Colin Barrett - Young Skins - Stories

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Young Skins: Stories: краткое содержание, описание и аннотация

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“A stunning debut…The timeless nature of each story means this collection can — and will — be read many years from now.”—
Making a remarkable entrance onto the Irish and UK literary scene with rave reviews in
and
, Colin Barrett’s
is a stunning introduction to a singular voice in contemporary fiction.
Enter the small, rural town of Glanbeigh, a place whose fate took a downturn with the Celtic Tiger, a desolate spot where buffoonery and tension simmer and erupt, and booze-sodden boredom fills the corners of every pub and nightclub. Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of Irish society; unforgettable characters whose psychological complexities and unspoken yearnings are rendered through silence, humor, and violence.
With power and originality akin to Wells Tower’s
and Claire Vaye Watkins’
these six short stories and one explosive novella occupy the ghostly, melancholic spaces between boyhood and old age. Told in Barrett’s vibrant, distinctive prose,
is an accomplished and irreverent debut from a brilliant new writer.

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‘Now continue,’ he said.

‘With the interrogation?’ Doran smiled. ‘Sorry. We just need our minds taken off the here and now. We’re drowning in morbidity here. You get a lot like us, I imagine, funeral-goers in their maudlin moods.’

The barman, eyes following the terrycloth, shrugged his shoulders. His English was good, but it was impossible to know how much of Doran’s talk the man was following. Without looking up he said, ‘We get everybody.’

Doran gripped the lapels of his suit, flick-wrenched them into tautness. ‘But not us, not us,’ he singsonged. ‘So you were in the army then? In the war, in Bosnia?’

‘Army. Yes. I was.’

‘And that’s when you got that collar?’ Doran said.

The barman grunted again. He put away the cloth and spray, and travelled back up to the spigots. To Eli, he said, ‘Your friend talks a lot of questions.’

‘That he does,’ Eli said, wondering if Doran was going to keep at the guy, and already knowing the answer. Something like fatigue swept over Eli; it would be his job to intercede, to referee or placate if Doran went too far with his escalating provocations, as he so often did.

‘I’m just interested in the world. I’m an interested person,’ Doran pleaded. ‘You must forgive me in advance, like all my other friends,’ and clapped Eli on the back.

The barman grinned again.

‘It was friends did this,’ he said.

‘Friends?’

‘Friends bombing friends. Our own men,’ he raised a hand over his head and whirled it around, miming either falling ordnance or debris or both. ‘Thinking we were not who we are.’

‘Some friends,’ Doran said. ‘Jesus, huh?’ He turned to Eli. ‘Well, Do-kitsch is opening up now, though I couldn’t prise two words out of him earlier.’ He raised his glass to the barman. ‘I’m sorry about your friends. But life goes on, huh? For us, at any rate.’

The barman smiled neutrally and tended to another task beneath the barline. Doran and Eli sipped their drinks. Eli looked to the windows again. It was becoming unbearable, the waiting. He felt a grainy runnel of dust in his throat and he could see, where the light was most acute, the motes scuffling in the bar’s sealed atmosphere. He wanted air. He wanted a cigarette but he also wanted air.

‘They’ll be coming this way any minute now,’ he groaned.

‘Stay put. Keep the head down and stay put,’ Doran said tightly, bolting what was left of his drink and whirling his finger for another.

‘You are not going to your funeral?’ the barman asked.

‘Doesn’t look like it,’ Doran said.

‘Why?’

‘Ah, because we’re scared,’ Doran said.

‘Scared,’ the barman repeated, huffing amusedly through his nostrils.

‘We’re not,’ Eli said, annoyed at Doran’s insistence upon this point, even if it was true.

There was a lapse into silence, and Eli waited for Doran to fill the void. But it was the barman who spoke next.

‘Well, I tell you,’ he said, ‘you made me a little strange when you come in?’

‘Me?’ Doran practically squealed with delight.

‘Yes.’

‘Why?’ Doran asked.

‘I tell you,’ the barman said. ‘You see you look like a man, exactly like a man I saw in the street. In the city, in the siege,’ he said.

