T. Boyle - T.C. Boyle Stories II - Volume II

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A second volume of short fiction — featuring fourteen uncollected stories — from the bestselling author and master of the form. Few authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998,
brought together the author’s first four collections to critical acclaim. Now,
gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.
By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.
Mordant wit, emotional power, exquisite prose: it is all here in abundance.
is a grand career statement from a writer whose imagination knows no bounds.

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“But you’re okay, right — both of you? You need anything — dinner? We can make you dinner, full menu tonight.”

For the first time, Ontario spoke up. “Dinner would be nice,” she murmured. Her hair was tangled and wet, her face bleached of color. “We haven’t really eaten since lunch yesterday, I guess.”

“Except for some beef jerky,” Zach put in, just for the record. “And two power bars.”

The big man straightened up. He was beaming at them, his eyes jumping from Zach to Ontario and back again. “Good,” he said, rubbing his hands as if he’d just stepped away from the grill, as if the steaks had already been flipped and the potatoes were browning in the pan, “fine. Well, listen, you make yourselves comfortable, and if there’s anything else, you just holler.” He paused. “By the way,” he added, leaning in to brace himself on the back of the chair, “you have a place to stay for the night?”

The fire snapped and spat. It was all winding down now. Zach put the mug to his lips and felt the hot jolt of the coffee like a bullet in the back of his throat. He didn’t look at Ontario, didn’t pat her hand or slip an arm round her shoulders. “We’re going to need a room,” he said, gazing up at the man, and in the space of that instant he could hear the faint hum of the wings and the beat of the paws and the long doomed drumming of the hooves before Ontario corrected him.

“No,” she said. “Two rooms.”

(2004)

Jubilation

I’ve been living in Jubilation for almost two years now. There’s been a lot of change in that time, both for the better and the worse, as you might expect in any real and authentic town composed of real and authentic people with their iron-clad personalities and various personal agendas, but overall I’d say I’m happy I chose the Contash Corp’s vision of community living. I’ve got friends here, neighbors, people who care about me the way I care about them. We’ve had our crises, no question about it — Mother Nature has been pretty erratic these past two years — and there isn’t a man, woman or child in Jubilation who isn’t worried about maintaining property values in the face of all the naysaying and criticism that’s come our way. Still, it’s the people this whole thing is about, and the people I know are as determined and forward-looking a bunch as any you’d ever hope to find. We’ve built something here, something I think we can all be proud of.

It wasn’t easy. From the beginning, everybody laughed behind my back. Everybody said, “Oh, sure, Jackson, you get divorced and the first thing you do is fly down to Florida and live in some theme park with Gulpy Gator and whoever — Chowchy the Lizard, right? — and you defend it with some tripe about community and the New Urbanists and we’re supposed to say you’re behaving rationally?” My ex-wife was the worst. Lauren. She made it sound as if I was personally going to drive the Sky Lift or slip into a Gulpy suit and greet people at the gates of Contash World, but the truth is I was a pioneer, I had a chance to get into something on the ground floor and make it work— sacrifice to make it work — and all the cynics I used to call friends just snickered in their apple martinis as if my post-divorce life was some opera bouffe staged for their amusement.

Take the lottery. They all thought I was crazy, but I booked my ticket, flew down to Orlando and took my place in line with six thousand strangers while the sun peeled the skin off the tip of my nose and baked through the soles of my shoes. There was sleet on the runway at LaGuardia when the plane took off, a foot and a half of snow expected in the suburbs, and it meant nothing to me, not anymore. The palms were nodding in a languid tropical breeze, the chiggers, no-see-ums and mosquitoes were all on vacation somewhere, children scampered across the emerald grass and vigorous little birds darted in and out of the jasmine and hibiscus. It was early yet, not quite eight. People shuffled their feet, tapped their watches, gazed hopefully off into the distance while a hundred Contash greeters moved up and down the line with crullers and Styrofoam cups of coffee.

The excitement was contagious, and yet it was inseparable from a certain element of competitive anxiety — this was a random drawing, after all, and there would necessarily have to be winners and losers. Still, people were outgoing and friendly, chatting among themselves as if they’d known one another all their lives, sharing around cold cuts and homemade potato salad, swapping stories. Everybody knew the rules — there was no favoritism here. Charles Contash was founding a town, a prêt-à-porter community set down in the middle of the vacation wonderland itself, with Contash World on one side and Game Park U.S.A. on the other, and if you wanted in — no matter who you were or who you knew — you had to stand in line like anybody else.

Directly in front of me was a single mother in a powder-blue halter top designed to show off her assets, which were considerable, and in front of her were two men holding hands; immediately behind me, silently masticating crullers, was a family of four, mom, pop, sis and junior, their faces haggard and interchangeable, and behind them, a black couple burying their heads in a glossy brochure. The single mother — she’d identified herself only as Vicki — had one fat ripe creampuff of a baby slung over her left shoulder, where it (he? she?) was playing with the thin band of her spaghetti strap, while the other child, a boy of three or so decked out in a striped polo shirt and a pair of shorts he could grow into, clung to her knee as if he’d been fastened there with a strip of Velcro. “So what did you say your name was?” she asked, swinging round on me for what must have been the hundredth time in the past hour. The baby, in this view, was a pair of blinding white diapers and two swollen, rooting legs.

I told her my name was Jackson, and that I was pleased to meet her, and before she could say Is that your first name or last? I clarified the issue for her: “Jackson Peters Reilly. That’s my mother’s maiden name. Jackson. And her mother’s maiden name was Peters.”

She seemed to consider this a moment, her eyes drifting in and out of focus. She patted the baby’s bottom for no good reason. “Wish I’d thought of that,” she said. “This one’s Ashley, and my son’s Ethan — Say hello, Ethan. Ethan?” And then she laughed, a hearty, hopeful laugh that had nothing to do with rejection, abandonment or a night spent on the pavement with two exhausted children while holding a place something like four hundred deep in the lottery line. “Of course, my maiden name’s Silinski, so it wouldn’t exactly sound too feminine for little baby Ashley, now would it?”

She was flirting with me, and that was okay, that was fine, because wasn’t that what I’d come down here for in the first place — to upgrade my social life? I was tired of New York. Tired of L.A. Tired of the anonymity, the hassle, the grab and squeeze and the hostility snarling just beneath the surface of every transaction, no matter how small or insignificant. “I don’t know,” I said, “sounds kind of chic to me. The doorbell rings and there’s all these neighborhood kids chanting, ‘Can Silinski come out to play?’ Or the modeling agency calls. ‘So what about Silinski,’ they say, ‘is she available?’”

I was doing fine, grinning and smooth-talking and sailing right along, though my back felt misaligned and my right hip throbbed where the pavement had bitten into it during a mostly sleepless night under the amber glow of the newly installed Contash streetlamps. I took a swig from my Evian bottle, tugged the plastic brim of my visor down to keep the sun from irradiating the creases at the corners of my eyes. There was one more Silinski trope on my tongue, the one that would bring her to her knees in adoration of my wit and charm, but I never got to utter it because at that moment the rolling blast of a Civil War cannon announced the official opening of the lottery, and everybody in line crowded closer as ten thousand balloons, in the powder-blue and sun-kissed orange of the Contash Corp, rose up like a mad flock into the sky.

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