T. Boyle: If the River Was Whiskey

I paused to draw in a breath so deep it might have been a sigh. “I’m sorry,” I whispered, giving her a doglike look of contrition. “I didn’t know.”

She reached out then and touched my hand — touched it, skin to skin — and murmured that it was all right, she’d been through worse. “If you want to know,” she breathed, “I like places like this.”

I glanced around. The place was still empty, but for Helmut, in a blinding white jumpsuit and toque, studiously polishing the tile walls. “I know what you mean,” I said.

We dated for a month — museums, drives in the country, French and German restaurants, ice-cream emporia, fern bars — before we kissed. And when we kissed, after a showing of David and Lisa at a revival house all the way up in Rhinebeck and on a night so cold no run-of-the-mill bacterium or commonplace virus could have survived it, it was the merest brushing of the lips. She was wearing a big-shouldered coat of synthetic fur and a knit hat pulled down over her brow and she hugged my arm as we stepped out of the theater and into the blast of the night. “God,” she said, “did you see him when he screamed ‘You touched me!’? Wasn’t that priceless?” Her eyes were big and she seemed weirdly excited. “Sure,” I said, “yeah, it was great,” and then she pulled me close and kissed me. I felt the soft flicker of her lips against mine. “I love you,” she said, “I think.”

A month of dating and one dry fluttering kiss. At this point you might begin to wonder about me, but really, I didn’t mind. As I say, I was willing to wait — I had the patience of Sisyphus — and it was enough just to be with her. Why rush things? I thought. This is good, this is charming, like the slow sweet unfolding of the romance in a Frank Capra movie, where sweetness and light always prevail. Sure, she had her idiosyncrasies, but who didn’t? Frankly, I’d never been comfortable with the three-drinks-dinner-and-bed sort of thing, the girls who come on like they’ve been in prison for six years and just got out in time to put on their makeup and jump into the passenger seat of your car. Breda — that was her name, Breda Drumhill, and the very sound and syllabification of it made me melt — was different.

Finally, two weeks after the trek to Rhinebeck, she invited me to her apartment. Cocktails, she said. Dinner. A quiet evening in front of the tube.

She lived in Croton, on the ground floor of a restored Victorian, half a mile from the Harmon station, where she caught the train each morning for Manhattan and her job as an editor of Anthropology Today. She’d held the job since graduating from Barnard six years earlier (with a double major in Rhetoric and Alien Cultures), and it suited her temperament perfectly. Field anthropologists living among the River Dayak of Borneo or the Kurds of Kurdistan would send her rough and grammatically tortured accounts of their observations and she would whip them into shape for popular consumption. Naturally, filth and exotic disease, as well as outlandish customs and revolting habits, played a leading role in her rewrites. Every other day or so she’d call me from work and in a voice that could barely contain its joy give me the details of some new and horrific disease she’d discovered.

She met me at the door in a silk kimono that featured a plunging neckline and a pair of dragons with intertwined tails. Her hair was pinned up as if she’d just stepped out of the bath and she smelled of Noxzema and pHisoHex. She pecked my cheek, took the bottle of Vouvray I held out in offering, and led me into the front room. “Chagas’ disease,” she said, grinning wide to show off her perfect, outsized teeth.

“Chagas’ disease?” I echoed, not quite knowing what to do with myself. The room was as spare as a monk’s cell. Two chairs, a loveseat, and a coffee table, in glass, chrome, and hard black plastic. No plants (“God knows what sort of insects might live on them — and the dirt , the dirt has got to be crawling with bacteria, not to mention spiders and worms and things”) and no rug (“A breeding ground for fleas and ticks and chiggers”).

Still grinning, she steered me to the hard black plastic loveseat and sat down beside me, the Vouvray cradled in her lap. “South America,” she whispered, her eyes leaping with excitement. “In the jungle. These bugs — assassin bugs, they’re called — isn’t that wild? These bugs bite you and then, after they’ve sucked on you awhile, they go potty next to the wound. When you scratch, it gets into your bloodstream, and anywhere from one to twenty years later you get a disease that’s like a cross between malaria and AIDS.”

“And then you die,” I said.

“And then you die.”

Her voice had turned somber. She wasn’t grinning any longer. What could I say? I patted her hand and flashed a smile. “Yum,” I said, mugging for her. “What’s for dinner?”

She served a cold cream-of-tofu-carrot soup and little lentil-paste sandwiches for an appetizer and a garlic soufflé with biologically controlled vegetables for the entrée. Then it was snifters of cognac, the big-screen TV, and a movie called The Boy in the Bubble , about a kid raised in a totally antiseptic environment because he was born without an immune system. No one could touch him. Even the slightest sneeze would have killed him. Breda sniffled through the first half-hour, then pressed my hand and sobbed openly as the boy finally crawled out of the bubble, caught about thirty-seven different diseases, and died before the commercial break. “I’ve seen this movie six times now,” she said, fighting to control her voice, “and it gets to me every time. What a life,” she said, waving her snifter at the screen, “what a perfect life. Don’t you envy him?”

I didn’t envy him. I envied the jade pendant that dangled between her breasts and I told her so.

She might have giggled or gasped or lowered her eyes, but she didn’t. She gave me a long slow look, as if she were deciding something, and then she allowed herself to blush, the color suffusing her throat in a delicious mottle of pink and white. “Give me a minute,” she said mysteriously, and disappeared into the bathroom.

I was electrified. This was it. Finally. After all the avowals, the pressed hands, the little jokes and routines, after all the miles driven, meals consumed, museums paced, and movies watched, we were finally, naturally, gracefully going to come together in the ultimate act of intimacy and love.

I felt hot. There were beads of sweat on my forehead. I didn’t know whether to stand or sit. And then the lights dimmed, and there she was at the rheostat.

She was still in her kimono, but her hair was pinned up more severely, wound in a tight coil to the crown of her head, as if she’d girded herself for battle. And she held something in her hand — a slim package, wrapped in plastic. It rustled as she crossed the room.

“When you’re in love, you make love,” she said, easing down beside me on the rocklike settee, “—it’s only natural.” She handed me the package. “I don’t want to give you the wrong impression,” she said, her voice throaty and raw, “just because I’m careful and modest and because there’s so much, well, filth in the world, but I have my passionate side too. I do. And I love you. I think.”

“Yes,” I said, groping for her, the package all but forgotten.

We kissed. I rubbed the back of her neck, felt something strange, an odd sag and ripple, as if her skin had suddenly turned to Saran Wrap, and then she had her hand on my chest. “Wait,” she breathed, “the, the thing.”

I sat up. “Thing?”

The light was dim but I could see the blush invade her face now. She was sweet. Oh, she was sweet, my Little Em’ly, my Victorian princess. “It’s Swedish,” she said.