T. Boyle - T. C. Boyle Stories

The sand flared with reflected light, the surf broke away to the horizon beneath the blinding ache of the sky, I felt my legs under me, and there it was, the moment, the face of it, lying there in the wash like some elaborate offering to the gulls. A man, big-bellied and dark, his skin slick with the wet, lay facedown in the sand as if he’d been dropped from the clouds. The boy choked and pleaded, too wrought up even for tears, the story I didn’t want to hear spewing out of him in a language I couldn’t comprehend, and I bent to the man and turned him over.

He wasn’t sleeping. No sleep ever looked like that. The eyes were rolled back in his head, white flecks of vomit clung to his lips and stained the dead drooping mustache, and his face was huge, bloated, and if it had been pumped up with gas, as if in a minute’s time a week had elapsed and all the rot inside him was straining to get out. There was no one else in sight. I straddled that monstrous head, cleared the dark slab of the tongue, pressed the side of my face to the sand-studded chest. I might have heard something there, faint and deep, the whisper of the sea in a smooth scalloped shell, but I couldn’t be sure.

“Mi padre,” the boy cried, “mi padre.” I was a lifesaver. I knew what to do. I knew the moment had come to pinch shut those gaping nostrils, bend my lips to the dark hole beneath the vomit-flecked mustache and breathe life into the inert form beneath me, mouth to mouth.

Mouth to mouth. I was sixteen years old. Five and a half billion of us on the planet, and here was this man, this one, this strange dark individual with the unseeing eyes and lips slick with phlegm, and I couldn’t do it. I gave the boy a look, and it was just as if I’d pulled out a handgun and shot him between the eyes, and then I got to my feet in a desperate scramble — think of a kitten plucked from the sleeping nest of its siblings, all four paws lashing blindly at the air — got to my feet, and ran.

My own father died when I was an infant, killed in a plane crash, and though I studied photos of him when I was older, I always pictured him as some faceless, mangled corpse risen from the grave like the son in “The Monkey’s Paw.” It wasn’t a healthy image, but there it was.

My mother was different. I remember her as being in constant motion, chopping things on the drainboard while the washer chugged round, taking business calls — she was an accountant — and at the same time reaching for the sponge to scrub imaginary fingerprints off the white kitchen phone, all in a simultaneous and never-ceasing whirl. She died when I was thirty-two — or “passed on,” as she would have had it. I wasn’t there. I don’t know. But as I’ve heard it told, digging round the crust of politesse and euphemism like an archaeologist unearthing a bone, there was no passing to it at all, no gentle progress, no easeful journey.

She died in public, of a heart attack. An attack. A seizure. A stroke. Violent and quick, a savage rending in the chest, no passing on, no surcease, no privacy, no dignity, no hope. She was shopping. At Safeway. Five-thirty in the afternoon, the place packed to the walls, the gleaming carts, this item and that, the little choices, seventeen point five cents an ounce as opposed to twenty-two point one. She writhed on the floor. Bit her tongue in two. Died. And all those faces, every one of them alive and condemned, gazing down on her in horror, all those dinners ruined, all that time wasted at the checkout counter.

We all knew Jamie would be the first of us to go. No one doubted it, least of all Jamie himself. He courted it, flaunted it, rented his videos and tried, in his own obsessive, relentless way, to talk it to death. Every time he got in his car, even to drive to the corner for a pack of cigarettes, it was like the start of the Indianapolis 500. He picked fights, though he was thirty years old and should have known better, dove out of airplanes, wrecked a pair of hang gliders. When he took up rock climbing, he insisted on free climbs only — no gear, no ropes, no pitons, only the thin tenuous grip of fingers and toes. I hadn’t seen him in two years. He’d long since left L.A., teaching, any sort of steady job, steady income, steady life. He was in Aspen, Dakar, Bangkok. Once in a while I got a dirt-smeared postcard from out of the amazing pipeline, exotic stamps, a mad trembling hasty scrawl of which the only legible term was “dude.”

This was the face of Jamie’s death: Studio City, a golden winter afternoon, Jamie on a bench, waiting for the bus. It had rained the week before — the whole week — and the big twisting branches of the eucalyptus trees were sodden and heavy. They have a tendency to shear off, those branches, that’s why the city keeps them trimmed back. Or used to, when there were funds for such things. A wind came up, a glorious dry-to-the-bone featherbed wind off the desert; the trees threw out their leaves and danced. And a single branch, wide around as any ordinary tree, parted company with the trunk and obliterated my friend Jamie, crushed him, made dog meat of him.

Am I too graphic? Should I soften it? Euphemize it? Pray to God in His Heaven?

When the phone rang and I heard the long-forgotten but unmistakable tones of an old high school sometime acquaintance — Victor, Victor Cashaw — I knew what he was going to say before he knew it himself. I set down the phone and gazed through the kitchen to the patio, where Linda, my wife, lay stretched out on a rattan sofa, absorbed in a magazine that revealed all the little secrets of nail acrylics and blusher and which towel to use when you wake up at his house. For all I knew, she could have been pregnant. I walked straight out the door, climbed into the car and drove down the block to Video Giant.

In a way, it was perversely gratifying to see that the 100 Faces of Death series had grown to twenty volumes, but it was Volume IV that I wanted, only that. At home, I slipped quietly into the den — Linda was still there, still on the patio sofa, still motionless but for the beat of her eyes across the page — and inserted the cassette into the slot in the machine. It had been nine years, but I recognized Renaldo as if I’d seen him yesterday, his dilemma eternal, his sweat inexhaustible, his eyes forever glossy. I watched the lovely assistant slide toward panic, focused on the sliver of straw clenched between Renaldo’s gleaming teeth. When did he realize? I wondered. Was it now? Now?

I waited till the moment came for him to drop the straw. Poor Renaldo. I froze it right there.

(1992)

All he wanted was a quarter, fifty cents, a dollar maybe. The guy was a soft touch, absolutely — the softest. You could see it in the way he clutched the suitcase with his big-knuckled hairy old hands and kept blinking his eyes as if he’d just got out of bed or something. People were spilling out of the train, the usual crush — a scrawny black woman with the pale splash of a birthmark on her face and two angry-looking kids clinging to her dress, a tight little clump of pin-eared teenagers, guys with briefcases and haircuts hustling up the ramp with their chop-chop strides — and nobody had spotted the old man yet. Roger stood motionless, twenty feet from him, and waited. Out of the corner of his eye he saw Rohlich holding out his battered Orioles cap to a polyester wonder with sunglasses like a visor, and he saw the look of annoyance, the firm set of the jaw, the brush-off. Rohlich’s voice came back to him like a bad radio over the squeal of the train’s brakes and the scrape and clatter of shoes on the pavement and all the birdy jabber of the arriving and departing: “Hey, who bit you in the ass, man? All I wanted was a quarter—”