Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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“Madeleine, vite, vite. Bonne nuit, ma p’tite .”

“Do you know the capital of Borneo, little girl?”

Madeleine only tells her father the good stuff. She doesn’t mope in front of him any more. She doesn’t want him to think their plan isn’t working. It’s working. She is only ever a tortoise for a couple of days, then gets promoted back to dolphins. But never to hares. It would be sad for him to think he hadn’t fixed the problem. He has fixed it. And when she is with him, the after-three exercises become a very small and separate thing.

She helps him mow the lawn, with her hands next to his on the bar, and they discuss things over the roar of the motor. She tells him about the kids in her class — the bossy girls and the Philip Pinder boys and the rest except, of course, the exercise group — and he teaches her new words, “peer pressure” and “group dynamics.” He helps her write a speech on the topic of humour, laughter as the great “panacea.” She is mercilessly mocked in school for her use of such a big word, and responds by using it as frequently as possible, regardless of context. She and her father speculate as to why God allows war and cancer and the suffering of innocent dogs, they discuss what she will do when she grows up, going over the pros and cons of various professions — conducting what he calls a cost-benefit analysis. He asks where she wants to be in five years, they assess short-term versus long-term goals and how they can all lead to Ed Sullivan. One Saturday they pack a lunch and hike for miles on dirt roads far from the base, just the two of them with a Thermos of Nestlé’s Quik and a supply of peanut-butter sandwiches. Times like this become memories almost instantly, part of a gilded past that somehow coexists with the present. Remember-whens to look back on even as they are happening, bittersweet and aglow with sunshine fading to sepia — the late September dust suspended in the wake of a single passing car, leafy smell in the air, blue sky reflected in his sunglasses.

She keeps meaning to ask him what the capital of Borneo is, but she always forgets.

“The following little girls will remain after the bell. Diane Vogel, Grace Novotny, Joyce Nutt, Madeleine McCarthy and Marjorie Nolan.”

Marjorie looks around proudly and her dimples appear. When her eyes meet Madeleine’s she looks away haughtily. Only Margarine Nolan could possibly be proud of being chosen for the exercise group. Madeleine feels her face grow hot at the realization that Marjorie has no idea what the exercise group really is. What if she tells on us? Tells what?

They line up along the coat hooks. Madeleine leans back until she feels the hook grind against her spine, then slip sideways to find a spot between her ribs. Like a chicken carcass.

You stand against the coat hooks until he calls you. Or until he tells you to sit back down at your desk and write a spot quiz. Then he lines up the rosebuds on his desk and you all go up and take one, and leave. “Side door, little girls.”

Diane Vogel is up there behind the big oak desk with him. Madeleine watches and waits. I wonder what kind of exercises he makes the other girls do? Do they do the same ones I do? Do they think they’re in the smart group, or the stupid group? Or the bad group? Which group am I in?

Grace Novotny does backbends behind his desk while he spots her, holding her steady between his knees so she won’t fall. He doesn’t want any foolish accidents.

Joyce Nutt does backbends too, but beside his desk, never behind it. And he doesn’t spot her. Doesn’t he care if she falls?

Madeleine glances down the line. There are five of us now in the exercise group. Almost enough for a six in a Brownie pack. And we are all Brownies, although we will certainly get our wings and fly up to Guides this spring. Except for Grace — she may have to walk up.

No one talks, not even Marjorie. Her lips are compressed as though to prevent herself from talking. She has figured out that this is a rule, and once Marjorie knows something is a rule, she goes around like a monitor.

Everyone waits while Grace does her exercises. All you hear is the sound of the gerbil burrowing in his cage and the sound of Mr. March breathing — it’s hard work for him.

Three minutes past three. The cutout turkeys are up on the wall in anticipation of Thanksgiving. Smiling and dressed like the people who are going to eat them. Happy pilgrims on their way to get their heads chopped off. There are also horns of plenty with squashes and corn tumbling out.

Grace Novotny walks back up to the coat hooks.

“Come here, little girl,” says Mr. March. No one knows who he is talking to until he says, “The one in the white blouse,” and Madeleine proceeds to the front of the class.

“Do you know the capital of Borneo, little girl?”

“No, Mr. March.”

“What were the names of Columbus’s ships?”

“The Niña , the Pinta and the Santa María.”

“Correct. Let’s see if you can get two out of three. What is the word for a female peacock?”

“I don’t know, Mr. March.”

“The answer is peahen. Say peahen.”

“Peahen.”

“Say peacock.”

“Peacock.”

“Pea.”

“Pea.”

“Cock.”

“Cock.”

“Come closer. Closer. That’s it. I want to see if you’re getting any stronger. I want you to keep up with your exercises, otherwise I won’t be able to give you a passing grade in health, stand still.”

We don’t even have health as a subject; he is crazy.

“Let me feel your muscles, little girl. Oh that’s a big one. I’m not hurting you.”

His cheeks jiggle and he stares at her but it’s as if he were looking at nobody at all. Where is Madeleine? The man is touching her freshly ironed blouse; it has a brooch of the Acadian flag, white red and blue, Maman pinned it there this morning, poor Maman.

“Let me feel your chest muscles. They’re growing aren’t they, do you rub them every day? And your tummy muscles, and your — oh you’re sweating aren’t you?” Mr. March touches her underpants. It feels good.

“Do you know what will happen if your parents find out what a bad child you’ve been?”

Her head is terribly hot. She shakes her head, no.

“They’ll send you away.” Into the forest . She feels her heart beat against her ribcage, sees it huge and red pulsing against the bars of bone.

“Here, little girl, feel my muscle — that’s it — squeeze it, it’s strong.” It is rubber, there is a smell. Blank it out or you’ll throw up.

“Are you strong? Let me feel how strong you are. How hard can you squeeze?” It is loose skin on the outside and hard on the inside, it is raw.

“Rub it.”

He puts his hand around Madeleine’s and it must hurt him to rub it like that, the skin pulls away from the top of it like on a turkey neck, the hole is where he pees.

Then he pushes her away, and maybe he will call the next little girl up to his desk and maybe he won’t.

Madeleine walks back to the coat hooks. It takes a long time and yet her feet have not stopped walking from Mr. March’s desk, so probably it has taken the normal amount of time. She presses her spine against the hook, and the next thing she notices is that Marjorie Nolan is up behind his desk, but she doesn’t remember Marjorie being called or leaving the coat hooks; Marjorie is just there at his desk all of a sudden. Her legs feel heavy, tired, as if she had been standing for a long time. But it’s only seven minutes past three.

Marjorie has her hands out and Mr. March is filling them with candy — that’s not how we usually do things in the exercise group.

“I’m the candy monitor,” says Marjorie, suddenly back at the coat hooks. She struts along the line, and when she gets to Madeleine she says, “You only get it if you’re good and not stupid, so forget it, Madeleine.”

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