Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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“Did you know Claire McCarroll?”

She feels hot again. “Yes.”

It’s Ricky’s lawyer. He is on our side.

“Were you a friend of Claire’s, Madeleine?”

“Yes.”

Then why didn’t you take care of her? Madeleine’s stomach goes gluey.

Mr. Waller says, “Do you know Ricky Froelich?”

“Yes.”

“Was that a yes?”

The judge says, “Yes, yes, it was a yes, the witness nodded, please proceed, Mr. Waller.”

“Were you in the playground with Claire and the other children on the afternoon of April tenth?”

“Yes.” She has to go to the bathroom.

“Speak up, please.”

“Yes.”

“Did Claire tell you—?”

The judge says, “None of that, Mr. Waller.”

Mr. Waller continues, “What did Claire tell you?”

“She told me she was—”

“Speak up, Madeleine.”

“Pardon?”

“What did Claire tell you that afternoon, the afternoon of the tenth of April, in the schoolyard?”

“She said she was going for a picnic with Ricky Froelich.”

Mr. Waller’s shimmering silk robe has begun to look like the uniform of the losing team. He says, “What exactly did Claire say?”

“She said, ‘I’m going for a picnic with Ricky Froelich.’”

“And what did you say?”

“I said — I sang — I hummed ‘Beautiful Dreamer.’”

“Why did you do that?”

“’Cause everyone knows—”

The judge says, “Only say what you know, Madeleine.”

“Because I knew she made things up. Not lies, just … her imagination.”

“Why did you think she made it up?” asks Mr. Waller.

“Because she wanted to go for a picnic with him.”

“No, let me — what I mean is, Madeleine, what made you think that it might just be Claire’s imagination?”

“Well, one time she told me they went to a dance together at Teen Town.”

“And had they?”

“No. Only teenagers are allowed. And she said she was going to marry him.”

Madeleine smiles to show that she isn’t criticizing Claire, but no one else is smiling. There is a table full of things over there in front of the jury. A jar of something brownish. A rag with yellowy spots. Bulrushes. Claire’s Frankie and Annette lunchbox. It’s like show-and-tell. What’s in the jar?

“What did you say, Madeleine?”

Did she ask it out loud?

The judge says, “Cover that table back up, and keep it covered.”

Someone coughs. Mr. McCarroll is sitting on the other side of the aisle from Ricky. He is wiping his lips with a hanky. Seeing him gives Madeleine the idea to call on Claire when she gets home this afternoon. Then something jumps behind her eyes — like when you turn a light switch off and on really fast — and her brain flicks on again and says, “You can’t call on Claire, she’s dead.” Madeleine knows that’s true, but there is something else underneath her brain that wants to walk her feet down the street and call on Claire. Something that knows Claire is still there in the green bungalow, if only someone would go and call on her.

Mr. Plodd covers the table with a white sheet.

“And who else was there when you said — hummed, rather—‘Beautiful Dreamer’?” asks Mr. Waller.

“Um. Colleen.”

“Colleen Froelich?”

“Yes. And Marjorie and Grace.”

“So they overheard Claire say that she had received an invitation—”

The judge says, “Mr. Waller.”

“My lord, I am establishing that Marjorie Nolan and Grace Novotny had a basis for concocting—”

“I know what are you doing, Mr. Waller, and you will refrain from it.”

Jack works through the logic of the two girls’ testimony this morning and finds it flawed. Their story hinges on the claim that Rick asked them to go to Rock Bass that day, presumably to do what he had done to them in the past — namely, molest them. And that when they refused, he asked Claire and she obliged — she must have, because she went with him. But Jack knows that Rick didn’t take Claire to Rock Bass. Therefore, it’s reasonable to conclude that he didn’t invite her. Thus the claim that he only invited her because the other two little girls turned him down falls apart. Rick never invited any of them, because he had no intention of molesting anyone at all.

His neck begins to tighten again. The idea that he could have breathed a sigh of relief at the notion of his friend’s son being a child molester — when did I become that kind of man? All the little girls had crushes on the boy, it’s that simple, and that innocent. Jack is relieved to have unflinchingly faced the most unpleasant part of himself. There is no necessity for Ricky Froelich to be guilty of anything. Besides, he will go free because Madeleine will say which way he turned. Jack reaches for Mimi’s hand and squeezes it to reassure her.

Mr. Waller says, “When did you last see Claire McCarroll that day, Madeleine?”

“Me and Colleen — Colleen and I went to Pop’s—”

“What is ‘Pop’s’?” says his Lordship. “I don’t recall ‘Pop’s.’”

“It’s where we got grape pop,” says Madeleine.

“‘Pop’? Is it Pop or Pop’s?” says the judge.

Pop goes the weasel!

“My lord, ‘Pop’s’ is a local variety store,” says Mr. Waller.

“Is it relevant?”

“No, I don’t believe it is, my lord.”

“Then keep moving through, Mr. Waller, you’re taking five steps when you could be taking two.”

Madeleine has tucked her chin in to keep from laughing, but that always makes her eyes bug out. There is nothing safe you can do with your face except forget about it.

“Where did you go after that, Madeleine?” asks Mr. Waller.

“We were going to the willow tree—”

“The willow tree at the inter—? Where is the willow tree, Madeleine?”

“At the intersection.”

“And which direction would you turn if you wanted to go to Rock Bass?”

“Right.”

The judge says, “Do you mean to say you would turn right to go to Rock Bass?”

“Yes, my lord.” She didn’t mean to use the English accent, but the judge seems not to have noticed.

“Good,” says Mr. Waller. “And you and Colleen were on your way to the willow tree at the intersection.”

“We were going cross-country.” She looks out and meets Colleen’s eyes.

“And you could see the willow tree?”

She looks back at Mr. Waller. “Yes.”

“And you had a clear view of the intersection.”

“Yes.”

“And what did you see?”

“We saw—”

“Only what you saw, please.”

“I saw Ricky and Rex and—”

“Who is Rex?” asks the judge, sounding exasperated.

“The dog, my lord,” says Mr. Waller. “Go on then, Madeleine.”

“And Ricky was pushing Elizabeth in her wheelchair, and Claire was on her bike and Rex was towing her up the road.”

“And they were travelling toward — in which direction were they travelling?”

“Toward the tree.”

“The willow tree.”

“Yes.”

The judge says, “The willow tree and the intersection are one and the same for your purposes, gentlemen.” He is talking to the jury. He turns back to Madeleine. “And then what did you see?”

“We — I saw, um”—Madeleine swallows—“a red-winged blackbird.” And her throat dries.

Mr. Waller doesn’t say anything. He is waiting for her to remember her lines. But Madeleine is silent. Like the frog in the cartoon, who can sing opera but, at the moment of truth, opens his mouth and says, ribbit .

You can hear the creak of the ceiling fan, but you can’t feel any breeze.

Mr. Waller says, “Yes, and what did you see then, when you looked at the intersection?”

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