Tim Winton - The Turning

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The Turning: краткое содержание, описание и аннотация

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In these extraordinary tales about ordinary people from ordinary places, Tim Winton describes turnings of all kinds: second thoughts, changes of heart, nasty surprises, slow awakenings, abrupt transitions. The seventeen stories overlap to paint a convincing and cohesive picture of a world where people struggle against the terrible weight of their past and challenge the lives they have made for themselves.
'Always a writer of crystalline prose, his lines of sinewy leanness achieve such clarity here that it seems one is reading line after line of perfect music. . To read Winton is to be reminded not just of the possibilities of fiction but of the human heart' "The Times "
'The laureate of Western Australia is back. . this is like Carver, happily with a very large dose of Winton' "Time Out "
'These stories are threaded through with subtleties and oblique connections; to be fully appreciated, they need to be read more than once. But Winton's writing — vigorous, vivid, precise — is so good that you'd want to do that anyway' "Sunday Times"

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My father was the council building inspector. It wasn’t a job for a man who needed to be popular. Dour, punctilious and completely without tact, he seemed to have no use for people at all, except in their role as applicants, and then he was, without exception, unforgiving. For him, the building code was a branch of Calvinism perfected by the omission of divine mercy. His life was a quest to reveal flaws, disguised contraventions, greed and human failure. Apart from dinner time and at the end-of-term delivery of school reports, he barely registered my presence. My mother was passive and serene. She liked to pat my hair when I went to bed. I always thought she was a bit simple until I discovered, quite late in the piece, that she was addicted to Valium.

My parents were lonely, they were insular and preoccupied, yet I still find it hard to believe that they knew nothing at all about Boner and me that year. If they weren’t simply ignoring what I was up to then they truly didn’t notice a thing about me.

I loved everything about Boner, his silence, his incuriosity, the way he evaded body contact, how he smelled of pine resin and tobacco smoke. I liked his sleepy-narrow eyes and his far-off stares. The bruises on his arms and neck intrigued me, they made me think of men and knives and cold carcases, his mysterious world. Sometimes he’d vanish for days and I’d be left standing abject at the Esso until dark. And then he’d turn up again, arm down the door with nothing to say.

He never told me anything about himself, never asked about me. We drove to football games in other towns, to rodeos and tiny fairs. When there were reports of snow we travelled every road in the ranges to get a glimpse but never saw any. Out on the highway, on the lowland stretch, he opened the throttle and we hit the ton with the windows down and Pink Floyd wailing.

It’s not that he said absolutely nothing, but he spoke infrequently and in monosyllables. By and large I was content to do all the talking. I told him the sad story of my parents. I filled him in on the army of bitches I went to school with and the things they said about us. Now and then I tried to engage him in hot conjecture — about whether David Bowie was really a poof or if Marc Bolan (who had to be a poof) was taller than he looked — but I never got far.

We drove out to the whaling station where the waters of the bay were lit with oily prisms and the air putrid with the steam of boiling blubber. I puked before I even saw anything. At the guardrail above the flensing deck, I tried to avoid splashing my granny sandals. Boner brought me a long, grimy bar towel to clean myself up with. He was grinning. He pointed out the threshing shadows in the water, the streaking fins, the eruptions on the surface.

Horrible, I said.

He shrugged and drove me back to town.

Although everyone at school assumed that Boner and I were doing the deed every time I climbed into his van, there was neither sex nor romance between us. Erin and the others could not imagine the peculiarity of our arrangement. There was, of course, some longing on my part. I yearned to kiss him, be held by him. After the reputation I’d earned it seemed only fair to have had that much, but Boner did not like to be touched. There was no holding of hands. If I cornered him, wheedling and vamping for a kiss, his head reared back on his neck until his Adam’s apple looked fit to bust free.

