T. Boyle - The Women

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A dazzling novel of Frank Lloyd Wright, told from the point of view of the women in his life. Having brought to life eccentric cereal king John Harvey Kellogg in
and sex researcher Alfred Kinsey in
, T.C. Boyle now turns his fictional sights on an even more colorful and outlandish character: Frank Lloyd Wright. Boyle's account of Wright's life, as told through the experiences of the four women who loved him, blazes with his trademark wit and invention. Wright's life was one long howling struggle against the bonds of convention, whether aesthetic, social, moral, or romantic. He never did what was expected and despite the overblown scandals surrounding his amours and very public divorces and the financial disarray that dogged him throughout his career, he never let anything get in the way of his larger-than-life appetites and visions. Wright's triumphs and defeats were always tied to the women he loved: the Montenegrin beauty Olgivanna Milanoff; the passionate Southern belle Maud Miriam Noel; the spirited Mamah Cheney, tragically killed; and his young first wife, Kitty Tobin. In
, T.C. Boyle's protean voice captures these very different women and, in doing so, creates a masterful ode to the creative life in all its complexity and grandeur.

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Still, if she’d found Japan a bit of a trial, Frank was invigorated. He bought up prints till their rooms were filled with them, working with money he seemed to draw out of a hat like a magician, 166and when they returned he began making preliminary sketches for the hotel project, though nothing had been confirmed. Another year — a blissful year — rolled by at Taliesin, and then, from an unexpected source, a major project for Chicago pleasure gardens modeled on those in Germany and Scandinavia came his way and he plunged into it with all his characteristic ferocity of purpose and vision. Spring came that year on a dizzying wave of perfume from the blossoms of the hundreds of fruit trees he’d planted, pear, apple, peach, apricot, plum, and if the pleasure gardens — Midway, they were calling the place Midway — kept him away from Taliesin a good proportion of the time, it was only for the better. Truly. It was. Because she loved him all the more now that he needed her in a practical way, not merely as soul mate and avatar, but as mistress of the house — she was in charge now that he was away so much of the time, and she consulted with the employees and worked to her utmost to make the place shine as it rightfully should, as a testament to him.

It was glorious. She was his right hand and his left hand too and everything fell into place as the days lengthened and warmed and the vines climbed up the sunstruck walls and the honeybees charged the air with a current so alive she could feel it in her veins. Glorious. Just glorious. Until the housekeeper abruptly quit. And then the cook.

“I won’t come to work here no longer,” the cook told her, “not for no pay — or pay whenever he feels like giving it out. And not with what people are saying.” The woman stood there before her in the kitchen that had been her exclusive domain, arms akimbo, big-bosomed and thick-waisted, with her sagging chins and loveless marriage, thankless and heedless both. “It’s sinful, that’s what it is. And sin and pay is one thing, but sin and no pay I just can’t abide, and I’m sorry, ma’am, I truly am.”

Mamah went straight to her desk and scraped together every coin and bill she could find there, wrapped it all up in a handkerchief and dropped it into the woman’s hands, but still she wouldn’t stay and she wasn’t about to beg her, that was for certain. But now suddenly she was the servant, she was the drudge — the daily accumulation of tasks far beyond her — and though she put out a call to the community, to Diana Milquist and the few women she could call friends, no one came up the drive to work for Slow-Pay Frank and his tarnished mistress.

She did the best she could, but she began to feel as if she were out of breath all the time, as if dusk followed dawn without an interval, without surcease, and the first thing to suffer was her writing. She simply didn’t have time for it. Or for reading either. Or reflection. Or even walks over the hills or a swim in the lake or anything else, her every waking moment focused on keeping the household from collapse while Frank ran to Chicago and back again. Somehow she managed to make it through the month of June, wielding mop, broom and scrub brush in a fury that took her right out of her body and doing her utmost to maneuver around the big pots in the kitchen and prepare the meals for Frank and the men he had working the place. But she was no cook and she’d be the first to admit it, her bread as flat as her flapjacks and her flapjacks charred and rubbery at the same time and the weather too hot for standing over the oven so that the chops were reduced to jerky and all the color seared out of the steak and rump roast. And then one evening in the middle of July, when she’d begun to despair, her hands coarsening, her skin darkening like a peasant’s, every joint and muscle aching day and night and the sweat thick at her hairline and gummed up under her arms and between her legs till she was permanently chafed and simply to move was an agony, Frank came in off the train from Chicago with his grin alight and said, “You know, I think I just may have a solution to this little domestic problem.”

