Colin Winnette - Haints Stay

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Haints Stay: краткое содержание, описание и аннотация

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An imaginative, acid western from a rising star in the indie lit world. Brooke and Sugar are killers. Bird is the boy who mysteriously woke beside them while between towns. For miles, there is only desert and wilderness, and along the fringes, people.
The story follows the middling bounty hunters after they've been chased from town, and Bird, each in pursuit of their own sense of belonging and justice. It features gunfights, cannibalism, barroom piano, a transgender birth, a wagon train, a stampede, and the tenuous rise of the West's first one-armed gunslinger.
Haints Stay
Meek's Cutoff
Dead Man
Advance praise:
"
puts to mind the very best contemporary novels of the old West, including those by powerhouses like Charles Portis, Patrick DeWitt, Robert Coover, Oakley Hall, E.L. Doctorow and Sheriff Cormac McCarthy himself, not to mention Thomas McGuane’s classic screenplays for
and
. But Colin Winnette has his own dark and delightful and surprising agenda. Be wary. He might be the new law in town.” —Sam Lipsyte, author of
and "I loved it. Loved it!
had me from the very first line — the visceral ante upped and crescendoing nearly every page. Humor, gore, that wonderful unsettling feeling you get when you're reading a book that excites you and kind of scares you as well? Yes, please." — Lindsay Hunter, author of
and "From his curiously harrowing
to the glorious guts of
, I trust wherever Colin Winnette’s imagination sees fit to take me. And now — with
— we venture to the lawless old West for a story stitched out of animal skins and language that glimmers like blood diamonds. This is a dangerous novel; let’s read it and risk our lives together." — Saeed Jones, author of "Funny, brutal and haunting,
takes the traditional Western, turns it inside out, eviscerates it, skins it, and then wears it as a duster. This is the kind of book that would make Zane Grey not only roll over in his grave but rise undead from the ground with both barrels blazing." — Brian Evenson
"If the Western genre could be thought of as a pile of old stones, this book is a particular piece of lovely spit-shined agate at the top, gleaming in invitation, and under its glow the others are changed." — Amelia Gray, author of
and Colin Winnette
Revelation, Animal Collection
Fondly
Salon
PANK Magazine
Believer'
Electric Literature
Believer

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“Which way is the desert?” said Sugar, pointing out the various paths leading from town. “Which way the woods?”

The deputy nervously pointed to one path, winding its way past the jail and on out toward a wasteland of red rocks and spiked lizards. Then he thumbed in the direction that lay before Sugar, leading down through the heart of town and back out the other side.

“That way is the woods,” he said.

Sugar was loading his pistol.

The deputy could not help but notice that, without his pants, without his unders, this man looked entirely female.

“Thank you,” said Sugar. He fired one shot into the eye of the deputy then retreated to the jail to retrieve his clothing.

When the gunshots ceased, Martha worked her way to the window. The three of them, Martha, Mary, and Bird, were on the floor of the inn. The innkeeper had been kind enough to bring them in at the sound of gunfire. When the shots kept up, they took to the ground to avoid stray bullets and being spotted. The innkeeper received an unexpected end after being met with a ricocheted bullet sent through one of the front windows. She was bleeding and propped up against the fireplace, not long for this world.

Against the pleading of Mary, who was clutching Martha’s hand and curled up against her body, Martha rose and went to the porch to retrieve her rifle.

The killer emerged from the jail, buckling his belt with a sinister blankness. He was too far down the main drag to get a good shot, so Martha stepped back in to check on the children.

“The man who killed our savior is out there,” explained Martha.

“How do you know?” said Mary.

“How many murderers could be out in this area wreaking havoc at once?” said Martha.

Bird did not hazard to answer that question.

“That is the survivor of those men who shot John,” said Martha. “He is still bleeding from the wound I left him with.”

“What are you going to do?” said Mary.

“I think I’ll wait until he’s worked his way down here a bit and try to put one in his back,” said Martha.

“That’s cowardly,” said Mary.

“He’s a killer,” said Martha. “There’s no sense in giving him an opportunity to express himself.”

Sugar was rounding up pistols and bullets from the dead men scattered in front of the jail. The rest of the town was shuttered and gathered to the ground.

