Hanya Yanagihara - A Little Life

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A Little Life: краткое содержание, описание и аннотация

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Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement — and a great gift for its publisher. When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome — but that will define his life forever.
In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

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It is still an unfamiliar feeling to have so much space, and a stranger one to be able to afford it. But you can , he has to remind himself sometimes, just as he does when he stands in the grocery store, wondering whether he should buy a tub of the black olives he likes, which are so salty they make his mouth pucker and his eyes water. When he first moved to the city, they were an indulgence, and he’d buy them just once a month, one glistening spoonful at a time. Every night he’d eat only one, sucking the meat slowly off the stone as he sat reading briefs. You can buy them , he tells himself. You have the money . But he still finds it difficult to remember.

The reason behind Greene Street, and the container of olives that are usually in the refrigerator, is his job at Rosen Pritchard and Klein, one of the city’s most powerful and prestigious firms, where he is a litigator and, for a little more than a year now, a partner. Five years ago, he and Citizen and Rhodes had been working on a case concerning securities fraud at a large commercial bank called Thackery Smith, and shortly after the case had settled, he had been contacted by a man named Lucien Voigt, whom he knew was the chair of the litigation department at Rosen Pritchard and Klein, and who had represented Thackery Smith in their negotiations.

Voigt asked him to have a drink. He had been impressed by his work, especially in the courtroom, he said. And Thackery Smith had been as well. He had heard of him anyway — he and Judge Sullivan had been on law review together — and had researched him. Had he ever considered leaving the U.S. Attorney’s Office and coming to the dark side?

He would have been lying if he said he hadn’t. All around him, people were leaving. Citizen, he knew, was talking to an international firm in Washington, D.C. Rhodes was wondering whether he should go in-house at a bank. He himself had been approached by two other firms, and had turned them both down. They loved the U.S. Attorney’s Office, all of them. But Citizen and Rhodes were older than he was, and Rhodes and his wife wanted to have a baby, and they needed to make money. Money, money: it was all they spoke of sometimes.

He, too, thought of money — it was impossible not to. Every time he came home from a party at one of JB’s or Malcolm’s friends’ apartments, Lispenard Street seemed a little shabbier, a little less tolerable. Every time the elevator broke and he had to walk up the flights of stairs, and then rest on the floor in the hallway, his back against their front door, before he had the energy to let himself in, he dreamed of living somewhere functional and reliable. Every time he was standing at the top of the subway stairs, readying himself for the climb down, gripping the handrail and nearly breathing through his mouth with effort, he would wish he could take a taxi. And then there were other fears, bigger fears: in his very dark moments, he imagined himself as an old man, his skin stretched vellum-like over his ribs, still in Lispenard Street, pulling himself on his elbows to the bathroom because he was no longer able to walk. In this dream, he was alone — there was no Willem or JB or Malcolm or Andy, no Harold or Julia. He was an old, old man, and there was no one, and he was the only one left to take care of himself.

“How old are you?” asked Voigt.

“Thirty-one,” he said.

“Thirty-one’s young,” said Voigt, “but you won’t be young forever. Do you really want to grow old in the U.S. Attorney’s Office? You know what they say about assistant prosecutors: Men whose best years are behind them.” He talked about compensation, about an accelerated path to partnership. “Just tell me you’ll think about it.”

“I will,” he said.

And he did. He didn’t discuss it with Citizen or Rhodes — or Harold, because he knew what he’d say — but he did discuss it with Willem, and together they debated the obvious benefits of the job against the obvious drawbacks: the hours (but he never left work as it was, Willem argued), the tedium, the high probability he’d be working with assholes (but Citizen and Rhodes aside, he already worked with assholes, Willem argued). And, of course, the fact that he would now be defending the people he’d spent the past six years prosecuting: liars and crooks and thieves, the entitled and the powerful masquerading as victims. He wasn’t like Harold or Citizen — he was practical; he knew that making a career as a lawyer meant sacrifices, either of money or of moralities, but it still troubled him, this forsaking of what he knew to be just. And for what? So he could insure he wouldn’t become that old man, lonely and sick? It seemed the worst kind of selfishness, the worst kind of self-indulgence, to disavow what he knew was right simply because he was frightened, because he was scared of being uncomfortable and miserable.

Then, two weeks after his meeting with Voigt, he had come home one Friday night very late. He was exhausted; he’d had to use his wheelchair that day because the wound on his right leg hurt so much, and he was so relieved to get home, back to Lispenard Street, that he had felt himself go weak — in just a few minutes, he would be inside, and he would wrap a damp washcloth, hot and steamed from the microwave, around his calf and sit in the warmth. But when he tried the elevator button, he heard nothing but a grinding of gears, the faint winching noise the machine made when it was broken.

“No!” he shouted. “No!” His voice echoed in the lobby, and he smacked his palm against the elevator door again and again: “No, no, no!” He picked up his briefcase and threw it against the ground, and papers spun up from it. Around him, the building remained silent and unhelpful.

Finally he stopped, ashamed and angry, and gathered his papers back into his bag. He checked his watch: it was eleven. Willem was in a play, Cloud 9 , but he knew he’d be off stage by then. But when he called him, Willem didn’t pick up. And then he began to panic. Malcolm was on vacation in Greece. JB was at an artists’ colony. Andy’s daughter, Beatrice, had just been born the previous week: he couldn’t call him. There were only so many people he would let help him, whom he felt at least semi-comfortable clinging to like a sloth, whom he would allow to drag him up the many flights.

But in that moment, he was irrationally, intensely desperate to get into the apartment. And so he stood, tucking his briefcase under his left arm and collapsing his wheelchair, which was too expensive to leave in the lobby, with his right. He began to work his way up the stairs, cleaving his left side to the wall, gripping the chair by one of its spokes. He moved slowly — he had to hop on his left leg, while trying to avoid putting any weight on his right, or letting the wheelchair bang against the wound. Up he went, pausing to rest every third step. There were a hundred and ten steps from the lobby to the fifth floor, and by the fiftieth, he was shaking so badly he had to stop and sit for half an hour. He called and texted Willem again and again. On the fourth call, he left the message he hoped he would never have to leave: “Willem, I really need help. Please call me. Please.” He had a vision of Willem calling him right back, telling him he’d be right there, but he waited and waited and Willem didn’t call, and finally he managed to stand again.

Somehow he made it inside. But he can’t remember anything else from that night; when he woke the next day, Willem was asleep on the rug next to his bed, and Andy asleep on the chair they must have dragged into his room from the living room. He was thick-tongued, fogged, nauseated, and he knew that Andy must have given him an injection of pain medication, which he hated: he would feel disoriented and constipated for days.

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