T. Boyle - Wild Child and Other Stories

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Wild Child and Other Stories: краткое содержание, описание и аннотация

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A superb new collection from "a writer who can take you anywhere" (
) In the title story of this rich new collection, T.C. Boyle has created so vivid and original a retelling of the story of Victor, the feral boy who was captured running naked through the forests of Napoleonic France, that it becomes not just new but definitive: yes, this is how it must have been. The tale is by turns magical and moving, a powerful investigation of what it means to be human.
There is perhaps no one better than T.C. Boyle at engaging, shocking, and ultimately gratifying his readers while at the same time testing his characters' emotional and physical endurance. The fourteen stories gathered here display both Boyle's astonishing range and his imaginative muscle. Nature is the dominant player in many of these stories, whether in the form of the catastrophic mudslide that allows a cynic to reclaim his own humanity ("La Conchita") or the wind-driven fires that howl through a high California canyon ("Ash Monday"). Other tales range from the drama of a man who spins Homeric lies in order to stop going to work, to that of a young woman who must babysit for a $250,000 cloned Afghan and the sad comedy of a child born to Mexican street vendors who is unable to feel pain.
Brilliant, incisive, and always entertaining, Boyle's short stories showcase the mischievous humor and socially conscious sensibility that have made him one of the most acclaimed writers of our time.

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In the meanwhile, whenever a breeze would stir the curtains or the clouds would close over the grounds or lightning knife through the sky, Victor would go to the window, no matter what they were doing or to what crucial stage the lesson had attained, deaf to all remonstrance. He had put on weight. He was taller now, by two inches and a half. Stronger. More and more he had the bearing of a man — unnaturally short, yes, and with the unformed features of a boy, but an incipient man for all that. There was the evidence of the hair under his arms and radiating out from his pubes and even the faint translucent trace of a mustache above his upper lip. During this period he was more easily distracted and he seemed to go blank at times, staring, humming, rocking, just as he’d done when he first came out of the woods. Increasingly, he seemed agitated too, and as his body continued to change, he became more of a problem about the grounds.

In addition to the incident with the deaf-mute girl, there was further cause for worry. While Itard couldn’t imagine Victor’s doing serious physical harm to anyone, male or female, the boy continually overstepped the bounds of propriety so that Sicard began to regard him as an immoral influence on the other children, and with good reason. There was no more sense of shame in him than in an arctic hare or an African ape that lived in its skin, and when the mood took him he would pull out his phallus and masturbate no matter the situation or the company (though thankfully, to this point, the abbé was unaware of it). He would rub up against people inappropriately, male and female alike. Increasingly, on awakening, he would dispense with his trousers and sometimes his undergarments too. No amount of discipline or punishment could make him feel shame or even modesty.

Once, when Madame Guérins three daughters were present and they were all of them — the Guérins, Itard and Victor — having a picnic on the grounds of the Observatory in the Gardens, Victor made a fumbling amorous approach to Julie, his favorite of the three.

He was used to seeing Julie, who often came to visit her mother—“Lee, Lee!” he would cry when she came into the room — and she seemed genuinely sympathetic toward him, not simply for her mother’s sake, but because she was good-hearted and compassionate. On this day, however, no sooner had they spread the blanket and opened the hamper, than Victor made a snatch at the lion’s share of the sandwiches and ran off with them to hide in a cluster of trees. This was his usual behavior — he had little sense, after all his training and humanizing, of anyone outside of himself, of pity or fellow-feeling or generosity — but this time there was a twist. A few moments later he came sidling back to the group, his face smeared with fish paste and mayonnaise, and began stroking the hair first of one sister, then another, his fingers visibly trembling as he touched them; then, with each in turn, he laid his head in her lap a moment until finally he got up and seized her by the back of the neck, his grip firm and yet gentle too. When they ignored him, he seemed hurt and pushed himself awkwardly away. The last was Julie, and she was more tolerant than her sisters. The same scenario played out, but then, showing a leap Itard felt he was incapable of, the boy took Julie firmly by the hand, pulled her to her feet and then led her across the grass to the clump of trees where he’d secreted the sandwiches.