The closest I ever got to him was when I pierced his ears. I campaigned for a week before he consented. It began with me pleading with him and ended up as a challenge to his manhood. One Sunday I climbed in with ice, Band-Aids, and a selection of needles from my mother’s dusty sewing box. We parked out off the lowlands road where I straddled him on the seat and held his head steady. A few cars blew by with their horns trailing off into the distance. The paddocks were still. I pressed ice to Boner’s earlobes and noticed that he’d come out in a sweat. He smelled of lanolin and smokes and that piney scent. When he closed his eyes, the lids trembled. I revelled in the luxury of holding him against the seat. I lingered over him with a bogus air of competence. Like a rider on a horse I simply imposed my will. At the moment I drove the needle through his lobe I clamped him between my thighs and pressed my lips to his clammy forehead. He was so tense, so completely shut down in anticipation of contact, that I doubt he felt a thing.

For a few weeks my riding with Boner brought me more glamour than disgrace. The new hippy teachers gave me credit for pushing social boundaries, for my sense of adventure and lack of snobbery. To them my little rebellion was refreshing, spirited, charming. They preferred it to my being the dutiful daughter of the council inspector. I knew what they thought of homes like ours with the red-painted paths and plaster swans. Their new smiles said it all. But when my experiment proved more than momentary their Aquarian indulgence withered. They despised boys like Boner as much as my parents would have, had they known him, and after a while my feisty rebellion seemed little more than slumming. Boner was no winsome Woodstock boy. He was a toughie from the abattoir. My young teachers’ sisterly hugs gave way to stilted homilies. Free love was cool but a girl didn’t want to spread her favours too thin, did she. I grimaced and smirked until they left me alone.

The gossip at school was brutal. In the talk, the passed notes, the toilet scrawl, I sucked Boner McPharlin, I sucked other boys, I sucked anybody. And more. At the drives Boner hired me out, car to car, Jackie Martin meatworker. Slack Jackie. The slander hurt but I bore it as the price of love. Because I did love him. And anyway, I thought, let them talk, the ignoramuses. Part of me enjoyed the status, the bitter satisfaction of being solitary but notable. I was, in this regard, my father’s daughter.

I could bear the vile talk behind my back, but all the icy silence on the surface wore me down. I had enough remoteness at home. And Boner himself barely said a word. I craved some human contact. The only people who would speak to me were the opportunists and the outcasts, boys newly-emboldened to try their luck and hard-faced sluts with peroxided fringes who wanted to know how big Boner’s bone was. The boys I sent packing but the rough chicks I was stuck with. They were a dim and desperate lot with which to spend a lunch hour.

At first they were as suspicious of me as they were curious. I was a cardigan-wearing interloper, a slumming dilettante. Their disbelief at Boner’s having chosen me was assuaged in time by the incontrovertible fact of it, for there I was every afternoon cruising by in the van. I didn’t challenge the legend. On the contrary, I nurtured it. By nods and winks at first and later with outright lies. I told them what they wanted to hear, what I read in Cleo and Forum , the stuff I knew nothing about. It seemed harmless enough. We were just girls, I thought, fakers, kids making ourselves up as we went along. But the things I was lying through my teeth about were the very things these girls were doing. That and much more. And they had the polaroids to prove it.

Only when I saw those photos did I begin to understand how stupid my playacting had been. One lunchtime five of us crammed into a smoky toilet stall, our earrings jangling with suppressed laughter. The little prints were square, felt gummy in my hands, and it took me several moments to register what I was looking at. God knows what I was expecting, which fantasy world I’d been living in, but I can still feel the horrible fake grin that I hid behind while my stomach rolled and my mind raced. So this was what being Slack Jackie really meant. Not just that kids thought you were doing things like this with Boner McPharlin; they believed you did them with anybody, everybody, two and three at a time, reducing yourself to this, a grimacing, pink blur, a trophy to be passed around in toilets and toolsheds all over town. All the gossip had been safely abstract but the polaroids were galvanizing. With all my nodding and winking I’d let these creatures believe that I was low enough to have mementoes like this myself, conquests that would bind us to one another. I’d never felt so young, so isolated, so ill. Those girls had already lived another life, moved in a different economy. They understood that they had something men and boys wanted. For them sex was not so much pleasure or even adventure but currency. And I was just a romantic schoolgirl. Maybe they suspected it all along.

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