Doran looked at Eli then turned back to the barman.

‘Good fuck, go on,’ he demanded.

‘This man, he was trying to get to a woman and child. This is with the shooting, the bombs, every day, all day. Snipers in their holes, up high. Shooting all day. The noise of the bullets whizzing and whizzing in the air. The woman and child — maybe his wife, his daughter? They were already gone. In the street.’ The barman held his hands vertically out, palms facing each other, then pressed them in close. ‘In a thin . .? Alley ? One and one.’ Now his fingers pinched adjacent spots in the channel he had shaped in the air, placing the little bodies. ‘And after a long quiet time, he come out, running. To get them, this man, you see. Crazy. Running, but too slow. The bullets, whizzing, whizzing. And so,’ a jerk of the shoulder, ‘he is one of them too.’ He pinched a final spot in the air, like he was quenching a candle. ‘He look like you.’

‘He look like me,’ Doran cackled.

‘Yes,’ the barman said. ‘This is why, when you come in. .‘ he raised a finger to his temple, corkscrewed it, ‘and I am back. I am there.’

‘He haunts you,’ Doran said.

‘Who?’ the barman said.

‘The man, the man, the man who looked like me?’

‘Ah!’ The barman hyphenated his brow in reproof of such a notion. ‘Nonono,’ he smiled, ‘I had forgot him. Like this,’ he snapped his fingers. ‘But you walk in today, and so he comes to me. It was a long time ago.’

He put out two more drinks.

‘A long time ago,’ Doran mused in a smooth, declaratory tone, as if he was about to start telling his own story. But all he did was scratch at the stubble on his chin.

‘Yes. Now please excuse, I must—‘ the barman forked two fingers in front of his lips and mimed exhaling, then pointed to the door.

‘I’ll join you,’ Eli said.

‘You’re going out there?’ Doran said.

‘It will be fine,’ the barman said. ‘Please, do not interfere again with the taps. I will be right back.’

Eli held the door. The barman strode through, so tall he had to duck to avoid the lintel. Doran watched them go over the rim of his glass.

Outside the sky was a dismal monochrome. The men arranged themselves side by side on the lane’s narrow pavement in front of the tavern. The cemetery wall ran tall. There were trees on the other side, their thickly leaved and shadowed branches jostling above the stone. The barman was watching them. He had conjured already from somewhere a cigarette into his mouth. Unlit, he ignored it and stared fixedly ahead, his face in profile intent yet expressionless. In fact not a part of his body was moving; it was as if he had switched himself off. Such self-effacing stillness, Eli thought, must be a useful trait in a barman, who was after all only required to exist at specific intervals.

Eli nervously bumped a pack of cigarettes from his suit jacket. When he proffered a light the barman became abruptly animate again, turning to Eli with an appreciative grin. Eli lit them up, one and one. Wisps of smoke zipped away on a wind he could barely feel.

‘I have a wife and child,’ Eli announced.

‘Yes,’ the barman said tonelessly, as if this disclosure was to him a drearily familiar fact.

‘Your story,’ Eli went on. ‘About the guy in the alley. His wife and kid. I have a wife and kid,’ and felt instantly facile for having invoked the comparison.

The barman said nothing. He began to rock curtly to and fro on his heels, lending the impression he was shivering, although it was not unusually cold. He looked up the lane, down it, and then back at the trees; the smaller branches were in a state of continual minor agitation.

‘It was a story,’ the barman said finally, with flat finality. ‘Your friend made me remember.’

‘Were you the one shooting?’ Eli said.

The barman looked at Eli’s eyes; not into, but at. Eli considered the possibility that this man deserved his scars — deserved worse, perhaps — but how would you ever know? Balanced against the doubt that his grievous little anecdote was either entirely fabricated or so extensively embellished as to be practically fiction was the doubt that it was not.

The barman took a dainty drag of his cigarette — he was smoking with such hallucinatory slowness that Eli was beset by the misimpression his cigarette had not diminished at all — and held the smouldering cylinder towards Eli.

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