James Hannah - The A to Z of You and Me

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A striking literary debut of love and mortality perfect for fans of quirky, heart-wrenching fiction like Nathan Filer, David Nicholls and Rachel Joyce.
Ivo fell for her.
He fell for a girl he can’t get back.
Now he’s hoping for something.
While he waits he plays a game:
He chooses a body part and tells us its link to the past he threw away.
He tells us the story of how she found him, and how he lost her.
But he doesn't have long.
And he still has one thing left to do…

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‘We have to hope that she is going to be able to breathe unaided before long. The concern is that, with the ventilator doing all the work, the muscles she uses to breathe will become too weak to work on their own.’

No — no .

Bitter, evil memory.

картинка 81

That’s where poor Amber will be now. Her brain will branded with the memory of her mum, lying there in the bed. Like the blinding blink trails of a dark sun, repeating on her retina.

It took me over a year to blink away those final moments of you, even for a little while.

N

Nose THAT CRAYOLA CRAYON in my first year of primary school Thats why I - фото 82

Nose

THAT CRAYOLA CRAYON in my first year of primary school.

That’s why I remember that.

After wearing it down to something the size of a pea, I stuck it up my nose, and was surprised to find it stayed there. I distinctly remember not being able to pincer it out with my thumb and forefinger. It just went further up.

I didn’t panic.

I sat there, looking at my rectangular cat drawing, a deep scrunch of my nose every few seconds. Even then I knew I should act as if nothing had happened. And there was no way I was going to go and ask for help. I basically selected another colour and carried on colouring, and sat with the pea-sized crayon up my nostril for half the afternoon.

Then the brainwave: I could try squeezing my nose from above the crayon, and it might come out like that.

Squeeze.

Pop.

Rattle.

I looked down, and there it was on the desk.

Maybe this moment of simple harmony between my thoughts and my actions — that is, the reflection upon and the execution of how to remove a crayon from myself without needing to go and ask a grown-up — was the absolute high point of mental achievement in my entire life.

картинка 83

Eyes open suddenly. Why?

Daylight. Daytime.

At the window, sliced through with strip-lit reflections, a man’s face is staring in.

Unkempt, unshaven.

The face of a man in a maroon jacket, some yellow detail on the top pocket—?

Then he’s gone.

Wh—?

I don’t know what if–

He was definitely–

Push the button. Push now. Push to the click.

My heart leaps to racing. Beat, beating, beating in me.

Footsteps in the corridor. Sheila.

‘Yes, lovey, are you all right?’

‘There—’ I jab my finger at the window.

‘What’s that?’

‘There — There. There was a face.’

She finally wanders her way over to the window and levers it open.

There was a face, definitely.

I wasn’t imagining it. Not a hallucination — if this was a hallucination, it was the most solid — no. Sheila’s — I know she is — she’s going to turn and tell me there’s no one there.

‘Oi!’ Her voice sounds washed out, projected over the lawn outside. She barks a few demands, and there he is again: the man, drifting in from the right. He’s explaining himself to her with a hint of dumb petulance.

Who the hell is it?

I can’t make him out.

He’s looking at Sheila like a scolded schoolboy. All I can hear is the placatory ascent and descent of the tones of his explanation. Tones that say he didn’t know he was doing a wrong thing, that it wasn’t his fault he was doing a wrong thing, that it was someone else’s fault and he was only following orders, and why was it a wrong thing anyway?

Sheila’s voice is calmer. But still matronly. I catch a few bits. Patients in herevery serious conditionhow would you like it? Phrases that have their own signature tone.

The man beats a sheepish retreat, and Sheila fixes the window back shut.

‘Bloody useless, aren’t they?’ she says. ‘It’s the NRG clowns again. I’ve told them they have to come straight to reception, but they think they own the place now. Are you all right?’

‘Not really, no,’ I say, grasping for my oxygen mask.

‘Sorry about that,’ she says, coming to assist.

‘Anyone could get in. It could have been anyone.’

‘No, I know what you’re thinking,’ she says, ‘but it couldn’t have been anyone. They need a special pass to get past the gate, it’s all secure round here, OK? They’ve all been checked. He came in the wrong way, that’s all.’ She straightens her mouth and looks down at me. ‘Come on now, let’s get you back on the straight and narrow. You know how important that is.’

I close my eyes, take a few breaths.

‘I can’t do it. There’s too much. I need more help.’

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An amplified crackle shocks my mind, and flings my attention to the two speakers bracketed by the ceiling of the Baurice Hartson Rest & Recuperation Room. They fire out a burst of vaguely Eastern soothe-music, and Karen is quick to drop the volume to an appropriately ethereal level.

‘A bit of something to evoke a more pleasing atmosphere.’ She smiles.

She has a nice smile. And a clipped little accent. Not completely English, although almost completely. She says esses instead of zeds. Odd shape to her ohs. It sounds sweet. Swedish, I presume, if this is a Swedish massage?

‘So if you could remove your pyjama jacket for me, what I’m going to do is massage your chest with this oil, which should help clear your airways and assist your breathing. Sheila tells me your breathing has been difficult?’

‘Yes,’ I say, beginning to unbutton my pyjama jacket.

‘Well, this ought to help to clear those lungs.’

Nod.

‘I’ll just close this—’ She kicks twice, thrice at the rubber doorstop, lets the door drop shut.

‘Here we go,’ she says, helping me off with my jacket. ‘I hope you’re not shy like all the English, are you?’

‘Um, no I don’t think so.’

‘I’m glad to hear it. English people always seem to be so shy.’

‘Really?’

‘Yes, it’s very rude. Women come into our saunas in their swimming costumes. It’s very unhygienic.’ She sounds like she’s telling me off, but she’s still smiling sweetly. They are difficult signals to interpret. ‘A body’s a body. Why should you be ashamed of it?’

I get settled on the table and try to give off an air of non-shyness.

‘Now, I’m warming the oil up in my hands here, so it’s not too much of a shock to the system. Are you OK for me to start massaging you now?’

‘Sure.’

She lays on her hands assertively, smearing my chest with oil. She must be used to it, of course, but I’m not. I’m not quite prepared for the feeling. The contact. I close my eyes. Just her hand-shapes impressed on my chest, this way and that, this and that, working up and around my chest. I can feel a surge of electrical tingles, my nerve-endings recalling when I was last touched like this. Ten full years since. Sensations so long locked I’ve forgotten they ever occurred. Far down in the sightless, silent deep, my muscles have retained lost knowledge. Physical, unthought, unforgettable memories.

‘And if that’s the way you think about your body,’ Karen is saying, ‘then it says to me there is something wrong in the mind. My mother, when she was very frail, we used to take showers together, and I would help her wash, in the same way she helped me wash when I was a baby. What could be more natural than that?’

I start coughing, and she leans away, but leaves her oily hands in place on my chest.

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