Steven Millhauser - Voices in the Night - Stories

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From the Pulitzer and Story Prize winner: sixteen new stories-provocative, funny, disturbing, magical-that delve into the secret lives and desires of ordinary people, alongside retellings of myths and legends that highlight the aspirations of the human spirit.
Beloved for the lens of the strange he places on small-town life, Steven Millhauser further reveals in
the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unsettling what-ifs or that find barely perceivable evils within the safe boundaries of our towns, homes, and even our bodies. Here, too, are stories culled from religion and fables: from Samuel, who in the masterly "A Voice in the Night" hears the voice of God calling him in the night; to a young, pre-enlightenment Buddha; to Rapunzel and her Prince awakened only to everyday disappointment. Heightened by magic, the divine, and the uncanny, shot through with sly humor,
seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest modern storytellers.

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3

Another night, another waking. Not a good sign. Death by insomnia at sixty-eight. All Samuel’s fault, keeping everybody up when they ought to be snoring away. The boy in Stratford battling it out at the age of seven. By high school, no tolerance for the once-a-week churchgoers. Priest or atheist: choose one. The move to Fairfield, the beach, Protestant churches galore. Presbyterian, First Congregational, Episcopal. Roper. Warren. Kane. No Jews allowed in the beach club. Who’d want to join a beach club? Reading the five arguments for the existence of God and their rebuttals. The ontological argument. The teleological argument. Walking along the beach at night, the deserted lifeguard stands, the lights of Long Island. Challenge to a friend: Why do you go to church? Why only on Sunday? He knew what he knew: always or never. If the voice calls your name, your other life is over. No going back. Short of that, sorry, please pass the ketchup. By the age of fifteen, done with religion, like the baseball books of his childhood. No regrets. Girls in tight skirts reaching up into lockers, girls in tight blouses hugging books to their chests as they hip-swing down the halls. Let me touch! Let me see! The house for sale on his friend’s street out near the junior high. “They’ll never sell to a Jew.” “Why not?” “You know how those people are.” “How are they?” “They take over the neighborhood.” “You’re talking to one.” “Oh, you’re not that kind of Jew.” At age eleven, the talk with his father: “We don’t do anything in Sunday school. Just play games and fool around. I don’t want to go anymore.” His father taking his pipe out of his mouth, looking at him gravely: “You don’t have to go.” He’d expected resistance, a look of reproach. Might as well blame it all on Jehovah. Could have called his name in the night. The boy in Stratford, listening. Something extreme in his temperament, even then. Shy and extreme. Stubborn. You don’t call my name, I won’t call yours. Even Steven. Dr. Dolittle and Pecos Bill instead of Samuel and King Saul. Don’t have to go. The neighborhood goes to church, the family stays home and reads. In high school, asking his father whether he liked teaching. His father’s pause, his grave look, his utter attention: “If I were a millionaire, I would pay for the privilege of teaching.” The son knows he’s heard something important. He is moved, he is proud of his father, he’s envious. He thinks: I want to say that someday. They call it a calling. Samuel’s call in the night. His father’s calling. Lying awake remembering these things. Walking in his bathing suit, towel around his neck, to the beach in Fairfield with his parents’ friends from the city. Janey with her long black hair and tight white one-piece, waving her arm at the street of ranch houses: “Suburbia.” Her voice mocking, disdainful. New York judging Connecticut. Jews moving out of New York: abandoning the tribe. Always the connection to the city. The four years in Brooklyn, corner of Clinton and Joralemon, the grandmother on West 110th Street and the grandmother in Washington Heights, mother growing up on the Lower East Side, father on the Upper West Side. Childhood trips to the city, the stone bridges of the Merritt Parkway. The Museum of Natural History with dinosaur skeletons like gigantic fishbones, lunch at the Automat: the sandwiches behind the little glass windows. Horn & Hardart. Early admission to Oberlin, but he chooses Columbia. Walking along the eighth floor of John Jay Hall, the thrilling sound of violins and cellos behind closed doors: the good Jewish boys practicing their instruments. Weingarten, or was it Marinoff: “What kind of Jew are you?” A Jew from suburbia. A nothing Jew, a secular Jew, an unjewish Jew. A Jew without a bar mitzvah, a Jew without a bump in his nose. Later he develops the idea of the Negative Jew. A Negative Jew is a Jew about whom another Jew says, “You don’t look Jewish.” A Negative Jew is a Jew who says to another Jew, “Judaism is a superstition that I reject,” and to an anti-Semite, “I have Jewish blood.” A Negative Jew is a Jew who says “I don’t believe in Judaism” while being herded into a cattle car. Hitler, the great clarifier. His father’s German-Jewish colleague, Dr. What’s-Her-Name, one of the first women admitted to a German university, her passion for Kant, for all things German. Stayed put till 1939. Blamed it all on the Polish Jews. “They gave us a bad name.” The boy in Stratford, lying awake at night. Hard to remember how it was. A game, was it? Scare yourself with witches, scare yourself with Jehovah. A shudder of delight. All those old stories, wonderful and terrible: the voice in the night, the parting of the Red Sea, Hansel in the cage, the children following the piper into the mountain. Hamlet and Oedipus Rex as pale reflections of the nightmare tales of childhood. Everything connected: David playing the harp for Saul, the boy in Stratford practicing the piano, the cellos and violins behind the closed doors. The boy listening for his name, the man waiting for the rush of inspiration. Where do you get your ideas? A voice in the night. When did you decide to become a writer? Three thousand years ago, in the temple of Shiloh.

