T. Boyle - Tooth and Claw

I didn’t move. Wouldn’t look at him.

“Don’t get psychotic on me now,” he said, and he took hold of my left arm, but I shrugged him off. The people on the street stopped what they were doing. Heads turned, eyes zeroed in. He gave them a lame smile, as if it was all part of the act. “You’re tired,” he said, “that’s all,” but there was no conviction in his voice. “Boomer?” he said, as if I were floating away from him. “Boomer?” A minute later I heard the glass door at the back of the booth swing open and then shut.

At quarter past nine I went to do my update, but the mike was dead: they’d cut the power on me. I flicked the on/off button a couple of times, then shifted in my seat to glare at the engineer in the sound truck, but the engineer wasn’t there — nobody was. So that was it. They were going to isolate me, the sons of bitches. Cut me off. Use me and discard me. I got up from my seat, and who was watching? Nobody. Or no, there was a six-year-old kid standing there gawking at me while his mother jawed with some other mother in front of the Burger King outlet across the street, and I locked eyes with him for an instant before I jerked the mike out of the socket. What came next I don’t remember too clearly, or maybe I’ve repressed it, but it seems I began to pound the mike against the Plexiglas walls, whipping it like a lariat, and when that was in fragments, I went for the console.

When they finally got me out of there, I’m told, it was past noon and I was well into my thirteenth day — a record that has yet to be surpassed, incidentally, though I’m told there’s a fakir in India who claims he hasn’t slept in three months, but of course that’s unofficial. Not to mention impossible. At any rate, Dr. Laurie had to come down and reason with me in a rigorous way, a squad car began circling the block, and Cuttler ordered Rudy and the sound engineer to cover up the glass walls with black plastic sheeting from the Home Depot up the street. We were getting publicity now, all right, but it wasn’t exactly the touchy-feely sort of publicity our august program director had in mind. I’d latched the door from the inside and forced the remains of the console up against it as a makeshift barricade. Rudy was on the roof of the glass cage, unscrolling sheets of black plastic as if it were bunting. I watched Dr. Laurie’s face on the other side of the transparent door, watched her mouth work professionally, noted and discarded each of her patent phrases, her false pleas and admonitions. Anything could have happened, because I wasn’t going anywhere. And if it wasn’t for Hezza I might still be in that glass box — or in the Violent Ward down at the County Hospital. It was that close.

I wasn’t aware of how or when it occurred, but at some point I realized that Hezza’s face had been transposed over Dr. Laurie’s, and that Hezza was smiling at me out of the screwholes of her dimples. I don’t know what it was — psychosis, terminal exhaustion or the simple joy of being alive — but I’d never seen anything more beautiful than the earflaps of her knit hat and the way they tucked into her cheeks and made her face into the face of a cut-out doll in a children’s book. I smiled back. Then she bent her head, scribbled a moment, and pressed a sheet of paper to the glass. I LOVE YOU, it read.

OF COURSE, this is the sort of resolution we all hope for, even the sleep-deprived, but it wasn’t as easy as all that. When we got to my place, when we got to the bed I hadn’t seen in thirteen days, the skin of irreality was so thick I couldn’t be sure who it was at my side — Hezza, Dr. Laurie, my ex-wife, one of the lean shopping machines I’d watched striding down the avenue from the confines of my glass cage. There was a stripe of sun on the carpet. I pulled the curtains. It vanished. “Who are you?” I said, though the earflaps were a dead giveaway. Something began buzzing from the depths of the house. Outside in the alley the neighbor’s dog barked sharply, once, twice, three times. She looked puzzled, looked hurt. “Hezza,” she said. “I’m Hezza, don’t you remember?”

This time I didn’t have to shout, didn’t have to do anything really except fall into her where she lay naked on the bed, the blissful bed, the place of sex and sleep. I made love to her through the sheath of exhaustion and afterward watched her eyes slip toward closure and listened to her breathing deepen into sleep. I was tired. Had never been so tired in my life. No one on this earth — no one, ever, not even Randy Gardner — had been so tired. I closed my eyes. Nothing happened. My eyes blinked open as if they’d been trip-wired. For a moment I lay there staring at the ceiling, then I closed them again and by force of will kept them closed. Still nothing. Hezza stirred in her sleep, kicked out at an imaginary something. And then a figure stepped out of the mist and I didn’t see him. He had a gun, and I didn’t see that either. Swiftly, a shadow moving over open ground, he came up behind me and fired, hitting the gap between the parietal plates.

Boom: I was gone.

SHE WAS TRYING to tell him something about eels, how it had rained eels one night on a town in South America — in Colombia, she thought it was — but he was only half-listening. He was willing himself to focus on the road, the weather getting worse by the minute, and he had to keep one hand on the tuner because the radio was fading in and out as they looped higher into the mountains. “It was a water spout,” she said, her face a soft pale shell floating on the undersea glow of the dash lights, “or that’s what they think, anyway. I mean, that’s the rational explanation — the eels congregating to feed or mate and then this eruption that flings them into the air. But imagine the people. Imagine them.”

He could feel the rear wheels slipping away from him each time he steered into a curve, and there were nothing but curves, one switchback after another all the way up the flank of the mountain. The night was absolute, no lights, no habitation, nothing — they’d passed the last ranch house ten miles back and were deep into the national forest now, at fifty-five hundred feet and making for the Big Timber Lodge at seventy-two. There was a winter storm watch out for the Southern Sierras, he knew that, and he knew that the back road would be closed as soon as the first snow hit, but the alternative route — up the front of the mountain — was even more serpentine than this one, and a good half hour longer too. His feeling was that they’d make it before the rain turned to snow — or before anything accumulated, anyway. Was he a risk taker? Sure he was. And he was always in a hurry. Especially tonight. Especially with her.

“Zach — you listening to me?”

The radio caught a surging throb of chords and a wicked guitar lead burning over the top of them as if the guitarist’s fingers had suddenly burst into flame, but before he could enjoy it or even recognize the tune, a wall of static shut it out and was suddenly replaced by a snatch of mariachi and a superslick DJ booming something in Spanish — used cars probably, judging from the tone of it. Or Viagra. Estimados Señores! ¿Tienen Vds. problemas con su vigor? His fingers tweaked the dial as delicately as a recording engineer’s. But the static came back and persisted. “Shit,” he muttered, and punched the thing off.

Now there was nothing but the wet slash of the wheels and the rise and fall of the engine — gun it here, lay off there, gun it, lay off — and the mnemonic echo of the question he’d yet to answer: You listening to me? “Yeah,” he said, reaching for his buoyant tone — he was listening and there was nothing or no one he’d rather listen to because he was in love and the way she bit off her words, the dynamics of her voice, the whisper, the intonation, the soft sexy scratch of it shot from his eardrums right to his crotch, but this was sleet they were looking at now and the road was dark and he was pressing to get there. “The eels. And the people. They must’ve been surprised, huh?”