Hanya Yanagihara - A Little Life

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A Little Life: краткое содержание, описание и аннотация

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Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement — and a great gift for its publisher. When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome — but that will define his life forever.
In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

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“No,” I said. “I am proud of him.” I felt bad then, for my years of scolding him about Rosen Pritchard, the one place where he felt safe, the one place he felt truly weightless, the one place where his fears and insecurities banished themselves.

By the following Monday, the day before I left, he looked better: his cheeks were the color of mustard, but the swelling had subsided, and you could see the bones of his face again. It seemed to hurt him a little less to breathe, a little less to speak, and his voice was less breathy, more like itself. Andy had let him halve his morning pain dosage, and he was more alert, though not exactly livelier. We played a game of chess, which he won.

“I’ll be back on Thursday evening,” I told him over dinner. I only had classes on Tuesdays, Wednesdays, and Thursdays that semester.

“No,” he said, “you don’t have to. Thank you, Harold, but really — I’ll be fine.”

“I already bought the ticket,” I said. “And anyway, Jude — you don’t always have to say no, you know. Remember? Acceptance?” He didn’t say anything else.

So what else can I tell you? He went back to work that Wednesday, despite Andy’s suggestion he stay home through the end of the week. And despite his threats, Andy came over every night to change his dressings and inspect his legs. Julia returned, and every weekend in October, she or I would go to New York and stay with him at Greene Street. Malcolm stayed with him during the week. He didn’t like it, I could tell, but we decided we didn’t care what he liked, not in this matter.

He got better. His legs didn’t get infected. Neither did his back. He was lucky, Andy kept saying. He regained the weight he had lost. By the time you came home, in early November, he was almost healed. By Thanksgiving, which we had that year at the apartment in New York so he wouldn’t have to travel, his cast had been removed and he was walking again. I watched him closely over dinner, watched him talking with Laurence and laughing with one of Laurence’s daughters, but couldn’t stop thinking of him that night, his face when Caleb grabbed his wrist, his expression of pain and shame and fear. I thought of the day I had learned he was using a wheelchair at all: it was shortly after I had found the bag in Truro and was in the city for a conference, and he had come into the restaurant in his chair, and I had been shocked. “Why did you never tell me?” I asked, and he had pretended to be surprised, acted like he thought he had. “No,” I said, “you hadn’t,” and finally he had told me that he hadn’t wanted me to see him that way, as someone weak and helpless. “I would never think of you that way,” I’d told him, and although I didn’t think I did, it did change how I thought of him; it made me remember that what I knew of him was just a tiny fraction of who he was.

It sometimes seemed as if that week had been a haunting, one that only Andy and I had witnessed. In the months that followed, someone would occasionally joke about it: his poor driving, his Wimbledon ambitions, and he would laugh back, make some self-deprecating comment. He could never look at me in those moments; I was a reminder of what had really happened, a reminder of what he saw as his degradation.

But later, I would recognize how that incident had taken something large from him, how it had changed him: into someone else, or maybe into someone he had once been. I would see the months before Caleb as a period in which he was healthier than he’d been: he had allowed me to hug him when I saw him, and when I touched him — putting an arm around him as I passed him in the kitchen — he would let me; his hand would go on chopping the carrots before him in the same steady rhythm. It had taken twenty years for that to happen. But after Caleb, he regressed. At Thanksgiving, I had gone toward him to embrace him, but he had quickly stepped to the left — just a bit, just enough so that my arms closed around air, and there had been a second in which we looked at each other, and I knew that whatever I had been allowed just a few months ago I would be no longer: I knew I would have to start all over. I knew that he had decided that Caleb was right, that he was disgusting, that he had, somehow, deserved what had happened to him. And that was the worst thing, the most reprehensible thing. He had decided to believe Caleb, to believe him over us, because Caleb confirmed what he had always thought and always been taught, and it is always easier to believe what you already think than to try to change your mind.

Later, when things got bad, I would wonder what I could have said or done. Sometimes I would think that there was nothing I could have said — there was something that might have helped, but none of us saying it could have convinced him. I still had those fantasies: the gun, the posse, Fifty West Twenty-ninth Street, apartment 17J. But this time we wouldn’t shoot. We would take Caleb Porter by each arm, lead him down to the car, drive him to Greene Street, drag him upstairs. We would tell him what to say, and warn him that we would be just outside the door, waiting in the elevator, the pistol cocked and pointed at his back. And from behind the door, we’d listen to what he said: I didn’t mean any of it. I was completely wrong. The things I did, but more than that, the things I said, they were meant for someone else. Believe me, because you believed me before: you are beautiful and perfect, and I never meant what I said. I was wrong, I was mistaken, no one could ever have been more wrong than I was .

3

EVERY AFTERNOON ATfour, after the last of his classes and before the first of his chores, he had a free period of an hour, but on Wednesdays, he was given two hours. Once, he had spent those afternoons reading or exploring the grounds, but recently, ever since Brother Luke had told him he could, he had spent them all at the greenhouse. If Luke was there, he would help the brother water the plants, memorizing their names— Miltonia spectabilis, Alocasia amazonica, Asystasia gangetica —so he could repeat them back to the brother and be praised. “I think the Heliconia vellerigera’ s grown,” he’d say, petting its furred bracts, and Brother Luke would look at him and shake his head. “Unbelievable,” he’d say. “My goodness, what a great memory you have,” and he’d smile to himself, proud to have impressed the brother.

If Brother Luke wasn’t there, he instead passed the time playing with his things. The brother had shown him how if he moved aside a stack of plastic planters in the far corner of the room, there was a small grate, and if you removed the grate, there was a small hole beneath, big enough to hold a plastic garbage bag of his possessions. So he had unearthed his twigs and stones from under the tree and moved his haul to the greenhouse, where it was warm and humid, and where he could examine his objects without losing feeling in his hands. Over the months, Luke had added to his collection: he gave him a wafer of sea glass that the brother said was the color of his eyes, and a metal whistle that had a round little ball within it that jangled like a bell when you shook it, and a small cloth doll of a man wearing a woolen burgundy top and a belt trimmed with tiny turquoise-colored beads that the brother said had been made by a Navajo Indian, and had been his when he was a boy. Two months ago, he had opened his bag and discovered that Luke had left him a candy cane, and although it had been February, he had been thrilled: he had always wanted to taste a candy cane, and he broke it into sections, sucking each into a spear point before biting down on it, gnashing the sugar into his molars.

The brother had told him that the next day he had to make sure to come right away, as soon as classes ended, because he had a surprise for him. All day he had been antsy and distracted, and although two of the brothers had hit him — Michael, across the face; Peter, across the backside — he had barely noticed. Only Brother David’s warning, that he would be made to do extra chores instead of having his free hours if he didn’t start concentrating, made him focus, and somehow, he finished the day.

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