1

And the Lord came, and stood, and called as at other times, Samuel, Samuel . Commentators disagree about the meaning of the word “stood.” Some say that the Lord assumes a bodily presence before Samuel. Others argue that the Lord never takes on a bodily form and that therefore the voice has drawn closer to Samuel, so that the effect is of a person drawing closer in the dark. In one version of this argument, the boy hears the voice and imagines a form standing beside him. All this, the Author thinks, can be left to the interpreters. What matters to us is that the voice of the Lord calls Samuel’s name. After all, Eli had said: “If he call thee.” For it was not inevitable that the voice, which had called three times and not received an answer, would call again. Now the boy Samuel has heard the voice a fourth time and knows who is calling him. He doesn’t yet know why the Lord is calling him, but he knows how to answer, for Eli has told him exactly what to say: “Speak, Lord; for thy servant heareth.” Samuel resists, the words refuse to come, then he says it aloud: “Speak; for thy servant heareth.” He hears his words clearly in the dark: “Speak; for thy servant heareth.” There is no doubt: he has said “Speak” and not “Speak, Lord,” as he was instructed to do. Was he so frightened of uttering the sacred name? He feels a rush of self-reproach, before commanding himself to be still and listen. He lies motionless, alert all over his body, fiercely calm. He has served in the temple of Shiloh ever since early childhood, but nothing has prepared him for this moment. He does not try to imagine what the Lord will tell him, but he readies himself to remember every word, in the order of speaking. Eli is awake, waiting in the next chamber. Eli will ask him what the Lord has said. Though the voice of the Lord is strong, Samuel knows it cannot be heard by Eli, and not because Eli is too far away to hear. The voice is for him alone. He knows this without arrogance. And he will remember. He has a good memory, he’s proud of his memory, though he watches over his pride so that it doesn’t become vanity. Words read to him or heard by him remain unchanged inside him. It has always been that way. Now the Lord speaks, and Samuel listens. There is nothing in the world but these words. The words are harsh. The house of Eli will be judged for its iniquity. The sons of Eli are wicked and Eli has not restrained them. Therefore the Lord will perform against Eli all things which he has spoken concerning his house. The sons of Eli will die on the same day. The House of Eli will come to an end. When the Lord departs, it is like the silence after thunder. Samuel lies awake in the dark. It seems to him that the dark has become darker, a dark so dark that it is like the darkness upon the face of the deep, before the Lord moved upon the face of the waters. The words have shaken him like a wind. He can feel Eli lying awake in his chamber, waiting for Samuel to tell him what the Lord has said. But Samuel cannot bring himself to leave his bed and go to Eli’s chamber. If Eli asks him, and Eli will certainly ask him, he will speak the truth, but he does not want to speak the truth unbidden. Samuel lies in the dark a long time, listening for the Lord, listening for Eli, but all is silent. Has the darkness become less dark? Can darkness be less dark and still be dark? The darkness is growing lighter. Soon it will be time to open the temple doors. Eli will ask what the Lord has said, and Samuel will repeat the terrible words. Samuel understands that nothing will ever be the same. But now, as the darkness is fading, without yet losing its quality of darkness, he wants to lie in his bed as if he could be a child forever, he wants to lie there as if his name had not been called in the night.

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