T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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The night of the Tunguska explosion the skies were unnaturally bright across Europe — as far away as London people strolled in the parks past midnight and read novels out of doors while the sheep kept right on grazing and the birds stirred uneasily in the trees. There were no stars visible, no moon — just a pale, quivering light, as if all the color had been bleached out of the sky. But of course that midnight glow and the fate of those unhappy Siberian reindeer were nothing at all compared to what would have happened if a larger object had invaded the earth’s atmosphere. On average, objects greater than a hundred yards in diameter strike the planet once every five thousand years and asteroids half a mile across thunder down at intervals of three hundred thousand years. Three hundred thousand years is a long time in anybody’s book. But if — when — such a collision occurs, the explosion will be in the million megaton range and will cloak the atmosphere in dust, thrusting the entire planet into a deep freeze and effectively stifling all plant growth for a period of a year or more. There will be no crops. No forage. No sun.

There has been an accident, that is what the voice on the other end of the line is telling my wife, and the victim is Madeline Biehn, of 1337 Laurel Drive, according to the I.D. the paramedics found in her purse. (The purse, with the silver clasp that has been driven half an inch into the flesh under her arm from the force of the impact, is a little thing, no bigger than a hardcover book, with a ribbon-thin strap, the same purse all the girls carry, as if it’s part of a uniform.) Is this her parent or guardian speaking?

I hear my wife say, “This is her mother.” And then, the bottom dropping out of her voice, “Is she—?”

Is she? They don’t answer such questions, don’t volunteer information, not over the phone. The next ten seconds are thunderous, cataclysmic, my wife standing there numbly with the phone in her hand as if it’s some unidentifiable object she’s found in the street while I fumble out of bed to snatch for my pants — and my shoes, where are my shoes? The car keys? My wallet? This is the true panic, the loss of faith and control, the nameless named, the punch in the heart and the struggle for breath. I say the only thing I can think to say, just to hear my own voice, just to get things straight, “She was in an accident. Is that what they said?”

“She was hit by a car. She’s — they don’t know. In surgery.”

“What hospital? Did they say what hospital?”

My wife is in motion now too, the negligee ridiculous, unequal to the task, and she jerks it over her head and flings it to the floor even as she snatches up a blouse, shorts, flip-flops — anything, anything to cover her nakedness and get her out the door. The dog is whining in the kitchen. There is the sound of the rain on the roof, intensifying, hammering at the gutters. I don’t bother with shoes — there are no shoes, shoes do not exist — and my shirt hangs limply from my shoulders, misbuttoned, sagging, tails hanging loose, and we’re in the car now and the driver’s side wiper is beating out of sync and the night closing on us like a fist.

And then there’s Chicxulub. Sixty-five million years ago, an asteroid (or perhaps a comet — no one is quite certain) collided with the earth on what is now the Yucatán Peninsula. Judging from the impact crater, which is one hundred and twenty miles wide, the object — this big flaming ball — was some six miles across. When it came down, day became night and that night extended so far into the future that at least seventy-five percent of all known species were extinguished, including the dinosaurs in nearly all their forms and array and some ninety percent of the oceans’ plankton, which in turn devastated the pelagic food chain. How fast was it traveling? The nearest estimates put it at 54,000 miles an hour, more than sixty times the speed of a bullet. Astrophysicists call such objects “civilization enders,” and calculate the chances that a disaster of this magnitude will occur during any individual’s lifetime at roughly one in ten thousand, the same odds as dying in an auto accident in the next ten months — or, more tellingly, living to be a hundred in the company of your spouse.

All I see is windows, an endless grid of lit windows climbing one atop the other into the night, as the car shoots through the Emergency Vehicles Only lane and slides in hard against the curb. Both doors fling open simultaneously. Maureen is already out on the sidewalk, already slamming the door behind her and breaking into a trot, and I’m right on her heels, the keys still in the ignition and the lights stabbing at the pale underbelly of a diagonally parked ambulance — and they can have the car, anybody can have it and keep it forever, if they’ll just tell me my daughter is all right. Just tell me, I mutter, hurrying, out of breath, soaked through to the skin, just tell me and it’s yours, and this is a prayer, the first of them in a long discontinuous string, addressed to whomever or whatever may be listening. Overhead, the sky is having a seizure, black above, quicksilver below, the rain coming down in wind-blown arcs, and I wouldn’t even notice but for the fact that we are suddenly — instantly — wet, our hair knotted and clinging and our clothes stuck like flypaper to the slick tegument of our skin.

In we come, side by side, through the doors that jolt back from us in alarm, and all I can think is that the hospital is a death factory and that we have come to it like the walking dead, haggard, sallow, shoeless. “My daughter,” I say to the nurse at the admittance desk, “she’s — they called. You called. She’s been in an accident.”

Maureen is at my side, tugging at the fingers of one hand as if she’s trying to remove an invisible glove, her shoulders slumped, mouth set, the wet blouse shrink-wrapping her. “A car. A car accident.”

“Name?” the nurse asks. (About this nurse: she’s young, Filipina, with opaque eyes and the bone structure of a cadaver; every day she sees death and it blinds her. She doesn’t see us. She sees a computer screen, she sees the TV monitor mounted in the corner and the shadows that pass there, she sees the walls, the floor, the naked light of the fluorescent tube. But not us. Not us.)

For one resounding moment that thumps in my ears and then thumps again, I can’t remember my daughter’s name — I can picture her leaning into the mound of textbooks spread out on the dining room table, the glow of the overhead light making a nimbus of her hair as she glances up at me with a glum look and half a rueful smile, as if to say, It’s all in a day’s work for a teenager, Dad, and you’re lucky you’re not in high school anymore, but her name is gone.

“Maddy,” my wife says. “Madeline Biehn.”

I watch, mesmerized, as the nurse’s fleshless fingers maneuver the mouse, her eyes fixed on the screen before her. A click. Another click. The eyes lift to take us in, even as they dodge away again. “She’s still in surgery,” she says.

“Where is it?” I demand. “What room? Where do we go?”

Maureen’s voice cuts in then, elemental, chilling, and it’s not a question she’s posing, not a statement or demand, but a plea: “What’s wrong with her?”

Another click, but this one is just for show, and the eyes never move from the screen. “There was an accident,” the nurse says. “She was brought in by the paramedics. That’s all I can tell you.”

It is then that I become aware that we are not alone, that there are others milling around the room — other zombies like us, hurriedly dressed and streaming water till the beige carpet is black with it, shuffling, moaning, clutching at one another with eyes gone null and void — and why, I wonder, do I despise this nurse more than any human being I’ve ever encountered, this young woman not much older than my daughter, with her hair pulled back in a bun and the white cap like a party favor perched atop it, who is just doing her job? Why do I want to reach across the counter that separates us and awaken her to a swift sure knowledge of hate and fear and pain? Why?

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