T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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And then, one bleak changeless morning, the sun like a firebrick tossed in the window and all Caracas up in arms over the abduction— Free Marita was scrawled in white soap on the windows of half the cars in town — he was cracking the eggs over his protein drink when Suspira Salvatoros knocked at the door. “Don Aquiles,” she murmured, sidling into the room in her shy fumbling way, her eyes downcast, “something has come for you. A missive.” In her hand — bitten fingernails, a swell of fat — there was a single dirty white envelope, too thick for a letter and stained with a smear of something he couldn’t name. He felt as if his chest had been torn open, as if his still-beating heart had been snatched out of him and flung down on the carpet with the letter that dropped from his ineffectual fingers. Suspira Salvatoros began to cry. And gradually, painfully, as if he were bending for the rosin bag in a nightmare defeat in which he could get no one out and the fans were jeering and the manager frozen in the dugout, he bent for the envelope and clutched it to him, hating the feel of it, the weight of it, the guilt and horror and accusation it carried.

Inside was a human finger, the little finger of the left hand, two inches of bone, cartilage and flesh gone the color of old meat, and at the tip of it, a manicured nail, painted red. For a long while he stood there, weak-kneed, the finger cold in the palm of his hand, and then he reverently folded it back into the envelope, secreted it in the inside pocket of his shirt, closest to his heart, and flung himself out the door. In the next moment he sprang into the car — the Hummer, and so what if it was the color of poppies and arterial blood, so much the worse for them, the desecrators, the criminals, the punks, and he was going to track them down if it was the last thing he did. Within minutes he’d reached the police headquarters and pounded up the five flights of stairs, the ashen-faced bodyguard plodding along behind him. Without a word for anyone he burst into the Chief’s office and laid the envelope on the desk before him.

The Chief had been arrested in the act of biting into a sweet cake while simultaneously blowing the steam off a cup of coffee, the morning newspaper propped up in front of him. He gave Aquiles a knowing look, set down the cake and extracted the finger from the envelope.

“I’ll pay,” Aquiles said. “Just let me pay. Please, God. She’s all I care about.”

The Chief held the finger out before him, studying it as if it were the most pedestrian thing in the world, a new sort of pen he’d been presented by the Boys’ Auxiliary, a stick of that dried-out bread the Italians serve with their antipasto. “You will not pay them,” he said without glancing up.

“I will.” Aquiles couldn’t help raising his voice. “The minute they call, I swear I’ll give them anything, I don’t care—”

Now the Chief raised his eyes. “Your presumption is that this is your mother’s finger?”

Aquiles just stared at him.

“She uses this shade of nail polish?”

“Yes, I–I assume…”

“Amateurs,” the Chief spat. “We’re onto them. We’ll have them, believe me. And you— assume nothing.”

The office seemed to quaver then, as if the walls were closing in. Aquiles had begun to take deep breaths as he did on the mound when the situation was perilous, runner on first, no outs, a one-run ballgame. “My mother’s in pain,” he said.

“Your mother is not in pain. Not physical pain, at any rate.” The Chief had set the severed finger down on the napkin that cradled the sweet bun and brought the mug to his lips. He took a sip of the coffee and then set the mug down too. “This is not your mother’s finger,” he said finally. “This is not, in fact, even the finger of a female. Look at it. Look closely. This,” he pronounced, again lifting the mug to his lips, “is the finger of a man, a young man, maybe even a boy playing revolutionary. They like that, the boys. Dressing up, hiding out in the jungle. Calling themselves”—and here he let out his bitter laugh—“guerrillas.”

She was a week in the jungle, huddled over a filthy stewpot thick with chunks of carpincho, some with the hide still on it, her digestion in turmoil, the insects burrowing into her, her dress — the shift she’d been wearing when they came for her — so foul it was like a layer of grease applied to her body. Then they took her farther into the jungle, to a crude airstrip — the kind the narcotraficantes employ in their evil trade — and she was forced into a Cessna airplane with El Ojo, the boy with the pitiless eyes and an older man, the pilot, and they sailed high over the broken spine of the countryside and up into the mountains. At first she was afraid they were taking her across the border to Colombia to trade her to the FARC rebels there, but she could see by the sun that they were heading southeast, and that was small comfort because every minute they were in the air she was that many more miles from her home and rescue. Their destination — it appeared as a cluster of frame cottages with thatched roofs and the splotched yawning mouth of a dried-up swimming pool — gave up nothing, not a road or even a path, to connect it with the outside world.

The landing was rough, very rough, the little plane lurching and pitching like one of those infernal rides at the fair, and when she climbed down out of the cockpit she had to bend at the waist and release the contents of her stomach in the grass no one had thought to cut. The boy, her tormentor, the one they called Eduardo, gave her a shove from behind so that she fell to her knees in her own mess, so hurt and confused and angry she had to fight to keep from crying in front of him. And then there were other boys there, a host of them, teenagers in dirty camouflage fatigues with the machine rifles slung over their shoulders, their faces blooming as they greeted Eduardo and El Ojo and then narrowing in suspicion as they regarded her. No one said a word to her. They unloaded the plane — beer, rum, cigarettes, pornographic magazines, sacks of rice and three cartons of noodles in a cup — and then ambled over to a crude table set up in the shade of the trees at the edge of the clearing, talking and joking all the while. She heard the hiss of the first beer and then a chorus of hisses as one after another they popped the aluminum tabs and pressed the cans to their lips, and she stood and gazed up at the barren sky and then let her eyes drop to the palisade of the jungle that went on unbroken as far as she could see.

Within a week, they’d accepted her. There was always one assigned to guard her, though for the life of her she couldn’t imagine why — unless she could sprout wings like a turpial and soar out over the trees she was a prisoner here just as surely as if she’d been locked away in a cell — but aside from that, they gave her free rein. Once she’d recovered from the shock of that inhuman flight, she began to poke through the dilapidated buildings, just to do something, just to keep occupied, and the first thing she found was a tin washtub. It was nothing to collect fragments of wood at the edge of the clearing and to build a fire-ring of loose stone. She heated water in the tub, shaved a bar of soap she found in the latrine, wrapped herself in the blanket they gave her and washed first her hair, then her dress. The boys were drunk on the yeasty warm beer, sporadically shooting at something in the woods until El Ojo rose in a rage from his nap and cursed them, but soon they gathered round and solemnly stripped down to their underwear and handed her their filth-stiffened garments, murmuring, “Please, señora ” and “Would you mind?” and “Me too, me too.” All except Eduardo, that is. He just sneered and lived in his dirt.

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