Jonathan Lethem - Lucky Alan - And Other Stories

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Jonathan Lethem stretches new literary muscles in this scintillating new collection of stories. Some of these tales — such as "Pending Vegan," which wonderfully captures a parental ache and anguish during a family visit to an aquatic theme park — are, in Lethem's words, "obedient (at least outwardly) to realism." Others, like "The Dreaming Jaw, The Salivating Ear,", which deftly and hilariously captures the solipsism of blog culture, feature "the uncanny and surreal elements that still sometimes erupt in my short stories."
The tension between these two approaches, and the way they inform each other, increase the reader's surprise and delight as one realizes how cleverly Lethem is playing with form. Devoted fans of Lethem will recognize familiar themes and tropes — the anxiety of influence pushed to reduction ad absurdum in "The King of Sentences"; a hapless outsider trying to summon up bravado in "The Porn Critic;" characters from the comics stranded on a desert island; the necessity and the impossibility of action against authority in "Procedure in Plain Air."
As always, Lethem's work, humor, and poignancy work in harmony; people strive desperately for connection through words and often misdirect deeds; and the sentences are glorious.

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GONE BUT NOT FORGOTTEN???

TWENTY DOLLARS PER CASE

DINGBATS WE MISS U!!!

*

Ten-year-old Spark Dingbat wandered the beach at midday, wearing an inverted bowl of woven palm fronds, a sun hat fashioned by Keener, his mom. Spark had left his family and Peter Rabbit at the campsite they’d improvised, a ring of crappy lean-tos encircling a presumptive fire that his dad, Theophile, had serially failed to light. His sister, Lisa, having forged a twee, cooing alliance with the terrified hare, Spark was left somewhat on the outside. Now, obstinately solo, he strolled at the shell-strewn beach’s exact margin, where the wiper blade of surf just dyed the pinkish sand a wetter hue, where his eight toes were teased by a fringe of bubbles.

Rounding the top of a rocky knoll, a view unfolded below of an inlet sheltered from the harder surf of the surrounding beaches. Two fat figures splashed there. Large Silly and King Phnudge. Spark clambered past the spit of rock and eased down the sand embankment, to stare from the inlet’s grassy ridge. The clown had removed his shoes and clothing, all but his jet-black underwear. His feet were enormous, his white body both fleshy and firm, like the ripest fruit. King Phnudge remained fully dressed, or perhaps he was painted. His crown and beard seemed to flow into his collar, and his collar seemed to be one with his belt and his boots, less accoutrements than fancy outcroppings of his smooth, pudgy whole. Armless, he splashed excitedly side to side in water that came to what should have been his knees, while beside him the clown beat maniacally in the water with a large forked stick, a dowser who’d discovered the sea. The two made a natural pair in Spark’s eyes. Their other strong resemblance was to his father, but Spark suspected no one among the islanders would ever remark it. His father was famous. Large Silly and King Phnudge were nobodies.

“What are you doing?”

Large Silly and King Phnudge wheeled, completely surprised.

“What’s it look like, boy? Poacher said he saw some sea bream in this pool.”

“Fishy splishy wishy hup huzzoo!”

“How are you going to catch them?”

“With nets of vapid questions and sarcasm. In our teeth. With that headgear of yours — hey, there’s a notion. Cough up the fedora, lad.”

“Use the king’s crown.”

“Crowns, if you hadn’t noticed, have a hole in the middle. Besides, I don’t think it comes off.”

“Stuckity pluckity pizzazz — hooble hoo!”

Spark sighed and passed his hat to the eager clown, then watched as it was thrashed to fragments in the hopelessly clumsy attempt at fishing. Spark never saw evidence of a fish. If there had been any, king and clown had certainly frightened them off. Keener’s meticulously woven palm fronds were borne off with the seaweed and foam in the pool’s gentle tide.

*

C’KRRRARN TEARS OFF THE TOP OF A PALM TREE AND FEEDS!!!

C’Krrrarn is staying within himself.

C’KRRRARN TEARS OFF A CORNER OF THE VOLCANO AND FEEDS!!!

C’Krrrarn is staying within himself.

C’KRRRARN TEARS OFF A CHUNK OF THE OCEAN AND DEVOURS IT!!!

C’Krrrarn sits perfectly still and tries to empty his mind.

