Hanya Yanagihara - A Little Life

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A Little Life: краткое содержание, описание и аннотация

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Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement — and a great gift for its publisher. When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome — but that will define his life forever.
In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

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He hadn’t been able to look at Willem in the cab, and without anything to distract him — no forms to fill out, no doctors to talk to — he had felt himself grow cold despite the hot, muggy night, and his hands begin to shake, and Willem had reached over and taken his right hand and held it in his left for the rest of the long, silent ride downtown.

He was there for JB’s recovery. He decided he’d stay until he got better; he couldn’t abandon JB then, not after all their time together. The three of them took shifts, and after work he’d sit by JB’s hospital bed and read. Sometimes JB was awake, but most of the time he wasn’t. He was detoxing, but the doctor had also discovered that JB had a kidney infection, and so he stayed on in the hospital’s main ward, liquids dripping into his arm, his face slowly losing its bloat. When he was awake, JB would beg him for forgiveness, sometimes dramatically and pleadingly, and sometimes — when he was more lucid — quietly. These were the conversations he found most difficult.

“Jude, I’m so sorry,” he’d say. “I was so messed up. Please tell me you forgive me. I was so awful. I love you, you know that. I would never want to hurt you, never.”

“I know you were messed up, JB,” he’d say. “I know.”

“Then tell me you forgive me. Please, Jude.”

He’d be silent. “It’s going to be okay, JB,” he’d say, but he couldn’t make the words— I forgive you —leave his mouth. At night, alone, he would say them again and again: I forgive you, I forgive you . It would be so simple, he’d admonish himself. It would make JB feel better. Say it , he’d command himself as JB looked at him, the whites of his eyes smeary and yellowed. Say it . But he couldn’t. He knew he was making JB feel worse; he knew it and was still unable to say it. The words were stones, held just under his tongue. He couldn’t release them, he just couldn’t.

Later, when JB called him nightly from rehab, strident and pedantic, he’d sat silently through his monologues on what a better person he’d become, and how he had realized he had no one to depend on but himself, and how he, Jude, needed to realize that there was more in life than just work, and to live every day in the moment and learn to love himself. He listened and breathed and said nothing. And then JB had come home and had had to readjust, and none of them heard very much from him at all for a few months. He had lost the lease on his apartment, and had moved back in with his mother while he reestablished his life.

But then one day he had called. It had been early February, almost seven months exactly after they had taken him to the hospital, and JB wanted to see him and talk. He suggested JB meet him at a café called Clementine that was near Willem’s building, and as he inched his way past the tightly spaced tables to a seat against the back wall, he realized why he had chosen this place: because it was too small, and too cramped, for JB to do his impression of him, and recognizing that, he felt foolish and cowardly.

He hadn’t seen JB in a long time, and JB leaned over the table and hugged him, lightly, carefully, before sitting down.

“You look great,” he said.

“Thanks,” said JB. “So do you.”

For twenty minutes or so, they discussed JB’s life: he had joined Crystal Meth Anonymous. He was going to live with his mother for another few months or so, and then decide what to do next. He was working again, on the same series he’d been working on before he went away.

“That’s great, JB,” he’d said. “I’m proud of you.”

And then there was a silence, and they both stared at other people. A few tables away from him was a girl wearing a long gold necklace she kept winding and unwinding around her fingers. He watched her talk to her friend, wrapping and unwrapping her necklace, until she looked up at him and he looked away.

“Jude,” JB began, “I wanted to tell you — completely sober — that I’m so sorry. It was horrible. It was—” He shook his head. “It was so cruel. I can’t—” He stopped again, and there was a silence. “I’m sorry,” he said. “I’m sorry.”

“I know you are, JB,” he said, and he felt a sort of sadness he’d never felt before. Other people had been cruel to him, had made him feel awful, but they hadn’t been people he loved, they hadn’t been people he had always hoped saw him as someone whole and undamaged. JB had been the first.

And yet JB had also been one of the first to be his friend. When he’d had the episode in college that had made his roommates take him to the hospital where he had met Andy, it had been JB, Andy later told him, who had carried him in, and JB who had demanded that he be seen first, who had made such an upset in the ER that he had been ejected — but not before a doctor had been summoned.

He could see JB’s love for him in his paintings of him. He remembered one summer in Truro, watching JB sketch, and he had known from the expression on JB’s face, his little smile, and the lingering, delicate way his large forearm moved over the page, that he was drawing something he treasured, something that was dear to him. “What’re you drawing?” he’d asked, and JB had turned to him, and held up the notepad, and he had seen it was a picture of him, of his face.

Oh, JB, he thought. Oh, I will miss you.

“Can you forgive me, Jude?” JB asked, and looked at him.

He didn’t have words, he could only shake his head. “I can’t, JB,” he said, finally. “I can’t. I can’t look at you without seeing—” He stopped. “I can’t,” he repeated. “I’m sorry, JB, I’m so sorry.”

“Oh,” said JB, and he swallowed. They sat there for a long time, not saying anything.

“I’ll always want wonderful things for you,” he said to JB, who nodded, slowly, not looking at him.

“Well,” JB said, finally, and stood, and he stood as well, and held his hand out to JB, who looked at it as if it were something alien, something he’d never seen before, examining it, squinting at it. And then at last he took it, but instead of shaking it, he lowered his lips to it and held them there. And then JB returned his hand to him and bumbled, nearly ran, out of the café, bumping against the little tables—“Sorry, sorry”—as he went.

He still sees JB now and then, mostly at parties, always in groups, and the two of them are polite and cordial with each other. They make small talk, which is the most painful thing. JB has never tried to hug or kiss him again; he comes over to him with his hand already outstretched, and he takes it, and they shake. He sent JB flowers — but with only the briefest of notes — when “Seconds, Minutes, Hours, Days” opened, and although he skipped the opening, he had gone to the gallery the following Saturday, on his way up to work, where he had spent an hour moving slowly from one painting to the next. JB had planned on including himself in this series, but in the end he hadn’t: there was just him, and Malcolm, and Willem. The paintings were beautiful, and as he looked at each, he thought not so much of the lives depicted in them, as of the life who created them — so many of these paintings were done when JB was at his most miserable, his most helpless, and yet they were self-assured, and subtle, and to see them was to imagine the empathy and tenderness and grace of the person who made them.

Malcolm has remained friends with JB, although he felt the need to apologize to him for this fact. “Oh no, Malcolm,” he’d said, once Malcolm had confessed, asking him for his permission. “You should absolutely still be friends with him.” He doesn’t want JB to be abandoned by them all; he doesn’t want Malcolm to feel he has to prove his loyalty to him by disavowing JB. He wants JB to have a friend who’s known him since he was eighteen, since he was the funniest, brightest person in the school, and he and everyone else knew it.

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