T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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He hadn’t actually been out in the yard in a long while — years, it seemed — and when he went out the back door and down the steps he found himself gaping at the bushes all in flower, the trumpet vine smothering the back of the house, and he remembered a time when he cared about all that, about nature and flowers, steer manure and potting soil. Now the yard was as alien to him as the Gobi Desert. He didn’t give a damn for flowers or trees or the stucco peeling off the side of the house and all the trim destroyed with the blast of the sun or anything else. “Booters!” he’d called, angry suddenly, angry at he didn’t know what. “Booters! Here, girl!”

And that was when he fell.

Maybe the lawn dipped out from under him, maybe he stepped in a gopher hole or tripped over a sprinkler head — that must have been it — but the long and short of it was that he was here, on the grass, stretched out like a corpse under the pepper tree, and he couldn’t for the life of him seem to get up.

I’ve never wanted anybody more in my life, from the minute I came home from Rutgers and laid eyes on you, and I don’t care if you are my father’s wife, I don’t care about anything anymore. … Eunice sipped at her drink — vodka and soda, bland as all get-out, but juice gave her the runs — and nodded in complete surrender as the former underwear model-turned-actress fell into the arms of the clip-jawed actor with the ridge of glistening hair that stood up from his crown like a meat loaf just turned out of the pan. The screen faded for the briefest nanosecond before opening on a cheery ad for rectal suppositories, and she found herself drifting into a reverie about the first time Walt had ever taken her in his arms.

They were young then. Or younger. A whole lot younger. She was forty-three and childless, working the checkout desk at the library while her husband ran a slowly failing quick-printing business, and Walt, five years her junior and with the puffed-up chest and inflated arms of the inveterate body builder, taught phys ed at the local high school. She liked to stop in at the Miramar Hotel after work, just to see who was there and unwind a bit after a day of typing out three-by-fives for the card catalogue and collecting fifteen- and twenty-cent fines from born-nasty rich men’s wives with beauty parlor hair and too much time on their hands. One day she came in out of the flaming nimbus of the fog and there was Walt, sitting at the bar like some monument to manhood, his tie askew and the sleeves of his white dress shirt rolled up to reveal the squared-off blocks of his forearms. She sat at one of the tables, ordered a drink — it was vodka and grapefruit in those days, tall — and lit a cigarette. When she looked up, he was standing over her. “Don’t you know smoking’s bad for your health?”

She took her time, crossed her legs under the table and squirmed her bottom around till she was comfortable. She’d seen Ava Gardner in the movies. And Lauren Bacall too. “Tell me that,” she said, slow and languid, drawing it out with the smoke, “when I’m an old lady.”

Well, he laughed and sat down and they got to talking and before long he was meeting her there every afternoon at five while her husband moaned and fretted over last-minute rush jobs and his wife drank herself into oblivion in her own kitchen. And when that moment came — their first embrace — she reached out for his arms as if she were drowning.

But now the screen flickered and The Furious Hours gave way to Riddle Street and she eased back in her chair, the vodka and soda at her lips like recirculated blood flowing back into her, and watched as the heroine — one of the towering sluts of daytime television — carved up another man.

The funny thing was that nothing hurt, or not particularly or any more than usual, what with the arthritis in both knees and the unreconstructed hernia that felt as if some animal was living under his skin and clawing to get out — no, he hadn’t broken anything, he was pretty sure of that. But there was something wrong with him. Desperately wrong. Or why else would he be lying here on his back listening to the grass grow while the clouds became ghosts in winding sheets and fled away to nothing and the sun burned the skin right off his face?

Maybe he was dying, maybe that was it. The thought didn’t alarm him, not especially, not yet, but it was there, a hard little bolus of possibility lodged in his brain. He moved the fingers of his right hand, one by one, just to see if the signals still carried that far, and then he tried the other side, the left, and realized after a long moment that there was nothing there, nothing he could feel anyway. Something whispered in his ear — a single word, stroke —and that was when he began to be afraid. He heard a car go by on the street out front of the house, the soughing of the tires, the clank of the undercarriage, the smooth fuel-injected suck of the engine. “Help!” he cried. “Somebody help!”

And then he was looking up into the lace of the pepper tree and remembering a moment on a bus forty-five years ago, some anonymous stop in Kansas or Nebraska, and he on his way to California for the first time and every good thing awaiting him. An old man got on, dazed and scrawny and with a long whittled pole of a neck and a tattered straw hat set way back on his head, and he just stood there in the middle of the aisle as if he didn’t know where he was. Walt was twenty-nine, he’d been in the service and college too, and he wasn’t acquainted with any old people or any dead people either — not since the war anyway. He lifted weights two hours every morning, rain or shine, hot or cold, sick or well, and the iron suffused him with its power like some magic potion.

He looked up at the old man and the old man looked right through him. That was when the driver, oblivious, put the bus in gear and the old man collapsed in his shiny worn suit like a puppet with the strings cut. No one seemed to know what to do, the mother with her mewling baby, the teenager with the oversized shoes, the two doughy old hens with the rolled-in-butter smiles fixed on their faces, but Walt came up out of his seat automatically and pulled the old man to his feet, and it was as if the old guy wasn’t even there, nothing more than a suit stuffed with wadding — he could have propped up ten old men, a hundred, because he was a product of iron and the iron flowed through his veins and swelled his muscles till there was nothing he couldn’t do.

Eunice refreshed her drink twice during Riddle Street, and then she sat through the next program with her eyes closed, not asleep — she couldn’t sleep anymore, sleep was a dream, a fantasy, the dimmest recollection out of an untroubled past — but in a state suspended somewhere between consciousness and its opposite. The sound of a voice, a strange voice, speaking right to her, brought her out of it— It was amazing, just as if she knew me and my whole life and she told me I was going to come into some money soon, and I did, and the very next day I met the man of my dreams —and the first thing she focused on was her husband’s empty chair. Now where had he got himself off to? Maybe he’d gone to lie down, maybe that was it. Or maybe he was in the kitchen, his big arms that always seemed to be bleeding pinioning the wings of the newspaper, a pencil in his big blunt fingers, his drink like liquid gold in the light through the window and the crossword all scratched over with his black, glistening scrawl. Those were skin cancers on his arms, she knew that, tiny dots of fresh wet blood stippling the places where his muscles used to be, but he wouldn’t do anything about it. He didn’t care. It was like his hernia. “I’m going to be dead soon anyway,” he said, and that got her down, it did, that he should talk like that. “How can you talk like that?” she’d say, and he’d throw it right back at her. “Why not? What have I got to live for?” And she’d blink at him, trying desperately to focus, because if she couldn’t focus she couldn’t give him a look, all pouty and frowning, like Marlene Dietrich in Destry Rides Again. “For me, baby,” she’d say. “For me.”

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