T. Boyle - Wild Child and Other Stories

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Wild Child and Other Stories: краткое содержание, описание и аннотация

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A superb new collection from "a writer who can take you anywhere" (
) In the title story of this rich new collection, T.C. Boyle has created so vivid and original a retelling of the story of Victor, the feral boy who was captured running naked through the forests of Napoleonic France, that it becomes not just new but definitive: yes, this is how it must have been. The tale is by turns magical and moving, a powerful investigation of what it means to be human.
There is perhaps no one better than T.C. Boyle at engaging, shocking, and ultimately gratifying his readers while at the same time testing his characters' emotional and physical endurance. The fourteen stories gathered here display both Boyle's astonishing range and his imaginative muscle. Nature is the dominant player in many of these stories, whether in the form of the catastrophic mudslide that allows a cynic to reclaim his own humanity ("La Conchita") or the wind-driven fires that howl through a high California canyon ("Ash Monday"). Other tales range from the drama of a man who spins Homeric lies in order to stop going to work, to that of a young woman who must babysit for a $250,000 cloned Afghan and the sad comedy of a child born to Mexican street vendors who is unable to feel pain.
Brilliant, incisive, and always entertaining, Boyle's short stories showcase the mischievous humor and socially conscious sensibility that have made him one of the most acclaimed writers of our time.

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For a long while she sat there in the shadows, sipping her tea, which had already crossed the threshold from hot to lukewarm, and then she got up and dumped a handful of ice in it and filled it to the rim with Dewar’s. She was sipping her drink and thinking vaguely about food, a sandwich, she’d make a sandwich when she felt like it, cheese, lettuce, wheat bread — that she could do with or without power — when a sound from beneath the trailer brought her back, a scrabbling there, as of an animal, on its four paws, making a quiet meal.

She’d have to sacrifice the cats, she could see that now, because as soon as they hooked the phones back up she was going to call Todd. She wished he were here now, wished they were in bed together, under the quilt, drinking chardonnay and listening to the snow sift down on the aluminum roof of the trailer. She didn’t care about the cats. They were nothing to her. And she wanted to please him, she did, but she couldn’t help wondering — and she’d ask him too, she’d put it to him — What had Question 61 been, or Question 50, Question 29? Pave over the land? Pollute the streams? Kill the buffalo? Or what about Question 1, for that matter. Question 1—and she pictured it now, written on a slate in chalk and carried from village to village in a time of want and weather just like this, the snow coming down and people peering out from behind heavy wooden doors with a look of suspicion and irritation — Question 1

must have been something really momentous, the kick start of the whole program of the Department of Natural Resources. And what could it have been? Cut down the trees, flay the hides, pull the fish from the rivers? Or no, she thought, tipping back the mug, it would have been even more basic than that: Kill off the Indians. Yeah. Sure.

That must have been it: Kill off the Indians.

She got up then and made herself a sandwich, then poured herself another little drop of scotch and took the plate and the mug with her to the cubbyhole of her bed, where she sat cross-legged against the pillow that still smelled of him and chewed and drank and listened to the cold message of the snow.

SIN DOLOR

He came into the world like all the rest of them — like us, that is — brown as an iguana and flecked with the detritus of after-birth, no more remarkable than the date stamped on the morning’s newspaper, but when I cleared his throat and slapped his infant buttocks, he didn’t make a sound. Quite the contrary. His eyes snapped open with that searching myopia of the newborn and he began to breathe, calmly and quietly, with none of the squalling or fuss of the others. My nurse, Elvira Fuentes, who had spent fifteen years working on the cancer ward at the hospital in Guadalajara before coming home to devote herself to me, both as lover and helpmeet, frowned as I handed the infant to his mother. She was thinking exactly the same thing I was: there must have been some constriction or deformation of the child’s vocal apparatus. Or perhaps he’d been born without it. We’ve seen stranger things, all manner of defects and mutations, especially among the offspring of the migrant workers, what with the devil’s brew of herbicides, pesticides and genetically engineered foodstuffs to which they’ve been routinely exposed. There was one man I won’t name here who came back from the cotton fields of Arizona looking like one of Elvira’s oncological ghosts, and whose wife gave birth nine months later to a monster without a face — no eyes, ears, mouth or nose, just a web of translucent skin stretched tight over a head the size of an avocado. Officially, we labeled it a stillbirth. The corpse — if you could call it that — was disposed of with the rest of the medical waste.

