Jonathan Lethem - Lucky Alan - And Other Stories

“I’m scared,” Deirdre said.

“They’re scared, too,” he told her. As am I . The flamingos were the first thing for which nothing could have prepared him. Having already watched with his girls a hundred YouTube videos of orcas, having already scissored magazine pictures of orcas and cuddled his children to sleep in beds full of stuffed orcas, Paul Espeseth had hardened his soul in readiness for orcas — their muscular poignancy, their mute drama, the chance that they might in full view and to a sound track of inspirational music disarticulate one of their neoprene-suited trainers at the elbow or the neck. But the designers of the park had outsmarted him, softened him up with flamingos, like a casual round of cigarette burns to the rib cage preceding a waterboarding.

The girls found their boldness and pushed up to the front, then relented, and were supplanted in turn by other eager, deprived children, presenting their faces in what he imagined was for the birds a wave of florid psychosis. In the context of their species, these flamingos were like space voyagers, those who’d return with tales beyond telling. Except that they’d never return. You might as well have immersed the birds in a bathysphere and introduced them to the orcas, or dosed their food with lysergic acid.

“Let’s go,” he said, tugging the twins away. Their morsel hands had begun to sweat in his, or he’d begun to sweat onto them. “There’s a lot … else.”

“Orca show!” both girls yelped. It was what they’d come for.

“The show starts at eleven,” he told them. “We’ve got a little time. And there’s stuff on the way. Sharks.” He’d gathered the implications of the map at a glance: Short of parachuting in, you couldn’t get to Shamu Stadium without first passing other enticements. He steered for sharks and giant tortoises, if only as a gambit for skirting the Sesame Street Bay of Play and a roller coaster called Manta. He had standards. SeaWorld should keep the promise of its name: close encounters with fathoms-deep fauna, not birds, not Elmo, not Princess Leia or Cap’n Crunch. He hardly felt in command of his family’s progress here, as they curved on the pathways. He felt squeezed into grooves of expertly predicted responses and behavior, of expenditures of sweat and hilarity and currency from his wallet and also his soul. He was as helpless as a pinball coursing in a tabletop machine. Not one of those simple and friendly, gently decaying machines he’d known in Minneapolis arcades in the seventies, either, but a raging, pulsing nineties-type of pinball machine, half a dozen neon paddles slapping at his brain.

It seemed too much to hope for another Legoland miracle. Two months earlier, Espeseth and his wife and their twin daughters had gone south to visit Legoland. Legoland had been tolerable. Legoland had had variations, textures, edges. It featured some bad zones, including, outstandingly, the bogus municipality called Fun Town, but others were okay, better than okay, like the clutch of restaurants on Castle Hill. There, while the twins got their picture taken with the Queen, and jousted on Lego horses riveted to a train track, he’d been able to sneak off to Castle Ice Cream and obtain a double espresso. That had been something. Hidden with his espresso in a shady quadrant of the castle courtyard, he’d silently toasted his daughters as they’d one after the other rounded the rail. Though he supposed he had Legoland to blame: Its tolerability had led him too easily into agreeing to SeaWorld, which even on Celexa, he now saw, would have been another prospect entirely.

*

His shrink, Irving Renker, had given him a warning about the effects of leaching Celexa from his brain. Espeseth had at the time of the conversation been free of the medicine for just two days. He was quitting under Renker’s guidance, such as it was. “Prepare yourself,” Renker told him. “You might see bums and pickpockets.”

“See in the sense of hallucinate?”

“No,” Renker said. “You won’t hallucinate. I mean see in the sense of notice . You may disproportionately notice bums and pickpockets. Creeps. Perverts. Even amputees.”

Irving Renker was a Jewish New Yorker who’d crawled out of his archetype like a lobster from its shell, still conforming to that shell’s remorseless shape but wandering around fresh, tender, and amazed. Renker advocated physical exercise and could be seen navigating the crests of Santa Barbara’s hills on his bicycle, wearing a helmet and shades as well as an office-ready sweater, blue slacks, and leather-soled shoes. Espeseth had never seen him in the flats, let alone near the beach. He suspected that Renker’s wife did all their grocery shopping. Renker’s office was in an in-law apartment nestled in the scrubby hills behind his home, itself raised on stilts to meet the angle of the terrain. Renker’s front-window drapes were always drawn, thwarting curious eyes. Was there a secret intellectual-Jew hovel there, with book-lined shelves, Sigmundian fetish masks, funky unfumigatable Persian carpets? No way to know. The consultation room was bland: framed abstract watercolors, beige upholstery, brass clock.

Renker’s conversation included, along with the phrases “Keep it simple” and “Don’t overthink,” terms like “black folks,” “Oriental,” “gypped,” and “bum.” Once, as Espeseth reminisced at length about sitting with his three brothers in the front seat of his father’s pickup truck on a fishing expedition, Renker had murmured, “Yes, yes, that’s known as ‘riding Mexican.’ ”

Espeseth never confronted or corrected his shrink. Instead, he’d gently offer examples of appropriate speech, in this case by replying, “Does this mean that the Celexa was, what, making me blind to homeless people? Or more likely to get robbed?”

“It’s a question of emphasis,” Renker said. “You may tend to notice scumbags, to the detriment of those standing to the right and the left of them. I don’t want to suggest you’ll become paranoid, but you may also project scumbaggery onto ordinary people.” That his shrink believed in “ordinary people” was a bad sign if Espeseth dwelled on it; he tried not to. It was what Renker said next that he couldn’t shake off. “In withdrawal from Celexa some patients have described a kind of atmosphere of rot or corruption or peril creeping around the edges of the everyday world, a thing no one but they can identify. A colleague of mine labeled this ‘grub-in-meat syndrome.’ Better to be prepared than have it sneak up on you.”

Grub-in-meat syndrome?

No one, not shrink Renker, not Espeseth’s wife, certainly not the twins, no human listener outside the containment zone of his skull knew that Paul Espeseth had renamed himself Pending Vegan. His secret name was a symptom, if it should be considered a symptom, that had overtaken him months before he quit the Celexa. Could it be a side effect? He’d hoped it would abate when he went off the drug. No such luck. Pending Vegan wasn’t completely sorry. His new name was a mortification, yes, but he clung to it, for it also held some promise of an exalted life, one just beyond reach.

How had his researches begun? Espeseth, when that had been his only name, had checked out of Santa Barbara’s public library a popular account of the world’s collapse into unsustainability under the weight of its human population. He’d gone from that to reading several famous polemics against the cruelty of farms and slaughterhouses. Next, a book called Fear of the Animal Planet , which detailed acts of beastly revenge upon human civilization. It was then that Espeseth felt himself becoming Pending Vegan. A knowledge had been born inside him, the development of which only inertia and embarrassment and conformity could slow. Fortunately or unfortunately, Pending Vegan was rich in these delaying properties.