C’KRRRARN SLURPS THE BLOOD OF THE DINGBATS!!!

Long study has demonstrated to C’Krrrarn that the other person is himself.

C’KRRRARN TEARS OFF A PORTION OF THE HORIZON AND DEVOURS IT!!!

C’Krrrarn gazes into the horizon and the horizon gazes into C’Krrrarn and each is calm and free of desire.

*

From Poacher Junebug, an Index

Island, Accursed, panel 4044

Island, Confounded, panels 3176, 3189, 3204n, 3226, 3564, 3573, 3888, 4002, 4036

Island, Consarn deviltry of, panels 3344–45, 6455, 3988n, 4012

Island, Dadburned critters on, panels 3224, 3656, 3813, 4009

Island, Dingblasted fools on, panels 3208, 3225, 3457, 3800–1, 4009

Island, Durned, panel 4129

Island, Goshforsaken, panels 3185, 3765

Island, Riddiculush, panels 3345, 3679, 4088–89

Island, Terrible, panels 3899, 4034, 4067, 4122

Island, Woeful, panels 3550, 3823, 4129

Island, Wretched be this, panels 3944, 4191

*

From The Journals of C. Phelps Northrup

July 27

Decline sets in. Tempests wreak havoc on our poor dwellings every third day. Between, corrosive sunshine. Despondent over prospects of rescue. We find little and less to eat. Eighteen days and we come to know some of our companions too well, others not at all. Murkly Finger roams the shore at night, cackling. In sunlight he retracts like a rodent to his hole, around which he has erected an array of sharpened sticks dug in pits of sand, disguised with flimsy leaf cover and more sand, and which would collapse inward at a footfall. The clown floats on his back in the spring where we would drink, moaning snatches of merry song, muttering wry punch lines without any jokes to them. He has forsaken his hygiene, enclothed in only his undergarment and a purple island hyacinth, its stem wended in his loopy tufts of hair. His feet are rotting. Poacher Junebug, I now understand, catches nothing, fulminates only. The rabbit is in no danger, except from himself. Like the derelict clown, the hare has abandoned clothing, shedding his red waistcoat and bow tie. He now goes on all fours, heeding some natural call. Lisa Dingbat, that former exemplary tot, follows him everywhere, and she too presently goes au naturel. I tried to confabulate with her one recent afternoon and she only sniffed and nibbled at the air, issuing a rabbity wheezing sigh, perhaps believing herself a sibling to Peter. The other Dingbats remain largely hidden from view. They must be hungry.

One seldom thinks of C’Krrrarn these days.

King Phnudge, unexpectedly, makes good companionship. We freqently embark on foraging walks together, gleaning nothing of consequence or edibility but nonetheless conveying if only to each other a heartening tone of decorum and kinship. King Phnudge alone, besides myself, retains the outward dressing of his former self (I should say: apart from my top hat, which was stolen and presumably devoured by a monkey). He cleaves to good cheer at all times and acts as though bounded, as we all once were, by the strict gutters and panels of decency. Despite his gormless patois, I find myself understanding his highness better and better.

*

Phnudgesong

Fear and rage it shakes my soul

I say only Poorly Moorly — deedle dole!

I want to fuck and eat and strangle you

I say only Starving Carving — hoodle hoo!

Shit hole shit hole shit hole

I’m sick of myself— hup hizzole!

*

“I’m better than this. I’m better than these people. I don’t belong here!”

“Try this on, dear.”

“I don’t want to try anything on. I don’t need another hat. I want my family, nobody’s even listening to me. Where are the children?”

“It’s not a hat. Lisa’s playing with the rabbit, and Spark is out exploring the island.”

“Quit crafting stuff out of palm fronds and frogskins and pond scum, Keener. Nobody needs that shit.”

“Just see if it fits, Theo.”

“How could they send me to a place with monsters and hunters and clowns and theater critics? The clown and the theater critic, they’re not even in color and I want to go home! They make me feel old!”

“Nobody sent you, honey. Our plane crashed.”

“It’s a setup. It’s always a setup. What were we even doing on a plane with those types? What is this, some kind of wicker hockey mask? I can’t breath through this thing.”

“Oh, that looks silly. It’s not for your face. Put it down … there.”

“You wove me a thatched codpiece?!?!?”

“I’m working on breastplates and a helmet. The samurai often wore wicker armor, you know.”

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