever she slept next to me. But I was clever; I squeezed my little rifle in the wee gap between the wall and the bed so I could always get at it. I can’t say I was in a very good way back then, even when my sweetheart slept next to me. And I could never have imagined such a great girl sleeping in my bed and me not getting it up. Oh well, I guess she didn’t expect it of me in those days. But shit, I expected it of me, because I loved her so much, shit, I still love her so much.

‘Sweetheart,’ I call again in my gentle seduction voice, ‘Please don’t be angry with me any more, please, please, please.’

And then I hear her over in the bedroom, saying something really softly; she’s got a real talent for talking so softly that I go all quiet and calm too. ‘No, no,’ I say, ‘you mustn’t worry, I’m staying here, I’m staying here with you until we’ve got through it all.’

And then she says something else, and I want her to come out of there at last, I want her to come to me, I’ve hidden the shotgun especially, I want her to come to me on the sofa with the shotgun hidden underneath it, and then I want us to sit on the sofa and I’ll rest my head on her chest and she’ll stroke my hair. I let my hair grow especially for her. I’d always trimmed my hair down to a grade one or two. That was to do with the way I’m scared of a lot of people. No, no, it was nothing to do with being scared of spiders. Mind you, what happens when a big spider drops on your head when your hair’s so short, almost shaved off? Does it slip right off again or can it hold on better with its long legs than on a full head of hair? ‘Take the shotgun, sweetheart, and shoot that giant spider off my head please.’

So now I have a real quiff, like James Dean or Elvis, and I have to say I like it much better than that short stubble on my head. I always used to tell myself, well if one of those people you’re so scared of wants to get you one day — and shit, that’s happened often enough — where’s he going to grab hold of you if you’ve hardly got any hair on your head? But I’m not scared any more when my sweetheart’s around, not even of spiders. ‘Please, please, please,’ I call, and my voice isn’t as gentle and flattering now as I like it to be. That stupid fear’s coming back now, and I squat down on the floor, and I crawl over to the sofa, wait a moment, wasn’t I just sitting on the sofa? I wish I could crawl under the sofa where my shotgun’s hiding. And I take my shotgun out from under the sofa, stroke its cool rifle and the smooth wood, remove the twenty-shot magazine, filled up to the top with black.177 pellets; they’ll even break windows and street lamps. I lie on the floor like that for a while, the shotgun next to me, and when I’m lying like this my sweetheart can’t see me, I bet, the table’s above me and there are all these bottles on it too. Loads of juice and a bottle of vodka, 120 proof. So we’ve got pure kiwi juice, lemon juice, undiluted, and all this multivitamin shite. I’ve been drinking the lemon juice straight, for days now. Kiwi tastes better, and I only drink the vodka in tiny sips when I can’t take it any more. Lemon juice is supposed to get rid of the really bad pressure, that’s what they told me, and my sweetheart fetched all the different juices so that the bad pressure wasn’t quite so bad. ‘Sweetheart,’ I call out, pressing my beautiful shotgun up close to me, ‘Sweetheart, I’m a walking vitamin C, please, please, please come out here. Please, please, please.’ I always say please three times and sometimes four times, because I love her so much and I’m totally helpless if she doesn’t come out and stay by my side. But my sweetheart’s angry with me and she’s hiding out in bed, and I can’t understand it because when she was asleep yesterday, I haven’t slept for three or four days now, so when she was asleep yesterday and I started out sitting on the bed next to her and watching her sleep, and when she was asleep like that, my God, she looks so beautiful, she looks so gorgeous when she’s asleep, the face is … no, no, no, why am I saying ‘the face’, it’s her face, and it glows, really glows, her face. And as it’s glowing like that with all the lovely blonde hair all around it, I can’t help but think of Monroe. I told her that once, that she looks a bit like Monroe, her lips and her nose, but she just laughed and said I was crazy, but I think she knows it herself really and she’s proud of it too. Got her hair done the same way, or at least a bit like it. I watched a couple of Monroe films with her to prove it, kept on pressing ‘pause’ and saying, ‘Look, Marilyn Monroe, you and Marilyn Monroe.’

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