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Nicola Barker: Three Button Trick and Other Stories

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Nicola Barker Three Button Trick and Other Stories

Three Button Trick and Other Stories: краткое содержание, описание и аннотация

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Nicola Barker, Man Booker Prize–shortlisted author of Darkmans and The Yips and winner of the IMPAC Dublin Literary Award and Hawthornden Prize, gathers her finest short fiction in this irresistible collection Audacious, original, clever, poignant—these are just a few words that describe the writing of Nicola Barker, an award-winning author who has been compared to Martin Amis, Julian Barnes, and Margaret Atwood. Now nineteen of her finest short stories have been compiled into one startling, delightfully readable volume. It takes young Carrie twenty-one years and a chance meeting with an eighty-three-year-old widow to realize she fell victim to her husband’s “three button trick.” The main character in “Wesley” must work through his troubled childhood in a series of episodes involving masses of eels, an imaginary friend named Joy, and an unmentionable incident with an emu-owl. Whether describing erotic encounters behind clothing racks or a kleptomaniac with his organs on the wrong side, these stories never fail to surprise us, entertain us, and make us think. “Nicola Barker’s is a singular world, a hectic place of uncommon characters and naughty, memorable prose . . . Her style is fast, funny, profound, and sharp.” —Newsday  “An astounding writer.” —Seattle Weekly  “Barker’s subjects are often raw and irreverently sexy, while her endings are sometimes abrupt, but she never fails to surprise and delight with incisive writing and piercing wit, to say nothing of all the vivid characters inhabiting these rambunctious and witty stories.” —Publishers Weekly  Nicola Barker’s eight previous novels include Darkmans (short-listed for the 2007 Man Booker and Ondaatje prizes, and winner of the Hawthornden Prize), Wide Open (winner of the 2000 International IMPAC Dublin Literary Award), and Clear (long-listed for the Man Booker Prize in 2004). She has also written two prize-winning collections of short stories, and her work has been translated into more than twenty languages. She lives in East London. 

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Before anyone could respond Owen had grabbed the heavy refuse bag full of bones and gristle and off-cuts and had struggled his way out of the shop. When he had gone, Ralph turned to Marty and said, ‘He was a nice enough kid.’

Marty shrugged.

Owen got out of the shop and walked a short distance down the road before placing the bag on the pavement and opening it. He reached inside and felt for the cancer. When he finally touched it, it sucked on his finger like a fish or a baby. He took it out of the bag, pulled off his sweater and bundled the cancer up inside it. He carried it on the bus as though it were a sick puppy. It moved very slightly. When he got home he crept upstairs and locked himself in his room. He closed the curtains and then sat on his bed and unbundled the tumour. He placed it gently on his bedside table under the warm glow of his lamp. It was growing weaker and now moved only slowly.

Owen wondered what he could do for it. He debated whether to pour water on it or whether to try and keep it warm. He wondered whether it might be kinder to kill it quickly, but he couldn’t work out how. He wondered if you could drown a tumour (that would be painless enough), or whether you could chop it in half. But he couldn’t be sure that tumours weren’t like the amoebas that he’d studied in biology at school that could divide and yet still survive. He couldn’t really face destroying it. Instead he decided to simply stay with it and to offer it moral support. He whispered quietly, ‘Come on, it’ll be all right. It’ll soon be over.’

After a few hours the tumour was only moving intermittently. Its movements had grown sluggish and irregular. Owen stayed with it. He kept it company. He chatted. Eventually the tumour stopped moving altogether. Its meaty exterior was completely still. He knew that it was dead. He picked it up tenderly and cradled it in his arms as he carried it downstairs, out of the house and into the garden. Placing it gently on the grass, he dragged at the soft soil in the flowerbeds with both his hands until he had dug a hole of significant proportions. Then he placed the still tumour into the hole and covered it over. In a matter of minutes the soil was perfectly compacted and the flowerbed looked as normal.

He went inside and lay on his bed awhile. At six he went downstairs to the kitchen where his mother was beginning to prepare dinner. As he poured himself a glass of water she said, ‘I didn’t know that you were home. How did your first day go?’

Owen gulped down the water and then placed his glass upside down on the draining board. He said, ‘I think I’m going to be a postman.’

Then he dried his hands on a kitchen towel and asked what was for dinner.

G-String

EVER FALLEN OUT WITH somebody simply because they agreed with you? Well, this is exactly what happened to Gillian and her pudgy but reliable long-term date, Mr Kip.

They lived separately in Canvey Island. Mr Kip ran a small but flourishing insurance business there. Gillian worked for a car-hire firm in Grays Thurrock. She commuted daily.

