T. Boyle - T.C. Boyle Stories II - Volume II

By the time the Commissioner had concluded his audience with Vidal and hurried with him out into the rain to see this prodigy for himself, he was surprised to see people in the street, heading in the same direction as he. “Is it true, Citizen Commissioner?” people asked. “They’ve captured the wild child?”

“I hear,” someone else said, and there was a mob of them now, men, women and children, plodding through the rain to Vidal’s cottage, “that he has six fingers on each hand—”

“And toes,” another chimed in. “And he has claws like a cat to climb straight up a wall.”

“He leaps fifty meters in a bound.”

“Blood, he lives on blood that he sucks from the sheep at midnight.”

“Nonsense, nonsense”—one of the village women, Catherine Thibodeaux, appeared at his shoulder, hooded against the storm—“it’s only an abandoned child. Where’s the curé? Call out the curé.”

When they approached the yard, the Commissioner swung round furiously to hush them—“Stay back,” he hissed, “you’ll frighten him”—but the crowd had worked itself into a frenzy of fear and wonderment and they pressed forward like a flock heading to pasture. Everyone crowded round the door, pressing their faces to the windows, and if it weren’t for the impediment of the dye kettle they would have rushed into the room without thinking. Now they hesitated, their voices dropping to a whisper, while Vidal and the Commissioner shifted the kettle aside and stepped into the room, pulling the door fast behind them. The child was there, crouched before the fire, no different from how Vidal had left him, though he didn’t seem to be masticating anything at the moment. Thankfully. What was strange, however, was that he didn’t look up, though certainly he must have been aware of the alien presence in the room and even of the credulous faces pressed to the windows.

The Commissioner was dumbstruck. This child — this thing — was scarred, hunched, filthy, and it gave off a stench of the barnyard, as wild and forlorn as the first upright creature created by God in His own image, the man Adam who was given dominion over the animals and named them in turn. But this was an animal, a kind of ape, the sort of degraded thing Linnaeus must have had in mind when he placed men and apes in the same order of being. And if there was any doubt, there was the fresh coil of its dung, gleaming on the rough planks of the floor.

The fire snapped and hissed. There was a murmur from the crowd pressed up against the windows. “Good God,” he exclaimed under his breath, and then, turning to the dyer, he put to him the only question he could manage, “Is it dangerous?”

Vidal, his house a shambles so that he was embarrassed in front of the Commissioner, merely shrugged. “He’s just a child, Citizen Commissioner, a poor abandoned child, flesh and blood, just like anyone else. But he’s unschooled. He doesn’t know porridge, doesn’t know a bowl, a cup, a spoon, doesn’t know what to do with them—”

Constans-Saint-Estève was in his early forties and dressed in the fashion of Paris as it was before the Revolution. He had a fleshy face and the pouting lips of an epicene. His back still pressed to the door, his eyes locked on the child, he whispered, “Does he speak?”

“Only cries and whimpers. He may be — I think he’s a deaf-mute.”

Overcoming his initial shock, the Commissioner crossed the room and stood over the boy a moment, murmuring blandishments. His scientific curiosity had been re-aroused — this was a rare opportunity. A wonder, really. “Hello,” he said finally, bending at the knees and bringing his bland face into the child’s line of vision, “I am Jean-Jacques Constans-Saint-Estève, Commissioner for Saint-Sernin. And who might you be? What is your name?”

The child stared through him, as if he were insubstantial.

“Do you have a name?”

Nothing.

“Do you understand me? Do you understand French? Or perhaps some other language?” Judging from the coloration of the child’s skin, he might have been Basque, Spanish, Italian. The Commissioner tried out a greeting on him in the languages of these regions, and then, frustrated, clapped his hands together as loudly as he could, right in front of the child’s nose. There was no reaction whatever. The Commissioner looked to Vidal and the pale buds of the faces hung as if on a branch at the near window and pronounced, “Sourd-muet.”

It was then that the villagers could stand it no longer and began to push into the room, one at a time, until the place was crowded to the walls, people trampling the dried leaves and roots scattered across the floor, examining everything — trying, Vidal thought, to discover his secret methods and receipts, which made him uneasy in the extreme, made him suspicious and angry — and it was then that the child came to life and made a bolt for the open door. A cry went up and people leapt back as if a mad dog were among them; in a trice the child was out in the yard, in the rain, galloping on all fours for the curtain of trees at the edge of the field. And he would have made it, would have escaped again back into nature, but for two of the strongest men in the village, men in their twenties, great runners, who brought him to ground and wrestled him back to the open door of the dyer’s cottage. The child writhed in their grip, making a repetitive sound that rattled in his windpipe— uh-uh-uh-uh —and snaking his head round to bite.

It was fully dark now, the light of the fire and a single candle falling through the open door to illuminate the scene. The Commissioner stood there in the doorway, looking down at the child for a long moment, and then he began to stroke the child’s face, pushing the hair back from his brow and out of his eyes so that everyone could see that he was a human child and no dog or ape or demon, and the stroking had the effect it would have on any sentient thing: the child’s breathing slowed and his eyes went distant. “All right,” the Commissioner said, “let him go,” and the men loosened their grip on his limbs and stepped back. For a moment the child just slumped there on the doorstep, glistening with wet and mud, his limbs thin as a cow’s shins, and then he took hold of the hand the Commissioner held out to him and rose quietly to his feet.

—

It was as if some switch had been turned off in the enfant’ s inner apparatus — he came docilely, holding on to the Commissioner’s hand like a novice on the way to church, while the village followed in solemn processional. Along the way, the rain still lashing down and the streets a soup of mud, people tried to get close enough to touch the child, and they shouted out that he fed only on nuts and roots in the woods — and what would he eat now, a blanquette de veau? Boeuf bourguignon? Langouste? The Commissioner didn’t bother to answer, but he was determined to make his own experiment. First he would clothe the boy’s nakedness and then he would offer him an array of foods to see what he would take and in the process he would try to learn something of this prodigy that would benefit society and the understanding of mankind.

Once home, he shut the door on the villagers and instructed his servant to find a garment for the child, and then, while he ordered up his own dinner, he installed the child in the room he used as his study and offices. A fire was laid and the boy went directly to it. In the room were several chairs, a desk, shelves of legal volumes and volumes of natural history and philosophy, the Commissioner’s papers, a freestanding globe and a birdcage of wrought iron. Inside the cage was a gray parrot his late father had brought back from a voyage to Gambia thirty years earlier; her name was Philomène and she could ask, in penetrating tones, for grapes, cherries and nuts, comment on the weather and the state of inebriation of dinner guests and whistle the opening figure of Mozart’s Piano Sonata in A minor. Excited by the prospect of examining the boy at his leisure, the Commissioner stepped out of the room only long enough to mollify his wife and give orders to have various foodstuffs brought to him; when he returned, the boy’s face was pressed against the bars of the cage and Philomène was vainly serenading him with the Mozart.