Joseph O'Neill - The Breezes

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The Breezes: краткое содержание, описание и аннотация

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Fourteen years ago Mary Breeze was killed by lightning — it should have been all the bad luck that the Breeze family were due but, as John Breeze is about to find out, this couldn't be further from the truth. ‘The Breezes’ is John Breeze's account of his family's most hellish fortnight — when insurance policies, security systems and lucky underpants are pitted against redundancy, burglary and relegation — and lose. John (a failing chair-maker) and his father (railway manager and rubbish football referee) are only feebly equipped with shaky religious notions, management maxims and cynical postures as they try to come to terms with the absurd unfairness of lightning striking twice…
From the conflict between blind optimism and cynicism, to the urge to pretend that things just aren't happening, ‘The Breezes’ is wonderfully clever and comic novel about desperately trying to cope with the worst of bad luck.

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And yet, despite all of this, Rosie sticks with him. It is hard to understand, to identify the perverse adherent at work between them. Rosie has wit, intelligence and beauty, and all of the Breezes have had a special soft spot for her for as long as anybody can remember. She has dark eyes set widely apart and a mane of auburn hair which ran until recently down her back like a fire. She is twenty-eight, two years older than me, and by any reasonable standard Steve Manus, agreeable though he is in his own way, is not fit to lick her boots. Rosie herself recognizes this, and although Steve shares her bed and her earnings, for some months now she has denied that he is her boyfriend.

‘It’s finished,’ she says. ‘You don’t think I’d stay with a creep like that, do you?’

But — but what about their cohabitation?

Rosie reads the question on my face. ‘He’s out of here,’ she says, ‘as soon as he finds somewhere to live. I’m not having that parasite in this house for one minute longer than I have to.’ We are in the kitchen. She raises her voice so that Steve, who is in the sitting-room, can hear her. ‘If the Slug doesn’t find a place by this time next month, that’s it, I’m kicking it out,’ she shouts. ‘Let it slime around on someone else’s floor for a change!’

Then the same thing always happens. Rosie goes away for two or three weeks to the other side of the world — Kuala Lumpur, Tokyo, Chicago — and by the time she descends from the skies we are back to square one. Square one is not a pleasant place to be. It is bad enough having Steve in the house, but when both he and my sister are here together for any length of time — usually when she has a spell of short-haul work — things become sticky.

It starts when Rosie comes home exhausted in the evening, still wearing her green and blue stewardess’s uniform. Instead of putting her feet up, she immediately spends an hour cleaning. ‘Look at this mess, just look at this pigsty,’ she says, furiously gathering things up — Steve’s things, invariably, because although fastidious about his personal appearance, he is just about the messiest and most disorderly person I know. On Rosie goes, rearranging cushions and snatching at newspapers. ‘Whose shoes are these? What about this plate — whose is that?’ Steve and I keep quiet, even if she is binning perfectly usable objects, because the big danger when Rosie comes home and starts picking things up is that she will hurl something at you. (Oh, yes, make no mistake, Rosie can be violent. In those split seconds of temper she will pick up the nearest object to hand and aim that missile between your eyes with a deadly seriousness. If she’s not careful, some day she will do somebody a real injury.) Rosie does not rest until she has filled and knotted a bin-liner and until she has hoovered the floors and scrubbed the sinks. She sticks to this routine even if the flat is already clean on her return. She puffs up the sofa, complains bitterly that the sink is filthy and redoes the washing up, which she claims has been badly done. (‘The glasses!’ she cries, holding aloft an example. ‘How many times do I have to tell you to dry the glasses by hand !’) Only once all of the objects in the sitting-room — many of which have remained untouched since they were moved by her the day before — have been fractionally repositioned does she finally relent. But what then? This is what concerns me, the horrified question I see expressed on my sister’s face once she has finished. What happens once everything is in its place?

Usually what happens next is that Steve gets it in the neck.

‘What have you done today?’ she demands.

‘Well,’ Steve says, ‘I’ve …’

‘You haven’t done anything, have you?’

The poor fellow opens his mouth to speak, then closes it again.

‘You’re pathetic,’ Rosie says quietly. ‘Don’t talk to me. Your voice revolts me.’ Then she lights a cigarette and momentarily faces the television, her legs crossed. She is still wearing her uniform. She inhales; the tip of her cigarette glitters. She turns around and looks Steve in the eye. ‘Well?’ Steve does not know what to say. Rosie turns away in disgust. ‘As I thought. Slug is too spineless to speak. Pathetic .’

‘I … No,’ Steve says bravely, ‘I’m not.’

Suddenly Rosie bursts into laughter. ‘No?’ She looks at him with amusement. ‘You’re not pathetic?’

‘No,’ Steve says with a small, uncertain smile.

‘Oh, you sweetie,’ Rosie says, sliding along the sofa towards him. Holding him and speaking in a baby voice, she says, ‘You don’t do anything, do you, honey bear? You just sit around all day and make a mess like a baby animal, don’t you, my sweet?’

Steve nods, happy with the swing of her mood, and nestles like a child in her arms. With luck, Rosie, who can be such good value when she is happy, has found respite from the awful, intransigent spooks that have somehow fastened on her, and we can all relax and get on with our evening.

How, then, do I put up with such horrible scenes? The answer is, by treating them as such: as scenes. It’s the only way. If I took their dramas to heart — if I let them come anywhere near my heart — I’d finish up like my father.

3

I have poured myself a glass of water. This waiting around is thirsty work, especially if, like me, you’re already dehydrated by a couple of lunchtime drinks. These came immediately after the refereeing débâcle, when Pa and I walked over to the nearest bar for a beer. Afterwards, the plan was, we were off back to Pa’s place to watch a proper game of football on the television: the relegation decider between Rockport United and Ballybrew. We Breezes, of course, follow United.

It was only when Pa returned with the drinks and took off his glasses to wipe the mud from them that I was able to observe his face closely. I thought, Jesus Christ.

It was his eyes. Looked at closely in the midday light, they were appalling. The eyeballs — I gasped when I saw the eyeballs: tiny red beads buried deep in violet pouches that sagged like emptied, distended old purses. Pa had always had troublesome old eyes, but now, I suddenly saw, things had gone a stage further. These were black eyes, the kind you got from punches; these were bona fide shiners.

How was this possible? How could this assault have happened?

I am afraid that the answer was painfully obvious. It was plain as pie that Pa has walked into every punch that life had swung in his direction. With his whole, undefensive heart, Pa has no guard. Every time a calamity has rolled along, there he has been to collect it right between his poor, crooked peepers. And in the last three days, of course, two real haymakers had made contact: first, the news that his job was in jeopardy; and second, Merv. It was doubtful that Pa had slept at all since Thursday night, the night of the crash.

I remembered the time I became acquainted with Merv: about four years ago, when I was looking for my first job and needed a suit for interviews. Pa said he had the answer to my problem. 'There’s this fellow in my office with a terrible curvature of the spine,’ he said, ‘but you’d hardly know it to look at him. He strolls around like a guardsman. It’s his suits that make all the difference,’ Pa said. 'The jackets fit him like gloves. There’s the man you want — the man who makes his suits.’

That was Merv — not the tailor, but the dapper hunchback. Every time I’ve met him I have been unable, hard as I might try, to keep my eyes off his back, off the hump, under his shirt.

Pa took a slug of his beer and threw me a packet of salt and vinegar crisps. Then he opened a packet of his own.

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