The sisters shared a glance and made a remark as suggestive as they could in the presence of their parents, and Madame Guérin gave out with a little laugh of embarrassment, while her husband, stoic, elderly, his considerable nose reddened by the sun, gave all his attention to the sandwich before him. “Our Savage has grown civilized under the spell of feminine charm, eh?” Itard observed.

“And who could blame him?” All eyes, but for Monsieur Guérin’s, focused on the clump of trees and the pronounced sunstruck movement there. Intrigued, and with a lifted eyebrow for the party to show that he was amused and not at all concerned on a deeper level, though he was, of course, knowing Victor’s rudimentary conception of propriety, Itard went to investigate.

Victor, his face bloodless and sober, was gently squeezing Julie’s knees as if they were balls of malleable wax he was trying to shape into something else altogether, and at the same time he kept gesturing to his cache of sandwiches. The sandwiches, four or five of them — all showing conspicuous marks of his teeth — lay in a bed of fresh-picked leaves. Julie tried her best to look bemused, though she was plainly uncomfortable, and after she let Victor stroke her hair and mold her knees for some minutes, she smiled brightly and said,

“That’s enough, Victor. I want to go back to Maman now.”

Victor’s face took on a defeated look as Julie rose in a fragrant swirl of skirts and began to retrace her steps back to the party. “Lee!”

he cried piteously, patting the depression in the grass where she’d been sitting, “Lee! Lee!” And then, in a kind of desperation, he held up the remains of a half-eaten sandwich as the ultimate expression of his love.

Itard was moved by this, of course — he was only human. But he couldn’t conceive of how to instruct his pupil in morals or decorum when he was unable to implant words in his head — Victor couldn’t formulate his own desires, let alone express them, and each day’s exercises seemed to take him further from the goal. Six months went by, then another year. Victor began to chafe under the regimen in a way that recalled the early days, and no matter how many times they worked their facial muscles and their tongues and drilled over the same words, Victor simply could not pronounce them. Itard himself, a man with the patience of the gods, came to dread their sessions, until finally, reluctantly, he had to face the truth — Victor was regressing. Gaspard came and went, working now as a shoemaker’s apprentice, able to read, write and speak with some degree of fluency, and others appeared in his place and learned and developed and moved on too. Sicard was growing impatient, as was the Minister of the Interior, who had authorized the funds for Victor’s care and expected some sort of tangible return on the public investment. But there was some block here, some impediment Victor just couldn’t seem to overcome, and despite himself Itard was forced to admit that it was the irremediable result of those years of estrangement, those years of inhumanity and wandering without any human voice to speak to him. He began to give up hope.

Then there came a day, a bright day of spring with a scent of renewal on the warm breeze blowing up out of the south, when Sicard appeared in the doorway to the doctor’s rooms. Itard had been expecting a student and had left the door ajar, and he looked up in surprise — never, in all his time at the Institute, had the abbé come to visit him in his rooms, and yet here he was, wrapped in his soutane, his features pinched round the tight disapprobation of his mouth. This was trouble, and no doubt about it.

“The Savage,” Sicard spat, and he was so worked up he could barely get the words out.

Itard got up from his desk in alarm and took up the water pitcher and the glass beside it. “Abbé,” he said, already pouring, “can I get you a glass of water? Would you—?”

Sicard was in the room now, swiping one open palm across the other, his robe in a riot of motion. “That animal. That — God help me, but he’s incurable. That idiot. That self-polluter, that, that—”

Itard gave him a stricken look. “What’s he done?”

“What’s he done? He’s exposed himself in the flesh before the assembled female inmates and Sister Jean-Baptiste as well. And, and manipulated himself like one of the idiots in the Bicetre — which is where he belongs. Either there or prison.” He glared at Itard. His breathing — the ratcheting of the air through his nostrils — was thunderous. His eyes looked as if they were about to dissolve.

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