But that’s neither here nor there. What I mean to say is that we were wrong. Happily, at least as it appeared. The child — he was born to Francisco and Mercedes Funes, street vendors whose tacos de chivo are absolutely poisonous to the digestive tract, and I advise all who read this to avoid their stall at the corner of Independencia and Constitución if you value your equilibrium — was soon groping at his mother’s breast and making the usual gurgling and sucking noises.

Mercedes Funes, twenty-seven years old at the time, with six children already to her credit, a pair of bow legs, the shoulders of a fullback and one continuous eyebrow that made you think of Frida Kahlo (stripped of artistry and elegance, that is), was back at her stall that evening, searing goat over a charcoal grill for the entertainment of the unwary, and, as far as Elvira and I were concerned, that was that. One more soul had entered the world. I don’t remember what we did that night, but I suppose it was nothing special. Usually, after we closed the clinic, we would sit in the courtyard, exhausted, and watch the doves settle on the wires while the serving girl put together a green salad and a caldereta de verduras or a platter of fried artichoke hearts, Elvira’s favorite.

Four years slipped by before I next saw the child or gave more than a glancing thought to the Funes clan except when I was treating cases of vomiting and diarrhea, and as a matter of course questioning my patients as to what and where they’d eaten. “It was the oysters, Doctor,” they’d tell me, looking penitent. “Onions, definitely the onions — they’ve never agreed with me.” “Mayonnaise, I’ll never eat mayonnaise again.” And, my favorite: “The meat hardly smelled at all.” They’d blame the Chinese restaurant, the Mennonites and their dairy, their own wives and uncles and dogs, but more often than not I was able to trace the source of the problem to the Funes stall. My patients would look at me with astonishment. “But that can’t be, Doctor — the Funes make the best tacos in town.”

At any rate, Mercedes Funes appeared at the clinic one sun-racked morning with her son in tow. She came through the door tugging him awkwardly by the wrist (they’d named the boy Dámaso, after her husband’s twin brother, who sent small packets of chocolate and the occasional twenty-dollar bill from Los Angeles when the mood took him), and settled into a chair in the waiting room while Elvira’s parrot gnawed at the wicker bars of its cage and the little air conditioner I keep in the front window churned out its hyperborean drafts. I was feeling especially good that morning, at the top of my game, certain real estate investments having turned out rather well for me, and Elvira keeping her eye on a modest little cottage at the seashore, which we hoped to purchase as a getaway and perhaps, in the future, as a place of retirement. After all, I was no longer as young as I once was and the Hippocratic frisson of healing the lame and curing the incurable had been replaced by a sort of repetitious drudgery, nothing a surprise anymore and every patient who walked through the door diagnosed before they even pulled up a chair. I’d seen it all. I was bored. Impatient. Fed up. But, as I say, on this particular day, my mood was buoyant, my whole being filled with an inchoate joy over the prospect of that little frame cottage at the seashore. I believe I may even have been whistling as I entered the examining room.

“And what seems to be the problem?” I asked.

Mercedes Funes was wrapped in a shawl despite the heat. She’d done up her hair and was wearing the shoes she reserved for mass on Sundays. In her lap was the child, gazing up at me out of his father’s eyes, eyes that were perfectly round, as if they’d been created on an assembly line, and which never seemed to blink. “It’s his hands, Doctor,” Mercedes said in a whisper. “He’s burned them.”

Microsoft Word — Wild Child.docx

Before I could say “Let’s have a look” in my paternal and reassuring tones, the boy held out his hands, palms up, and I saw the wounds there. The burns were third degree, right in the center of each palm, and involved several fingers as well. Leathery scabs

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