T. Boyle - T. C. Boyle Stories

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Harvey cut him off, turning to Pesky with a wild leer and shouting, “So how’s the kid, what’s his name — Damian?”

Dead silence fell over the room.

Rob and Irene froze, clutching Dixie cups of purple passion to their chests, and Jill, who’d been opening their eyes to the in-fighting, petty abuses, and catastrophic outrages of the food-stamp office where she worked, caught her tongue. Even Steve, Stevie, and Steven snapped to attention. They’d been playfully binding little Soukamathandravaki to one of the dining-room chairs with electrical tape, but at the mention of Damian, they looked round them in unison and vanished.

“You son of a bitch,” Pesky said, his fingers dug so deep in Tootle’s shoulder his knuckles went white. “You crippled fascist Marine Corps burnout.”

Harvey jerked his big head to one side and spat on the floor.

“What’d they give him, life plus a hundred and fifty years? Or’d they send him to Matteawan?”

“Hey,” Irene shouted, a desperate keening edge to her voice, “hey, do you guys remember all those wild pranks we used to pull back in high school?” She tore across the room, waving her Dixie cup. “Like, like when we smeared that black stuff on our faces and burned the Jewish star on Dr. Rosenbaum’s front lawn?”

Everyone ignored her.

“Harv,” Hal said, reaching out to take his arm, but Harvey jerked violently away—“Get your stinking hands off me!” he roared — before he lost his balance and fell with a sad clatter of aluminum into the California dip.

“Serves you right, you bitter son of a bitch,” Pesky growled, standing over him as if they’d just gone fifteen rounds. “The crippled war hero. Why don’t you show us your scars, huh?”

“Pesky,” Hal hissed, “leave it, will you?”

Rob and Irene were trying to help Harvey to his feet, but he fought them off, sobbing with rage. There was California dip on the collar of his campaign jacket. Hairless and pale, with his quivering jowls and splayed legs, he looked like a monstrous baby dropped there on the rug.

“Or the time Pesky ran up in front of Mrs. Gold’s class in the third grade and did squat thrusts till he passed out, remember that?” Irene was saying, when the room was rent by a violent, predatory shriek, as if someone had torn a hawk in half. It was Tootle. She twisted out from under Pesky’s arm and slammed her little white fist into his kidney. “You,” she sputtered, “who are you to talk, lording it over Harvey as if he was some kind of criminal or something. At least he fought for his country. What’d you do, huh?” Her eyes were swollen. There was a froth of saliva caught in the corner of her mouth.

Pesky swung around. He was wearing his trademark Levi’s — jeans, jacket, sweatshirt, socks, and big-buckled belt. If only they made shoes, he used to say. “Yeah, yeah, tell us about it,” he sneered, “you little whore. Peddling your ass just like—”

“Canada, that’s what you did about it. Like a typical wimp.”

“Hey, hold on,” Hal said, lurching out of the corner in his parachute pants, “I don’t believe this. We all tried to get out of it — it was a rotten war, an illegal war, Nixon’s and Johnson’s war — what’s the matter with you? Don’t you remember?”

“The marches,” Irene said.

“The posters,” Rob joined in.

“A cheap whore, that’s all. Cover girl, my ass.”

“Shut up!” Tootle shrieked, turning on Hal. “You’re just as bad as Pesky. Worse. You’re a hypocrite. At least he knows he’s a piece of shit.” She threw back a cup of purple passion and leveled her green-eyed glare on him. “And you think you’re so high and mighty, out there in Hollywood — well, la-de-da, that’s what I say.”

“He’s an artist,” Harvey said from the floor. “He co-wrote the immortal script for the ‘Life with Beanie’ show.”

“Fuck you.”

“Fuck you too.”

And then suddenly, as if it signaled a visitation from another realm, there was the deep-throated cough of a precision engine in the driveway, a sputter and its dying fall. As one, the seven friends turned to the door. There was a thump. A knock— dat dat-dat-dat da. And then: “Allo, allo, anybody is home?”

It was Enzo. Tall, noble, with the nose of an emperor and a weave of silver in his hair so rich it might have been hammered from the mother lode itself. He was dressed in a coruscating jumpsuit with Pennzoil and Pirelli patches across the shoulder and chest, and he held his crash helmet in his hand. “Baby,” he said, crossing the room in two strides and taking Tootle in his arms, “ciao.”

No one moved. No one said a thing.

“Beech of a road,” Enzo said. “Ice, you know.” Outside, through the open door, the sleek low profile of his Lazaretto 2200 Pinin Farina coupe was visible, the windshield plated with ice, sleet driving down like straight pines. “Tooka me seventeen and a half minutes from La Guardia — a beech, huh? But baby, at least I’m here.”

He looked round him, as if seeing the others for the first time, and then, without a word, crossed the room to the stereo, ran a quick finger along the spines of the albums, and flipped a black platter from its jacket as casually as if he were flipping pizzas in Napoli. He dropped the stylus, and as the room filled with music, he began to move his hips and mime the words: “Oooh-oooh, I heard it through the grapevine …”

Marvin Gaye. Delectable, smooth, icy cool, ancient.

Pesky reached down to help Harvey from the floor. Jill took Hal’s arm. Rob and Irene began to snap their fingers and Enzo swung Tootle out into the middle of the floor.

They danced till they dropped.

(1987)

A BIRD IN HAND

No, jutty, frieze,

Buttress, nor coign of vantage, but this bird

Hath made his pendent bed and procreant cradle.

— Macbeth, I. vi.

1980

They come like apocalypse, like all ten plagues rolled in one, beating across the sky with an insidious drone, their voices harsh and metallic, cursing the land. Ten million strong, a flock that blots out the huge pale sinking sun, they descend into the trees with a protracted explosion of wings, black underfeathers swirling down like a corrupt snow. At dawn they vacate the little grove of oak and red cedar in a streaming rush, heading west to disperse and feed in the freshly seeded fields; at dusk they gather like storm clouds to swarm back to their roost. Ten million birds, concentrated in a stand of trees no bigger around than a city block — each limb, each branch, each twig and bole and strip of bark bowed under the weight of their serried bodies — ten million tiny cardiovascular systems generating a sirocco of heat, ten million digestive tracts processing seeds, nuts, berries, animal feed, and streaking the tree trunks with chalky excrement. Where before there had been leafspill, lichened rocks, sunlit paths beneath the trees, now there are foot-deep carpets of bird shit.

“We’ve got a problem, Mai.” Egon Scharf stands at the window, turning a worn paperback over in his hand. Outside, less than a hundred feet off, ten million starlings squat in the trees, cursing one another in a cacophony of shrieks, whistles, and harsh check-checks. “Says here,” holding up the book, “the damn birds carry disease.”

A muted undercurrent of sound buzzes through the house like static, a wheezing, whistling, many-throated hiss. Mai looks up from her crocheting: “What? I can’t hear you.”

“Disease!” he shouts, flinging the book down. “Stink, fungus, rot. I say we got to do something.”

“Tut,” is all she says. Her husband has always been an alarmist, from the day Jack Kennedy was shot and he installed bulletproof windows in the Rambler, to the time he found a single tent-caterpillar nest in the cherry tree and set fire to half the orchard. “A flock of birds, Egon, that’s all — just a flock of birds.”

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