Helen Oyeyemi - White Is for Witching

Miri was like a mini-Sylvie, but she hadn’t always been. I can’t remember when she stopped wearing jeans and jumpers and skirts and started with the black and the severe outlines (why did she start?) but I do remember Lily finding the change hilarious for months, and I also remember being embarrassed to have to be seen outdoors with Miri until I realised that no one seemed to think that her dress sense was odd. Aside from infrequent comments

(“Cheer up, love,” or “It’s not Hallo’ween”),

no one wondered why a teenager was dressed up as a chic governess. Sylvie approved of Miri, even at the same time as she was confused by her. “It’s a style at least,” she said, and took off her rope of pearls and looped them around Miri’s neck. “Perhaps when you are my age you will have to turn to short skirts and mini-dresses, just for something different.” Then Sylvie turned to me. “You dress exactly as if you don’t care, but there is some artfulness to it; your colours balance each other.”

“Ah,” I said, not wanting to disappoint her and not wanting to lie to her. “Where is this from?” she said, plucking at my T-shirt. I looked down at the shirt. I didn’t know where it was from. I wasn’t even sure it was mine. Maybe it was my dad’s or something. Or Lily had bought it. Clothing just appeared in my room and I put it on. Now that Sylvie noticed I recognised the miracle of it. I read my T-shirt, which said, PLANET HOLLYWOOD.

“It’s a secret,” I said finally. “Can’t tell everyone where I get my garms from, or there’d be too many look-alikes.”

Sylvie smiled. She and The Paul had been to visit us in Dover, and she knew that the place was full of Eliot look-alikes, and that I was one of the look-alikes, a copy of some original anonymous guy. I like that; attention makes me twitchy.

Lily had perfected a way of talking to me with her gaze elsewhere but her head slightly turned towards me so that I knew her words were for me. Dad has what I think of as only child darkside syndrome; he does everything as if he is being watched.

On Boxing Day I came down early in the morning. I had heard someone moving around downstairs and thought it might be The Paul. Instead I found my dad, sitting in The Paul’s baking pantry, on a chair that propped the door half open. He had his back to me, and you’d think that would make him warier, more sensitive to the presence of someone standing behind him, but it didn’t. I stood and watched him, thinking, I’ll watch until he notices . It took me a moment to realise what he was doing. He’d made one hand into a fist and was flipping his wedding ring onto it with his other hand, as if picking heads or tails, over and over.

I watched, and when I got tired of watching I said, “What are you doing?”

He turned around and seemed unsurprised to find me there. “Nothing. I might bake something. I don’t know.”

“Okay,” I said, and got myself some water. I went back to bed but couldn’t sleep anymore. I was lying on a hardback biography of T. S. Eliot, but that wasn’t the reason. After about half an hour I sat up again, and Lily was in the rocking chair by the window, Lily smiling with glad eyes as if she had something funny to tell me. Lily in the chair, I mean Miranda was, Miri in a black T-shirt that scraped the tops of her thighs, Miri holding the rockers still with her bare feet. When I jumped, she laughed. I half expected her to say, “Again, do it again!”

I sat down on the end of my bed, facing her, and said, “Good morning.”

Miri didn’t use lipstick, she used something in a little pot that was applied with a fingertip. Miri said, “I miss her. So much that sometimes I’m scared I’ll bring her back.”

The red on her mouth was so strong; maybe it was just the early morning but I’d never seen a red as startling, as odd. Maybe she’d bitten her lip.

“She liked you best,” Miri said, softly.

I shook my head but couldn’t speak. We both considered the lawn outside the window, Sylvie and The Paul’s tidy lawn. I did not have a thought, not even a painful one. A large and colourless umbrella had opened up inside my brain. All I did know was that after that initial shock of thinking that Lily had come back I had felt a cool, small relief, a moment of adjusting to Lily’s ghost so that I could be… not unsatisfied with the quality of her being there. I can only explain it in comparison to something mundane — my adjustment to Lily’s ghost was sort of like when you’re insanely thirsty, but for some reason you can’t get the cap on your water bottle to open properly so you tussle at it with your teeth and hands until you can get a trickle of water to come through. A little water at a time, and you’re trying to be less thirsty and more patient so that the water can be enough. The thing with having seen Lily was just like that, a practical inner adjustment to meet a need. At least she is there, I’d thought, even if she is just a ghost and doesn’t speak, at least she is

there

was a bird on the windowsill later in the afternoon. I looked up from Thus Spake Zarathustra and saw it standing motionless. Its feathers were brown and grey; in some places bands of one colour crossed the other. The bird was small enough to stand on the palm of my hand, which it did without alarm after about twenty minutes of me rushing at it and growling, opening and closing the window with a bang in my attempts to scare it into flying away. The bird and I looked each other over. Why wouldn’t it fly? That’s what birds are meant to do. Slowly, carefully, expecting it to flee at any moment, I took the bird into my hand and downstairs with me, where the others marvelled at it and fed it toasted brioche crumbs.

After breakfast, Sylvie and Dad stayed in and baked, and Miri and I went out for a walk along the Seine with The Paul. I took the bird with us, holding my jacket slightly open for the bird, which I felt shuddering slightly in the inside pocket, a brittle shape with life in it, like a flute playing itself. The Paul was in between Miri and me, and Miri supported him by coquettishly slipping her arm through his. Her high heels slipped on the ice. This happened a lot, but she refused to go out without her heels so she’d adapted to it, fully bending her knees each time she slipped so that she staggered with elegance. The trees were laced with ice and only a few other people were out. When they passed us, they gave friendly nods. I made observations aloud, for the bird’s benefit. “Lovely weather,” I said, and “Fit girl,” I told the bird, when one walked past. I also said, “I hope you don’t shit in my pocket.” The bird raised its beak and its eyes like wet black marbles, and it seemed to listen to me. Either that or it was trying to get a feeling for the sky and when it might fly again. The Paul said sympathetically, “Poor boy. Your old grandparents have bored you eccentric. I understand. A fellow’s got to amuse himself.”

Just before we left for home I tried once more to make the bird fly. I opened the window of my room at Sylvie and The Paul’s house and I set the bird’s dumpy body on the sill, pushed it with a finger, but it only shook itself a little and stayed with its back to me, tail feathers ruffled, a defiant loner against the sunset and against the world. I reinstated it in the inside pocket of my jacket.

Miri spent most of the train journey to Calais trying to flirt with the bird, but it ignored her, snuggled deeper into my pocket and seemed to melt into hibernation — even its claws softened. The other people sitting around us seemed worried by the bird; they kept looking at the top of its head, which was all that was visible, as if they expected it to suddenly rise and start zooming around the train carriage, buzzing like a huge fly with a beak. But the bird relaxed until we’d docked at Dover, where it suddenly chirruped, struggled from my pocket to my shoulder, and threw itself at the air, singing madly. Then it was gone.