Dave Eggers - What Is The What

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What Is The What: краткое содержание, описание и аннотация

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In a heartrending and astonishing novel, Eggers illuminates the history of the civil war in Sudan through the eyes of Valentino Achak Deng, a refugee now living in the United States. We follow his life as he's driven from his home as a boy and walks, with thousands of orphans, to Ethiopia, where he finds safety — for a time. Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation — and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated. In this book, written with expansive humanity and surprising humor, we come to understand the nature of the conflicts in Sudan, the refugee experience in America, the dreams of the Dinka people, and the challenge one indomitable man faces in a world collapsing around him.

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CHAPTER 11

There are keys in the door. Michael, I am afraid you are in trouble now, because Achor Achor is home and there will be a reckoning for all this. If only I could see this scene through his eyes! He will handle you and your cohorts without much mercy.

The lock is relieved and the door opens. I see the hulking figure of Tonya.

'Look who's awake!' she says, staring down at me. 'Michael!' she barks. She has changed her clothes, into a black satin suit. Michael bursts from my room. He begins to apologize but she stops him short. 'Get your ass ready,' she snaps, 'we got the mini-van.' Michael goes to the bathroom and returns with his sneakers, which he begins to tie. I cannot fathom why he left his shoes in the bathroom in the first place.

Now there is another man, not Powder, in my kitchen. He is smaller than Powder, with long loose fingers, and he is sizing up the television set, staring at it as if guessing its weight. He unplugs the cable and sets the cable box on the counter. Gathering the electrical cord in one long-fingered hand, he squats before the TV and tilts it against his chest. He is out the door in seconds.

Tonya walks past me, smelling strongly of a strawberry perfume, and goes to my bedroom again. She is looking through my drawers once more, as if she lives here and has forgotten something. My stomach tightens again as I imagine her, too, finding my pictures of Tabitha. The thought of her handling those photographs makes me instantly nauseous.

Michael is near the door, with his shoes on and his Fanta in his hand. He will not look at me. I spend a long moment with my mouth open, ready to say something, but finally decide against it. I could ask to be untied, but that would only remind them that leaving a witness might be more dangerous than disposing of one.

Tonya appears again and in seconds is with the new man at the door. She scans the room one more time, without looking at me. She pushes Michael out the door; he does not look back to me. Now satisfied, Tonya closes the door. They are gone.

The finality and suddenness of their departure is startling. This time, they were in my apartment no more than two minutes, though her scent lingers.

I am alone again. I detest this city of Atlanta. I cannot remember a time when I felt otherwise. I need to leave this place.

What time is it? I realize it might be a full day before I see Achor Achor again. If I'm lucky, he'll come home before he goes to work. But he has been gone for days before, at Michelle's; he keeps a toothbrush and an extra suit there. He will not be back tonight and will likely go directly from her house to work. If so, I will be here, on the floor, until, at the earliest, six-thirty a.m. tomorrow. No, eight-thirty-he has class after work tomorrow.

I try to yell, thinking that though my voice might be muffled, it might yet be loud enough to attract a neighbor. I try, but the sound is pitiful, dull, a quiet groan.

Soon I will be able to moisten the tape enough that my lips will be free, but with the tape wrapped around my head, it will be difficult for my tongue to maneuver it low enough. I must make myself heard, I must alert a neighbor, bring someone to my door. The police need to be called, the burglars apprehended. I need water, food. I need a change of clothes. This ordeal needs to end.

But it is not ending. I am on the floor, and it could be twenty-four hours or more before Achor Achor returns. He has been gone three days at a stretch. But never without a call. He will call and when I don't answer and don't call back, he will realize something is wrong. And until then there are other options. There are people in this building and I will make myself known.

I can kick the floor. I can raise my feet enough that the kick, even through the wall-to-wall carpet, might be audible below. The neighbors below, to whom I have spoken only once, are decent people, three of them, two women and a man, all white, all over sixty. They are not prosperous, living three to an apartment precisely the size of this one I share with Achor Achor. One of the women, very sturdy and with a tight helmet of silver hair, has a job that requires a security-guard uniform. I am not sure whether or where the other two work.

I know they are Christians, evangelicals. They have placed literature under my door, and I know they have discussed their faith with Edgardo. Like me, Edgardo is a Catholic, but still these neighbors have tried to move us toward their sort of rebirth. Their proselytizing has not offended me. When Ron, the older man who stays at home, approached me once as I was leaving for class, he first wanted to talk about slavery. An earnest-looking man with the face of an overfed infant, he had read something about the persistence of slavery in Sudan; his church was sending money to an evangelical group that was planning to travel to Sudan to buy back slaves. 'A few dozen,' he said.

This is a fairly booming business, or was a few years ago. Once the evangelical circles became aware of the slavery-abduction practices in the region, it became their passion. The issue is complex, but like many matters in Sudan, it is not as complex as Khartoum would want the West to believe. The murahaleen began abducting again in 1983, once they were armed and could act with impunity.

Christian neighbors below, where are you tonight? Are you home? Would you hear me if I called? Would it be enough to simply bang the floor? Will you hear me kicking? I lift my legs, still tied tightly together, from the knee down, and strike the carpeted floor with as much force as I can muster. The sound is undramatic, a muted thump. I try again, harder now. I kick for a full minute and am winded. I wait for some reaction, perhaps a broomstick banging back in response. Nothing.

Christian neighbors, because it interests you, I will tell you about the slave raids, the slave trade. The slave trade began thousands of years ago; it's older than our faith. You know this, or might have assumed it. The Arabs used to raid southern Sudanese villages, often with the help of rival southern tribes. This is not news to you; it follows the pattern of much of the slave-raiding in Africa. Slavery was officially abolished by the British in 1898, but the practice of slavery continued, even if it was far less prevalent.

When the war began and the murahaleen were armed, the stolen people-for this is what my father called them, stolen people — were taken to the north, and traded among Arabs. Much of what you have heard, Christian neighbors, is true enough. Girls were made to work in Arab homes, and later became concubines, bearing the children of their keepers. Boys tended livestock and were often raped, too. This, I have to tell you, is one of the gravest offenses of the Arabs. Homosexuality is not part of Dinka culture, not even in a covert way; there simply are no practicing homosexuals at all, and thus sodomy, particularly the forced sodomy upon innocent boys, has fueled the war as much as any other crime committed by the murahaleen. I say this with all due deference to the homosexuals of this country or any other. It is simply a fact that the thought of boys being sodomized by Arabs is enough to drive a Sudanese soldier to acts of incredible bravery.

It must be said that in this war, almost all of us Dinka have grown to vilify all the Arabs of Sudan, that we have forgotten the friends we have known from the north, the interdependent and peaceful lives we once lived with them. This war has made racists of too many of them and too many of us, and it is the leadership in Khartoum that has stoked this fire, that has brought to the surface, and in some cases created from whole cloth, new hatreds that have bred unprecedented acts of brutality.

The strangest thing is that the so-called Arabs are not so different in any way, particularly in appearance, from the peoples of the south. Have you seen the president of Sudan, Omar el-Bashir? His skin is almost as dark as mine. But he and his Islamicist predecessors look down on the Dinka and Nuer, they want to convert us all, and leaders in Khartoum have in the past attempted to make Sudan the world center of Islamic fundamentalism. All the while, there are plenty among the Arab peoples of the Middle East who do have their own prejudices against dark-skinned Bashir and his proud Sudanese Muslim friends. There are many from within and without Sudan who don't consider them Arabs at all.

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