Irvine Welsh - The Sex Lives of Siamese Twins

The really fucking great news is that Congressman Quist is set to resign after some financial scandal. There hasn’t been a politician in Florida who has refused some type of kickback, and it was inevitable that Quist would fall, like so many others, on the sword of a shady real-estate deal. I watched his red face on TV in a soundless interview a few months back, while I was cooking lunch. In the background, behind him, the head of a panther on his wall. Assholes like him are the reason panthers don’t exist in Florida anymore, except on sports jerseys. But Quist soon won’t be existing in Florida politics, which is good news, if a little late for my benefit.

But I did learn a lesson through being incarcerated by Lena and pumped up with crud; I’m more tolerant to other people now. Yes, I’ll have to check my name-calling shit. Lena has told me to quit referring to other women as bitches and hoes. She knew that those were Clint Austin’s words, rasping menacingly in my ear in that park, and coming out my mouth in the same way since then. Now that I’ve acknowledged that as a truth, I should be able to stop. Except in the case of Mona, of course. If the cap fits, as they say, and no other names are more accurate in her case.

Yes, family life is good, and it’s improving dramatically, with the Sorensons now bound for Potters Prairie, Otter County, Minnesota. The very thought of such a place existing causes a chill to spread over my bones. There might be more rabid, religious dumbass fuckers in America than ever, but the response to that has just been more irony. Now terms like “America,” “Democracy,” “Freedom,” and “God” are used in a mocking, derisive way, usually by people who realize that those deploying them without irony only want to control you, or sell you shit. The Sorensons weren’t that ambitious, they only wanted to dominate one daughter. Lena takes the words out of my mouth as we leave the 95 from Miami International: — It’ll be so good to have the place to ourselves, love them as I do-oo!

But our peace is short-lived. We aren’t long back home, and I’m in the garden watering some plants. The sun’s starting to go down and a musty darkness is insinuating itself. My sweat is trickling and dripping, as insects whir round me. The pool attracts mosquitoes at this time of night and I feel one fat bloodsucker injecting my ankle. I slap at it, making contact with nothing but my own flesh. As I curse, I look at the light from the office window, and see Lena with Nelson on her lap, printing stuff from the computer and coloring it in for him.

I’m suddenly aware of a vehicle pulling up outside the front of the house, and somebody, more than one set of footsteps, exiting and marching down the driveway. Then a forceful knock at the door. I go back inside, as tense as a guitar string, following Lena down the hallway, Nelson in her arms, as she opens the door.

It’s the police. One of the officers present is Grace Carillo, whom I haven’t seen in a couple of years. As our eyes meet, she dispenses a curt nod, but one which lets me know that this isn’t going to be about catching up. She’s put on weight; the promotion I heard she’d been given must mean longer hours and less gym time.

I know what it’s about. I’ve been waiting for this day. I kept my word to Lena (barring the night of the conversation , when she set me free), the promise that I’d made to her when she first imprisoned me, about never mentioning Jerry’s name. But I can’t help thinking about him, given that it’s a strong possibility that I see bits of him every day. Lena’s finished the construction of The New Man , but I know through previous cop visits that at least one senior Miami police officer believes that parts of Jerry have been incorporated into the piece — the skull and pelvis in particular. And they do look like human dimensions and shaping, just about visible through the glaucous, translucent skin.

Now I feel the heat draining out of my body as Grace Carillo tells Lena that the installation is to be removed, where it will be broken open, so that a DNA sample can be taken from the bones. She points outside, where two blue jumpsuited men start pushing a large cart down the driveway.

Lena shakes her head. — I’m afraid I can’t authorize that.

— It’s no longer in your hands, Ms. Sorenson.

As the shock waves bombard me, my heartbeat races. I look to Lena, who remains totally unfazed. There’s a playful smile enlivening her face as she casually shrugs, — That is exactly what I’m trying to say to you, Detective Sergeant Carillo. I’m not in a position to authorize it, as the sculpture is no longer my property. The gallery sold it to a private collector on Tuesday morning, and she moves, swiftly but with poise, into her office and returns brandishing an email, which she hands to Grace. — The individual in question, who now owns the work, is estimated by Forbes Magazine to be the third richest man in the world. Once the sculpture has been breached, even by the thinnest needle, the resin cracks and it will be ruined. You’ll note that the buyer has paid 16.25 million dollars for it. If the bones inside are the bones of Jerry Whittendean, then I obviously have a big problem. If, however, these are my moldings rather than human bones, then the big problem becomes yours. The new owner will almost certainly sue Miami-Dade Police Department. And he will almost certainly be successful. So the question is, Detective Sergeant Carillo: just how darned lucky do you feel?

Grace glares at her. Lena’s cloying soccer-mom-from-Minnesota expression never changes. Grace then turns to me, in some sort of desperate appeal. I shrug, and look toward the other plain-clothes cop, who has taken the email from her and whose neck is flaring in red liver spots as he reads it.

Lena points at the email in his hand. — You now have to take this up with the individual in question.

Grace flushes, glancing at her fellow officer. Trying to claw back some power, she barks, — Rest assured: we will do just that!

But she’s like a cocker spaniel trying to impersonate a pit bull. Lena reads it as such. — Good luck with that one, she smiles as Grace and her colleague exit, grimly. We watch them instruct the two guys to wheel the empty cart away and load it back into the truck.

When did she get those balls? Lena played those suckers and they backed the fuck down! Mind you, I had always suspected that Grace (the pussy formerly known as hot) was a little gun-shy.

And the big bones sit in there, the pelvis and the skull, suspended in Lena’s translucent sculpture like big chunks of fruit in Molly Sorenson’s Jell-O. I dunno if they are Jerry’s bones. They could just as easily have come out of one of her molds that the police took away. All I know is that the wealthy buyer intends to donate the piece to the Art Institute in Chicago, in the new modern art wing. I never asked Lena, although I know I will someday, but I really do hope that it is the vestiges of Jerry in there. I kind of like the idea of him being on permanent display in his alma mater. I think, in a strange way, that he might be at peace with such an arrangement.

Of course, if it is Jerry in there, life would have been so much simpler had we stuck to a version of the truth. Lena was working on an art project, I was looking after her house. Jerry came by, tricked his way in, and ransacked the place. I asked him to leave, he refused, he attacked me, and I accidentally killed him in self-defense.

But I think Lena tore off and intervened in the way she did probably not out of revenge over Jerry, but simply because she was an artist, and the authentic materials to finish her compelling project were suddenly at her disposal. Like Dad with his crappy novels, the world and the people in it are all just potential resources to those ruthless scavengers!