T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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She was sitting two rows up from me, and all I could see was her hair, draped in a Medusan snarl of wild demi-dreadlocks over everything within a three-foot radius. Her hair was red — red as in pink rather than carrot-top — and it tended to be darker on the ends but running to the color of the stuff they line Easter baskets with up close to her scalp. She didn’t say here or present or yes or even nod her amazing head. She just cleared her throat and announced, “He was my grandfather.”

I stopped her in the hallway after class and saw that she had all the usual equipment as well as a nose ring and two eyes the color of the cardboard stiffeners you get as a consolation prize when you have to buy a new shirt. “Are you really—?” I began, thinking we had a lot in common, thinking we could commiserate, drown our sorrows together, have sex, whatever, but before I could finish the question, she said, “No, not really.”

“You mean you—?”

“That’s right.”

I gave her a look of naked admiration. And she was looking at me, sly and composed, looking right into my eyes. “But aren’t you afraid you’re going to be on Professor What’s-Her-Face’s shitlist when she finds out?” I said finally.

Victoria was still looking right into me. She fiddled with her hair, touched her nose ring and gave it a quick squeeze with a nervous flutter of her fingers. Her fingernails, I saw, were painted black. “Who’s going to tell her?” she said.

We were complicitous. Instantly. Half a beat later she asked me if I wanted to buy her a cup of ramen noodles in the Student Union, and I said yeah, I did, as if it was something I had any choice about.

We ran through a crust of dead snow in a stiff wind and temperatures that hadn’t risen above minus ten in the past two weeks, and there were a lot of people running with us, a whole thundering herd — up here everybody ran everywhere; it was a question of survival.

In the Union she shook out her hair, and five minutes after we’d found a table in the corner and poured the hot water into the Styrofoam containers of dehydrated mystery food I could still smell the cold she’d trapped there. Otherwise I smelled the multi-layered festering odors of the place, generic to college cafeterias worldwide: coffee, twice-worn underwear, cream of tomato soup. If they enclosed the place in plastic and sealed it like a tomb, it’d smell the same two thousand years from now. I’d never been in the kitchen, but I remembered the kitchen from elementary school, with its big aluminum pots and microwave ovens and all the rest, and pictured them back there now, the cafeteria ladies with their dyed hair and their miserable small-town loutish-husband lives, boiling up big cauldrons of cream of tomato soup. Victoria’s nose was white from the cold, but right where the nose ring plunged in, over the flange of her left nostril, there was a spot of flesh as pink as the ends of her hair.

“What happens when you get a cold?” I said. “I mean, I’ve always wondered.”

She was blowing into her noodles, and she looked up to shoot me a quick glance out of her cardboard eyes. Her mouth was small, her teeth the size of individual kernels of niblet corn. When she smiled, as she did now, she showed acres of gum. “It’s a pain in the ass.” Half a beat: that was her method. “I suffer it all for beauty.”

And of course this is where I got all gallant and silver-tongued and told her how striking it was, she was, her hair and her eyes and — but she cut me off. “You really are his son, aren’t you?” she said.

There was a sudden eruption of jock-like noises from the far end of the room — some athletes with shaved heads making sure everybody knew they were there — and it gave me a minute to compose myself, aside from blowing into my noodles and adjusting my black watchcap with the Yankees logo for the fourteenth time, that is. I shrugged. Looked into her eyes and away again. “I really don’t want to talk about it.”

But she was on her feet suddenly and people were staring at her and there was a look on her face like she’d just won the lottery or the trip for two to the luxurious Spermata Inn on the beach at Waikiki. “I don’t believe it,” she said, and her voice was as deep as mine, strange really, but with a just detectable breathiness or hollowness to it that made it recognizably feminine.

I was holding onto my Styrofoam container of hot noodles as if somebody was trying to snatch it away from me. A quick glance from side to side reassured me that the people around us had lost interest, absorbed once again in their plates of reheated stir fry, newspapers and cherry Cokes. I gave her a weak smile.

“You mean, you’re like really Tim McNeil’s son, no bullshit?”

“Yes,” I said, and though I liked the look of her, of her breasts clamped in the neat interwoven grid of a blue thermal undershirt and her little mouth and the menagerie of her hair, and I liked what she’d done in class too, my voice was cold. “And I have a whole other life too.”

But she wasn’t listening. “Oh, my God!” she squealed, ignoring the sarcasm and all it was meant to imply. She did something with her hands, her face; her hair helicoptered round her head. “I can’t believe it. He’s my hero, he’s my god. I want to have his baby!”

The noodles congealed in my mouth like wet confetti. I didn’t have the heart to point out that I was his baby, for better or worse.

It wasn’t that I hated him exactly — it was far more complicated than that, and I guess it got pretty Freudian too, considering the way he treated my mother and the fact that I was thirteen and having problems of my own when he went out the door like a big cliché and my mother collapsed into herself as if her bones had suddenly melted. I’d seen him maybe three or four times since and always with some woman or other and a fistful of money and a face that looked like he’d just got done licking up a pile of dogshit off the sidewalk. What did he want from me? What did he expect? At least he’d waited till my sister and brother were in college, at least they were out of the house when the cleaver fell, but what about me? I was the one who had to go into that classroom in the tenth grade and read that shitty story and have the teacher look at me like I had something to share, some intimate little anecdote I could relate about what it was like living with a genius — or having lived with a genius. And I was the one who had to see his face all over the newspapers and magazines when he published Blood Ties, his postmodernist take on the breakdown of the family, a comedy no less, and then read in the interviews about how his wife and children had held him back and stifled him — as if we were his jailers or something. As if I’d ever bothered him or dared to approach the sanctum of his upstairs office when his genius was percolating or asked him to go to a Little League game and sit in the stands and yabber along with the rest of the parents. Not me. No, I was the dutiful son of the big celebrity, and the funny thing was, I wouldn’t have even known he was a celebrity if he hadn’t packed up and left.

He was my father. A skinny man in his late forties with kinky hair and a goatee who dressed like he was twenty-five and had a dead black morbid outlook on life and twisted everything into the kind of joke that made you squirm. I was proud of him. I loved him. But then I saw what a monster of ego he was, as if anybody could give two shits for literature anymore, as if he was the center of the universe while the real universe went on in the streets, on the Internet, on TV and in the movie theaters. Who the hell was he to reject me?

So: Victoria Roethke.

I told her I’d never licked anybody’s nose ring before and she asked me if I wanted to go over to her apartment and listen to music and have sex, and though I felt like shit, like my father’s son, like the negative image of something I didn’t want to be, I went. Oh, yes: I went.

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