T. Boyle - Riven Rock

He realized he’d gone a bit overboard, but then once he fixated on something he just couldn’t seem to let it go, and his letters became more and more slavish and self-denigrating until even Fu Manchu would have seemed wholesome compared to the Stanley Stanley exposed.

Katherine’s replies were brief and never alluded to his letters, not in the slightest. She wrote of the weather, her mother’s latest contretemps with a milliner or maître d‘, the gustatory habits of the checkered garter snake. She didn’t specifically prohibit him from visiting (though she reminded him of how deeply absorbed she was in her studies), and so he saw his opportunity and took the train for Boston as soon as his mother let him out of bed. The first time — in early October — he stayed on for a week, and then, at the end of November, for two weeks more. He was rewarded for his perseverance by Mrs. Dexter—“Please, Stanley, call me Josephine”—who sat with him in the parlor every night through both of his visits, regaling him with reminiscences of her youth as he worked his way dutifully through the soggy fish-paste sandwiches and poppy seed cakes and pot after pot of undrinkable tea. But it was worth it, because Katherine seemed genuinely pleased to see him, shining like a seal and flush with her accumulation of knowledge, and when she could squeeze a social hour or two into her schedule, she permitted him to take her out to the theater or a concert.

At Christmas, she came to Chicago to stay with a girlfriend while her mother was in Europe, and Stanley was elated. He and Nettie had retreated to Rush Street when the weather turned bitter in the Adirondacks, and though he hadn’t felt up to going back to work yet he’d begun sketching again and had done half a dozen portraits of Katherine in a brown wash over chalk and brown ink — all from a single photograph she’d given him. Of course, he was no good as an artist and had no right to attempt a portrait of her — it would take a Pintoricchio or a Cellini to do justice to her — but still he thought he’d managed to capture something she might find interesting and he’d been wrestling with the idea of another visit to Boston to present her with one of the sketches. Or maybe two of them. Or all six. He could barely restrain himself, bombarding her with flowers and telegrams, sick with the thought that Butler Ames or some other oily competitor was getting the jump on him and yet not wanting to seem overeager, when he got her letter informing him that she was coming to Chicago on the nineteenth to visit Nona Martin, of the upholstering Martins, and he melted away in a sizzle of anticipation like a pat of butter in a hot pan.

When the train arrived, Stanley was waiting at the station with his chauffeur and his new car, a Packard equipped with a tonneau cover for the passenger seat. He was standing there like a sentinel when she stepped down from the train, his arms laden with flowers, three boxes of candy and the most recent of the portraits, wrapped in brown paper. The train was fifteen minutes late and he’d been practicing his smile so long his gums had dried out and somehow managed to stick to the inner lining of his mouth, so he had a bit of trouble with the speech he’d rehearsed. “Katherine,” he cried, taking her hand in an awkward fumble of flowers and candy while the chauffeur negotiated the transfer of her luggage from the porter, “I can’t begin to tell you how much this means to me, your coming here to Chicago — your visit, I mean — because this is the high point of my miserable, foul, utterly worthless existence, and I. I—”

She was wearing a fur coat and the smell of the body-heated air caught in its grip was intoxicating. She lifted the veil of her hat to reveal a smile and two glad and glowing eyes. “Stanley!” she exclaimed. “What a surprise! It’s so thoughtful of you to come meet me, but you didn’t have to go out of your way, really you didn’t.” And then she let out a kind of squeal and fell into the arms of a girl in a fox coat with hair the color of old rope and Stanley felt as if he’d been rejected all over again. But no, this was Nona Martin and she was pleased to meet him — Katherine had told her so much about him — and pleased too to accept a ride in his motorcar.

Stanley was lit up like a bonfire, electrified— Katherine has told me so much about you — as he squeezed in beside the girls, struggling all the while with the framed sketch in its heavy brown wrapping. Katherine was right there, right there beside him, and he could smell her perfume and the sweet mint of her breath. “For you,” he said, handing her the portrait in a confusion of wrists and elbows and the constricting bulk of coats and mufflers and gloves, “I–I hope you won’t be, well, I hope you — I mean, I, uh, I took the liberty of drawing, uh, you —”

She smiled her secret thin-lipped smile, tore away the paper and held the portrait high up to the light as the car banged away over the streets like a roller coaster and all three of them had to hold onto their hats. “It’s beautiful,” she said, and she turned the smile on him now and showed him her teeth, the teeth he loved, and the other girl came into the picture suddenly, her wide grinning seraphic face looming over Katherine’s shoulder, and she was cooing praise too. And Stanley? Well, it was winter in Chicago, the sun weak as milk, the wind howling, ice everywhere, but it was high summer inside of him and all the boats beating across the lake in full sail.

Even then, though, even as he sailed through the streets on the fresh breeze that was Katherine, the heavy seas were building. His mother wasn’t going to let him go without a fight, and when Katherine and Miss Martin came to dinner two nights later, the storm broke in all its fury. Nettie had insisted on a formal eight-course dinner and a guest list of eighteen, including Favill and Bentley and their wives, Cyrus Jr. and his wife, Missy Hammond, Anita (who’d been a widow going on eight years now) and an assortment of dried-up female religious fanatics in their sixties and seventies who hadn’t found anything pleasant to say to anyone since the Battle of Bull Run. She sat at the head of the table, while Cyrus took up the honorary position at the far end, and she seated Katherine across from Stanley and as close to herself as she could bear — that is, with a buffer of one crabbed Presbyterian mummy on her immediate right and another on her left.

The soup had barely touched the table when she cleared her throat to get Katherine’s attention and said, in a voice that was meant to carry all the way down to Cyrus’s end of the table, “And so, Miss Dexter, perhaps, as a scientist, you’d like to give us your opinion of Mr. Charles Darwin and his perversion of everything God tells us in the Bible?”

Katherine looked into Stanley’s eyes a moment and he could see the steel there, case-hardened and inflexible, before she turned to his mother, looking past Mrs. Tuggle, the mummy on her right. “My training has been in the sciences, yes, Mrs. McCormick, and I do tend to take a scientific view of phenomena beyond our ken, but I must remind you that Darwin’s theories are only that: theories.”

There was a silence. Every conversation had died. Anita was staring, Cyrus Jr. fussing with his shirt studs. Favill smirked. The mummies faintly nodded their wizened heads.

“And what is that supposed to mean?” Nettie had knitted her hands in front of her, as if she were praying for strength. “Do you believe in all this sacrilegious bunk or don’t you?”

Katherine sighed. Lifted the water glass to her lips, took a sip and then set it down again, in perfect control. “Since you ask, Mrs. McCormick, I have to say that I do believe in Darwin’s theories as to the origin of our species through evolution. I find his arguments utterly convincing.”