John McGahern - Creatures of the Earth - New and Selected Stories

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McGahern's command of the short story places him among the finest practitioners of the form, in a lineage that runs from Chekhov through Joyce and the Anglo-American masters. When the collection was first published in 1992, the Sunday Times said 'there is a vivid pleasure to be had in the reading of these stories, ' while for Cressida Connolly in the Evening Standard 'these wonderful stories are sad and true… McGahern is undoubtedly a great short story writer.' Many of the stories here are already classics: Gold Watch, High Ground and Parachutes, among others. McGahern's spare, restrained yet powerfully lyrical language draws meaning from the most ordinary situations, and turns apparently undramatic encounters into profoundly haunting events: a man visits his embittered father with his new wife; an ageing priest remembers a funeral he had attended years before; a boy steals comics from a shop to escape the rain-bound melancholy of a seaside holiday; an ageing teacher, who has escaped a religious order, wastes his life in a rural backwater that he knows he will never leave.

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‘I’d love to hear you play on that fiddle.’

‘I’m sure that’s easily arranged. After all, there’s only a few more petty things to check, and then our work is done for the day.’

‘We can play in the barracks, then. There’s no one there. Biddy can get us something to eat, and then you can play.’

‘That doesn’t matter at all.’

‘Still, the inner man has to be seen to too. Biddy’s my housekeeper. She’s a good soul, but I must warn you she’s deaf as a post and shouts.’

‘Let that be the least of our worries.’ The young Surveyor smiled indulgently as the car ground to a stop on the barracks’ gravel. ‘Do you find time hard to kill in this place?’ he asked as he got out of the car.

‘It’s no fun in this weather but in the summer it’s fine,’ the Sergeant answered while they unroped the bicycle. ‘I take out the old boat you see upside down there under the sycamore. Row it up into the mouth of the Gut and drop the radiator over the side. Time runs like lightning then, feeling the boat sway in the current, a few sandwiches and stout or a little whiskey, and unless there’s a bad east wind you’re always sure of fish. It’s great to feel the first chuck and see the line cut for the lake.’

‘You grill these fish, then?’

‘Sometimes Biddy cooks them but mostly I give them away. I don’t care about the eating. It’s the day in the good weather, and the fishing. I’ve often noticed that the people mad about fishing hardly ever care about the eating.’

Biddy was turning the handle of the metal sock-machine clamped to the corner of the table when they came into the big kitchen. Its needles clacked. The half-knit sock, weighted with small pieces of lead, hung close to the cement. She didn’t turn around. When the Sergeant placed a hand on her shoulder she did not start. She began to shout something to him. Then she saw the Surveyor with the violin-case in his hand at the door, and drew back.

‘This is Biddy. She knits socks for half the countryside. More to pass the time than for the few pence it brings her. She’s proud as punch of her machine. Pay no attention to her for she’ll not hear a word you say.’

The Surveyor changed the violin from his right hand to his left before taking Biddy’s hand. ‘It’s nice to meet you.’ As she released his hand she shouted, ‘You’re very welcome.’ The Sergeant went and took a bottle of whiskey and two tumblers from a black press in the corner, its glass covered with a faded curtain, joking uncomfortably, ‘I call it the medicine-press,’ as the Surveyor opened the violin-case on the table. Biddy stood vacantly by the machine, not sure whether to return to her knitting or not; and as the Sergeant was asking the Surveyor if he would like some water in his whiskey she eventually shouted, ‘Would yous be wanting anything to ate now, would yous?’ ‘Yes. In a minute,’ the Sergeant mouthed silently. As soon as he poured the water in the whiskey and placed it beside the Surveyor, who had taken the violin from its case and was lovingly removing its frayed black silk, he apologized, ‘I won’t be a minute,’ and beckoned Biddy to follow him into the scullery. The door was opened on to a small yard, where elder and ash saplings grew out of a crumbling wall. Three hens were perched on the rim of a sawn barrel, gobbling mashed potatoes. As soon as Biddy saw the hens she seized a broom.

