Ann-Marie MacDonald - Fall on Your Knees

“Where’d you learn to cook this?”

“Is raw, no cook.”

He paused.

“Kosher?”

She nodded. He resumed eating. Materia got a pang; she thought, “We’re happy without the girl.”

She touched the back of his neck lightly.

“What are you doing?” he said.

“Nothing,” and she returned to the sink.

Up till now the vaudevillians had been white, doing their minstrel shows and piccaninny turns in blackface, but now that there was a coloured migration to the Sydney coalfield, genuine coloured artists started coming up from the States. Materia couldn’t figure out why they too performed under cork with giant painted-on mouths, but she did know she preferred them. She acquired a big collection of ragtime, two-step, cakewalk, processionals, sorrow songs, plantation lullabies and gospel.

She got to play for the Blackville Society Tap Twizzlers when their own accompanist was arrested in Glace Bay. They were a trio of brothers managed by their mother. The eldest had named his feet. He called the left one Alpha and the right one Omega.

Percussive shoes, flashing feet that chatted, clattered, took flight and girdled the globe without ever leaving centre stage at the Empire Theatre. Materia just watched their feet and let her hands go, chunks of Rigoletto colliding with “Coal Black Rose,” “Una Voce Poco Fa” on a see-saw with “Jimmy Crack Corn,” all slapped up against her own spontaneous compositions — just as for the moving pictures, only with the dancers there was a two-way feed. They hounded, flattered, talked back and twisted — ebony, ivory, and nickel clickers grappling till there wasn’t even any melody, just rhythm and attitude.

Materia became a bit of a celebrity, especially among the young folk.

“Hey there Materia, how’s she going, girl?”

“That’s Mrs Piper to you, buddy,” James shot back.

It was a Sunday in March, they were out whitewashing the house. He turned to Materia when the feller had slunk by. “How do you know him?”

“The show.”

The Blackville Society Tap Twizzlers invited her to tour with them as their permanent accompanist. They were going to Europe. Materia said no. She cried on the way home at the thought of how happy she and James could be, seeing the world together with a travelling show. But she knew better than to ask him.

The coloured artists stopped coming soon after, because word had gone down the line that the new arrivals in the Sydney coalfield were up from the West Indies and weren’t too interested in American coloured entertainment. But Materia still had the vaudeville and the picture shows and she was happy as long as she could play. Down in the orchestra pit she consoled herself with the occasional embellishment. Now and then a locomotive sped towards the audience through “I Love You Truly,” and ran over them to “Moonlight Sonata”. Villains struggled with virgins to “The Wedding March” and tenors saved the day to “Turkey in the Straw”. Performers complained, but the audience ate it up when rabbits emerged from top hats to discordant splats and women were sawn in half to “Nearer My God to Thee”. Materia had always smiled as she played but now she started chuckling, though she wasn’t aware of it. This further endeared her to the audience, who liked her all the better for being a bit loony.

These days, James went all the way to Sydney for provisions. With the exception of Benny and Mr MacIsaac, he didn’t darken the door of any Boom Town establishment. Why go in to be insulted when he was paying good money? The whole town was suffering as a result of the strike, not just the miners, so everyone loved to hate a scab. He never walked, he drove his cart so as not to give people the satisfaction of crossing the street when they saw him coming. “And all because I have the gumption to support my family.” It was galling, therefore, on the rare occasion when Materia accompanied him, to hear time and again, “Hello there Materia, how’s the show business, dear?” The same people who wouldn’t give him the time of day would stop to chat with his illiterate wife about her career as a player-piano. Naturally these people would appreciate a low type of music. And why were they out spending money they supposedly didn’t have on the price of admission at the Empire Theatre? There were too many Irish in this town by now for James’s liking. Every second house a shebeen, drunken Catholics the lot. If they worked more and fiddled less they wouldn’t be in such a mess. James thought of Aesop’s grasshopper and ant and made a mental note to enclose the fable in his next letter to Kathleen.

Picking up a packet of starch at MacIsaac’s, James had to endure “You’ve got a very talented wife, Mr Piper.”

James paid. MacIsaac continued, “And how’s the wee lass?”

“She’s all right.”

“She’s got a gift, that one.”

James nodded. MacIsaac smiled and added, “Gets it from her mother, no doubt.”

James turned and left the store. He wouldn’t be taking Kathleen in there again. He decided he didn’t trust the bald man. He didn’t like the way he looked at children with his watery blue eyes and his big red face. If MacIsaac liked children so much why didn’t he have any of his own?

When James left, Mrs MacIsaac said to her man, “We shouldn’t let Piper set foot in here.”

MacIsaac smiled softly at his wife, then retired to his greenhouse. “Sufficient unto the day is the evil thereof.”

Everyone liked MacIsaac, though not everyone understood how he could tolerate a man like Piper. But MacIsaac didn’t see the point in penalizing a man’s family for a man’s mistakes and that was what you did when you cut a feller off. People shrugged and figured maybe MacIsaac was just religious. And he was, in a way; he spent a lot of time finding medicine out in the fields where other people saw only stones and scrub. He cultivated the plants in his greenhouse. Never called in a debt. Pity about the drink.

At the end of that week, James sat down to his latkes and molasses and said, “I want you to quit your job now, missus, I’m earning enough at the pit.”

No answer. He looked up. Hard to know sometimes if she even registered a word he said.

“Did you hear me?”

“… Okay.”

“And don’t be traipsing around town on your own.”

How unhappy are they who have a gift that’s left to germinate in darkness. The pale plant will sink invisible roots and live whitely off their blood.

The first week away from the Empire was hardest. The empty house, and at night James, who required feeding and nothing else. She searched for the key to the piano, and finally pried the instrument open with a knife. But after a few numbers she fell silent. She needed a stage, not a garret. No audience, no show. Materia took her sheaf of music and put it in the hope chest.

She cleaned the house and cooked a lot. Ate. She didn’t have the heart to spend much time with Mrs Luvovitz because the boys, Abe and Rudy, were a reproach to her soul. How could it be that she loved another woman’s children and not her own? The interlude at the Empire receded and became unreal. Now that Materia was on her own again, with plenty of time to think, all her badness rolled back in and enveloped her: to have left her father’s house, to have disobeyed and dishonoured her parents — that was against the Commandments.

I have to go to confession, she thought, but then … in order to be forgiven I must be heartily sorry, but to be sorry for eloping means to be sorry for everything that came from it. And she couldn’t be. She still wanted her husband and that too was a sin: to want the man, and not the child that comes from the marital act. And so she would keep coming back to her original sin.