She’d gone down to the station to meet him in the automobile, with Billy Weston at the wheel, and it seemed to her even hotter at seven in the evening than it had been at noon. She brushed her hair away from her face, trying to look fresh for Frank — and she’d changed her dress, though it was already wet through where she’d leaned back in the seat. Frank was handing his suitcase into the car while Billy saw to his baggage — pottery wrapped in brown paper, yet another carved Buddha, the broad plane of the Oriental brow and the flat unresisting nose poking through the package. He was lively and full of himself and though he hadn’t embraced her — he wouldn’t till they were out of sight of prying eyes — he’d already managed to brush up against her twice and she could see he was in urgent need of her. He was grinning. Ducking his head and shuffling his feet on the pavement and tugging at the brim of his hat as if he meant to snatch it right out from under the crown.

“Yes,” she said, letting out a long slow breath while fanning herself with the palm of one hand, “and what is it? What’s your solution?”

“Say, Billy,” he called, turning his head away a minute just to keep her in suspense, “I think I might want to drive tonight and you can climb in back or just go on home to your wife if you like. She’s missing you, you know she is. And that boy of yours too. Doesn’t he ever wonder where’s his daddy? ”

Billy was bent over one of the statues and he stood up now and gave an elaborate rolling shrug. “Sure, whatever you say, Mr. Wright. An evening at home? Well, I guess that’ll just about hit the spot, then.” He was grinning too now. “And Mother”—why did married men of a certain age insist on calling their wives Mother ? — “I don’t suppose she’ll mind seeing me around. Or not too much, anyway.”

“All right, then. Good,” Frank said. “Careful with that, careful!”

It wasn’t until they were in the car and he had the machine in gear and started hurtling up the street with a great tromboning blast of the exhaust that he returned to the subject at hand. “You remember John Vogelsang, the caterer down there at Midway?”

She did. Vaguely.

“Big fellow. Heavy build. Blond hair, cropped close?”

She made a noise of assent, but it didn’t really matter. He could have been talking about the emperor of China and it was the surest thing in the world that he would fill in the details, all the details, without stint.

“Well”—his hand at the shift, the wind beating like a hurricane and she holding on to her hat for dear life—“I told him about your little problem, our problem, that is, and he recommended a couple to me, good workers, husband and wife. She cooks and he serves at table and does repairs and what have you. A kind of handyman/butler all in one.”

“They’re in Chicago?”

“Yes. They’re Negroes. From somewhere in the Caribbean, he says. One of the islands.”

“And they’re willing to come up here and”—she let out a laugh—“cultivate the Emersonian virtues of country living?”

The roar of the engine, the startled looks on the faces of the cows, the clouds shredding overhead. He shrugged. “Apparently. But they’re educated people — at least he is. Very well-spoken for a Negro. Name’s Julius, I think it was. Or no, no: Julian. Julian something.”

CHAPTER 6: ENTER CARLETON

The man who met them at the station, all elbows and knees and dressed in denim trousers and an open-collared shirt, wore a mask for a face. No smile, no frown, no expression of any kind. He had dishwater eyes, and that was no surprise — all of them had that washed-out look to them up here in the country, like so many duppies, as if the gloomy dead ashpit of the sky had sucked all the life out of them, and this one hid his behind a pair of wire-rim spectacles. He wore a little sand-colored mustache under the jut of his nose and short-clipped hair the same color and all Julian could think of was river sand, dirty with the rains. At least it wasn’t yellow. Yellow hair was an aberration on a human being and he swore he’d never seen so much yellow hair in his life all the way up on the train and everybody staring at him as if he was the freak and he never raised his eyes once except to look out on the unbroken scroll of green, too much green, green enough to bury anybody — they should have called this place Greenland and not that Eskimo island in Canada. But here he was, the dishwater man. He didn’t say hello or welcome or anything at all civil or even human other than “You must be the new help” and “I’ve come to fetch you up to Taliesin,” and he stood apart from them at the station, as if he was afraid the color of their skin would rub off on him.

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