‘Nobody can take eyes off yous, for one minute.’

She struck with the broom so that one hen in panic flew straight to the window, rocking the shaving mirror.

‘Oh Jesus.’ The Sergeant seized the broom from Biddy, who stood stock-still in superstitious horror before the rocking shaving mirror, and then he quietly shooed the frightened hen from the window and out the door. He banged the door shut and bolted it with its wooden bolt.

‘We’d have had seven years without a day’s luck,’ she shouted, as she fixed the mirror in the window.

‘Never mind the mirror.’ He turned her around by the shoulders.

‘Never mind the mirror,’ she shouted, frightened, to show him that she had read his lips.

‘Keep your voice down.’

‘Keep your voice down,’ she shouted back.

‘We want something to eat.’

‘We want something to eat,’ she shouted back, but she was calming. ‘There’s eggs and bacon.’

‘Get something decent from the shop. Cheddar and ham. There’s salad still in the garden.’

‘Cheddar and ham,’ she shouted. ‘What if his ham is crawling and the price he charges? Not the first time for him to try to pass off crawling ham on me.’

‘Go,’ the Sergeant said and forced her into a coat he took from the scullery wall.

‘Will I pay cash or get it put on the Book?’ she shouted.

‘The Book.’ He handed her a small notebook covered with old policeman’s cloth from where it hung from a nail in the wall and rushed her out the door. After he bolted it he whispered, ‘Jesus, this night,’ and drew his sleeve slowly across his forehead, feeling the braided coarseness of the three silver stripes of his rank, before facing back into the kitchen.

‘If you live like pigs you can’t expect sweet airs and musics all the time,’ the Sergeant said in shame and exasperation as he swallowed his glass of whiskey. The Surveyor hadn’t touched his whiskey. He was tuning the strings.

‘It’d never do if we were all on the side of the angels,’ the Surveyor answered absently.

The Sergeant filled his glass again. He drew up his chair to the fire and threw on a length of ash. The whiskey began to thaw away his unease. He raised his glass to the Surveyor and smiled. He was waiting.

‘The Italian street-musician was playing Paganini that first evening in Avignon.’

The bow flowed on the strings, the dark honey of the wood glowing in the early evening. Wind gently rustled the leaves of a Genoan olive grove. Metallic moonlight shone on their glistening silver as a man and a woman walked in the moonlight in a vague sweet ecstasy of feeling.

‘Wonderful. I’ve never heard better, not even on the radio.’ The Sergeant downed another glass of whiskey as the playing ended.

‘Isn’t the tone something?’

‘It’s priceless, that fiddle. You got a bargain.’

‘I’m sure the experts are not far out when they say it most probably is a genuine Stradivarius.’

‘The experts know. You go to the priest for religion. You go to the doctor for medicine. Who are we to trust if we can’t trust the experts? On the broad of our backs we’d be without the experts.’

A man of extraordinary interest was Paganini, the Surveyor started to explain. He was born in Genoa in 1782, of a poor family, but such was his genius and dedication that he brought the world to his feet. In London, the mob used to try to touch him, in the hope that some of his magic might pass over to them, in the way they once tried to touch the hem of Christ’s garments — like pop stars in our own day — but nothing could divert him from his calling. Even the last hours given to him in life were spent in marvellous improvisations on his Guarnerius. The Church proved to be the one fly in the ointment. She had doubts as to his orthodoxy, and refused for five years to have him buried in consecrated grounds. In the end, of course, in her usual politic fashion, she relented, and he was laid to rest in a village graveyard on his own land.

‘And the Church bumming herself up all the time as helping musicians and painters out,’ the Sergeant declaimed fervently when the Surveyor finished. ‘It’d make a jackass bray backwards. But why don’t you drink up? You have more than earned it.’

Apologetically, the Surveyor covered his glass with his palm. ‘It’s the driving, the new laws.’

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