Mr Kip—he liked to be called that, an affectation, if you will—was an ardent admirer of the great actress Katharine Hepburn. She was skinny and she was elegant and she was sparky and she was intelligent. Everything a girl should be. She was old now, too, Gillian couldn’t help thinking, but naturally she didn’t want to appear a spoilsport so she kept her lips sealed.

Gillian was thirty-four, a nervous size sixteen, had no cheekbones to speak of and hair which she tried to perm. God knows she tried. She was the goddess of frizz. She frizzed but she did not fizz. She was not fizzy like Katharine. At least, that’s what Mr Kip told her.

Bloody typical, isn’t it? When a man chooses to date a woman, long term, who resembles his purported heroine in no way whatsoever? Is it safe? Is it cruel? Is it downright simple-minded?

Gillian did her weekly shopping in Southend. They had everything you needed there. Of course there was the odd exception: fishing tackle, seaside mementos, insurance, underwear. These items she never failed to purchase in Canvey Island itself, just to support local industry.

A big night out was on the cards. Mr Kip kept telling her how big it would be. A local Rotary Club do, and Gillian was to be Mr Kip’s special partner, he was to escort her, in style. He was even taking the cloth off his beloved old Aston Martin for the night to drive them there and back. And he’d never deigned to do that before. Previously he’d only ever taken her places in his H-reg Citroën BX.

Mr Kip told Gillian that she was to buy a new frock for this special occasion. Something, he imagined, like that glorious dress Katharine Hepburn wore during the bar scene in her triumph, Bringing Up Baby.

Dutifully, Gillian bought an expensive dress in white chiffon which didn’t at all suit her. Jeanie—twenty-one with doe eyes, sunbed-brown and weighing in at ninety pounds—told Gillian that the dress made her look like an egg-box. All lumpy-humpy. It was her underwear, Jeanie informed her—If only! Gillian thought—apparently it was much too visible under the dress’s thin fabric. Jeanie and Gillian were conferring in The Lace Bouquet, the lingerie shop on Canvey High Street where Jeanie worked.

‘I tell you what,’ Jeanie offered, ‘all in one lace bodysuit, right? Stretchy stuff. No bra. No knickers. It’ll hold you in an’ everything.’ Jeanie held up the prospective item. Bodysuits, Gillian just knew, would not be Mr Kip’s idea of sophisticated. She shook her head. She looked down at her breasts. ‘I think I’ll need proper support,’ she said, grimacing.

Jeanie screwed up her eyes and chewed at the tip of her thumb. ‘Bra and pants, huh?’

‘I think so.’

Although keen not to incur Jeanie’s wrath, Gillian picked out the kind of bra she always wore, in bright, new white, and a pair of matching briefs.

Jeanie ignored the bra. It was functional. Fair enough. But the briefs she held aloft and proclaimed, ‘Passion killers.’

‘They’re tangas’, Gillian said, defensively, proud of knowing the modern technical term for the cut-away pant. ‘They’re brief briefs.’

Jeanie snorted. ‘No one wears these things any more, Gillian. There’s enough material here to launch a sailboat.’

Jeanie picked up something that resembled an obscenely elongated garter and proffered it to Gillian. Gillian took hold of the scrap.

‘What’s this?’

‘G-string.’

‘My God, girls wear these in Dave Lee Roth videos.’

‘Who’s that?’ Jeanie asked, sucking in her cheeks, insouciant.

‘They aren’t practical,’ Gillian said.

Jeanie’s eyes narrowed. ‘These are truly modern knickers,’ she said. ‘These are what everyone wears now. And I’ll tell you for why. No visible pantie line!’

Gillian didn’t dare inform her that material was the whole point of a pantie. Wasn’t it?

Oh hell, Gillian thought, shifting on Mr Kip’s Aston Martin’s leather seats, ‘maybe I should’ve worn it in for a few days first.’ It felt like her G-string was making headway from between her buttocks up into her throat. She felt like a leg of lamb, trussed up with cheese wire. Now she knew how a horse felt when offered a new bit and bridle for the first time.

‘Wearing hairspray?’ Mr Kip asked, out of the blue.

‘What?’

‘If you are,’ he said, ever careful, ‘then don’t lean your head back on to the seat. It’s real leather and you may leave a stain.’

Gillian bit her lip and stopped wriggling.

‘Hope it doesn’t rain,’ Mr Kip added, keeping his hand on the gearstick in a very male way, ‘the wipers aren’t quite one hundred per cent.’

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