T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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He turned his head to keep the dirt out of his eyes. Tumbleweeds catapulted across the yard. Scraps of paper and plastic bottles spewed from the trash can in a discontinuous stream, like water blown out of a sprinkler, and he could already hear his mother going on about how somebody had been too lazy and too careless to take one extra second to fasten the raccoon clamps on the lid. He pulled down the brim of his cap, the one Grady had given him, with the silver-and-black F-14 Tomcat on the crown, hiked up his backpack to get the weight off his spine, and went on up the walk and into the house.

In the kitchen, he poured himself a tall glass of root beer and drank it down in a gulp, never so thirsty in his life, then poured another one and took his time with it while his Hot Pocket sizzled in the microwave. He was planning on going out to the shed to see what Grady was doing, but first he flicked on the TV in the kitchen just to have something to do while he was eating, and there was nothing but news on. The news was on because everything was burning everywhere, from Malibu through the San Fernando Valley and into L.A. and Orange County too. On every channel there was a woman with a microphone and some seriously blowing hair standing in front of a burning house and trees gone up like candles — change the channel and all you did was change the color of the woman, blond, black, Mexican, Chinese. Mr. Shields had told them a wildfire could come at you faster than you could run and that was why firemen sometimes burned to death and homeowners too — which was why you had to evacuate when the police came round and told you to. But nobody believed him. How could fire go faster than somebody running all out? He thought of Daylon James, the fastest kid in the school — how nobody could even touch him in flag football, let alone swipe the flag — and the idea seemed preposterous. But there were helicopters on the screen now, the camera jumping from one angle to another, and then just the flames, sheets of them rippling from red to orange to yellow and back, and the black crown of the smoke.

He was picturing himself running as hard as he could through a field of burning bushes and trees as a whole mountain of fire came down on him, and he must have zoned out a minute because when he looked up the TV screen was blank and the LED display on the microwave had switched off. That was when Grady burst through the back door. “Quick,” he said, and he was panting as if he couldn’t catch his breath and his face wasn’t Grady’s face but the face of some crazy person in a horror flick in the instant before the monster catches up to him. “Grab all the ice you can. Quick! Quick!”

They ran out the back door with every scrap of ice from the ice maker in two black plastic bags and the bags rippled and sang with the wind and the dirt blew in their eyes and the door to the shed didn’t want to open and when it did it tore back and slammed against the bleached-out boards like a giant fist. The shed was still cool inside, but the air-conditioning was down — the power was out, through the whole canyon — and already the chinchillas were looking stressed. He and Grady went down all four rows of cages, cages stacked three high with newspapers spread out on top of each row to catch the turds from the cages above, tossing ice cubes inside. Half an hour later, it was up to seventy-eight in the shed and Grady, his eyes jumping in his face like two yellow jackets on a piece of meat, said, “I’m going to make a run down the canyon for ice. You stay here and, I don’t know, take off your shirt and fan them, anything to work up some breeze, and maybe run the hose over the roof and the walls, you know? Just to cool it a little. All we need is a little till the sun goes down and we’ll be all right.”

But they weren’t all right. Even though Grady came back with the trunk of the Camry packed full of ice, thirty bags or more, and they filled the cages with the little blue-white machine-made cubes and draped wet sheets over everything, the heat kept rising. Till it was too hot. Till the chinchillas got heatstroke, one after another. First the standard grays started to die, then the mosaics and the black velvets that were worth twice as much. Grady kept reviving them with ice packs he squeezed around their heads till they came to and wobbled across their cages, but the electricity didn’t come back on and the ice melted and the sun didn’t seem to want to go down that day because it was a sci-fi sun, big and fat and red, and it wanted only to dry out everything in creation. By the time Dill’s mother got back from school—“Sorry I’m late; the meeting just dragged on and on”—the chinchillas were dead, all dead, two hundred and seventeen of them. And the shed smelled the way it still smelled now. Like piss. And shit. And death.

It was a thing they did on Fridays, after work, he and some of his colleagues who tracked CloudSat, the satellite that collected data on global cloud formations for the benefit of meteorologists worldwide, not to mention the local weatherman. They met at a sushi bar in Pasadena, one of those novelty places for gaijin featuring a long oval bar with the chefs in the middle and a flotilla of little wooden boats circling around in a canal of fresh-flowing water from which you plucked one plate or another from the passing boats till the saucers mounted up and the Filipino busboy slid them into his wet plastic tub. It wasn’t authentic. And it wasn’t good, or not particularly. But you could special-order if you liked (which he always did, depending on what the head chef told him was best that day), and, of course, the beer and sake never stopped coming. Sanjuro had already put away two sakes and he was thinking about ordering a beer — or splitting one with Colin, because he was going to have to switch to tea eventually, to straighten himself out for the drive home. He gazed absently down the bar, past his co-workers and the mob of other people crowding in to ply their chopsticks and drip cheap sake into their little ceramic cups as if it were some exotic rite, and saw how the sun took the color out of everything beyond the windows. The cars were white with it, the trees black. What was he doing here?

Colin turned to him then and said, “Isn’t that right, Sange?”

They’d been discussing sports, the usual topic, before they moved on to women, and, inevitably, work. Sanjuro hated sports. And he hated to be called Sange. But he liked Colin and Dick Wurzengreist and Bill Chen, good fellows all, and he liked being here with them, even if he was feeling the effects of the sake on a mostly empty stomach — or maybe because he was. “What?” he heard himself say. “Isn’t what right?”

Colin’s face hung there above half a dozen saucers smeared with soya and a bottle of Asahi with a quarter inch of beer left in it. He was grinning. His eyes looked blunted. “SC,” he said. “They’re thirty-five-point favorites over Stanford, can you believe it? I mean, how clueless do you have to be not to bet against the spread — am I right?”

There was something like merriment in the drawn-down slits of Dick Wurzengreist’s eyes — Dick was drunk — but Bill Chen was involved in a conversation about alternate-side-of-the-street parking with the woman seated beside him and everyone knew the question was for show only, part of a long-standing joke at Sanjuro’s expense. They were all what the average person would call nerds, but it seemed that Sanjuro was the prince of the nerds simply because he didn’t care two pennies for sports. “Yes,” he said, and he wanted to flash a smile but couldn’t seem to summon the energy, “you’re absolutely right.”

Everyone had a laugh over that, and he didn’t mind — it was part of the routine — and then the beer came and things quieted down and Colin began to talk about work. Or not work, so much as gossip revolving around work, how so-and-so kept a bottle in his desk and how another had tested positive for marijuana and then slammed into a deer right out front of the gate, that sort of thing. Sanjuro listened in silence. He was a good listener. But he was bored with gossip and shoptalk too, and when Colin paused to top off both their glasses, he said, “You know that kid I was telling you about? The one that called me a gook?”

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