The sheriff had taken the child somewhere and was vanished now. It was likely he was hiding in an alleyway or behind a box somewhere. He would be waiting for Sugar to make an effort to pass. The safest choice, as far as leaving went, would be to take to the desert. To skip the walk through town and its possible dangers. To take to open territory, with the knowledge that he would be hunted.

But Sugar did not want to die in the desert, without food or water, as a hunted man. He stepped a straight line down the middle of the road, which led through the center of town. He watched each window as he passed. The first building was shed-like, possibly home to some tools or some dry goods. He couldn’t tell from the facade. The bar was next. He saw movement from deep within, but nothing directly at the window. He stepped onto the porch and pulled the hammer back on his pistol.

He opened the door and saw the bar was empty. He heard nose-breathing. Maybe a hand over a mouth. He moved toward the center of the room and then there was a shot from outside.

“Come out,” said the sheriff. He was alone, a rifle at his shoulder and a pistol in his hand. “You’ve had your fun. We’ve got men posted on the rooftops and we will burn that building down to bring you out.”

“Where’s the child?” yelled Sugar.

He heard something then from behind the bar and turned slightly to greet it.

“Come out,” said the sheriff. “Toss out the guns and come out.”

“And what?”

“And nothing,” said the sheriff.

Sugar stepped forward and set himself at the edge of the bar’s window. The tables around him were still stacked with chairs, as if it were the end of the day. But the door had been unlocked and there was movement from within. So someone was in the room with him, or someones, and they were keeping to themselves, at least for now. He peeked around the edge of the glass and saw the sheriff standing there, alone, his gun held firm on the exterior of the bar.

Sugar examined the bottles lined up behind the bar, checking for reflection.

“Now,” said the sheriff.

“Don’t think I will,” said Sugar.

“We will burn you out,” said the sheriff.

“You may do that, but you’ll be burning whoever’s in here with me.”

“Who’s in there with you?” said the sheriff. His tone was flat, uncurious.

“Looks like a young child and two old men,” said Sugar.

“You’re a liar,” said the sheriff.

The bartender rose up then, his hands above his head.

“He’s not lying, Sheriff,” yelled the bartender.

Sugar trained a second gun on him.

“I believe you are in there, Lloyd, but not the child,” said the sheriff, from outside.

“You should believe him,” said Lloyd.

“Son of a bitch,” said the doctor, rising from behind the bar as well. He cast a punitive gaze at his feet then redirected his energy on Sugar.

“There is no child,” said the doctor.

“Roy?” said the sheriff.

“Yes,” said the doctor.

“It’s a little early,” said the sheriff.

“Bold words for the only man among the four of us who has failed to perform his job this morning,” said the doctor.

“I am doing my job,” said the sheriff.

“That’s enough,” said Sugar. “Bring me the child.”

“There is no child,” said the doctor.

“I can see her reflection in the glasses,” said Sugar.

Alice flinched but did not bring herself up.

“You are mistaken,” said the doctor.

“Bring her up and over here now or I will kill you both and fetch her myself.”

“What’s going on in there?” yelled the sheriff.

“He is threatening our lives,” said the doctor.

“You are drunk and a fool,” said Sugar. “Protect that child’s life by bringing it to me now.”

The bartender gripped Alice by the arm and lifted her.

“You son of a bitch,” said the doctor.

“I do not want to go,” said Alice.

The bartender did not speak but dragged her from behind the bar and over to Sugar.

“If I see any more movement in there,” said the sheriff, “I am going to open fire.”

“You’ll kill innocent men or a child,” said the doctor, “if you do so.”

“Quit moving around, then,” yelled the sheriff.

Sugar took Alice into his grip and pulled her against him. He fired on the doctor and brought him down. Alice tried to run but Sugar held strong. He kicked open the door and stepped onto the porch, his gun barrel pressed into Alice’s blond hair, singeing it and sending out the most awful-smelling smoke.

“No,” she said.

The doctor was fishing for a rifle or weapon beneath the bar.

The sheriff stepped back to account for Sugar’s progression.

“Let her go,” said the sheriff.

“Where’s the baby?” said Sugar. “I want the baby and I will go.”

“Well, I did not expect that,” said the sheriff, “but you cannot have it.”

“Where is it?”

“You’ll let her go and then I’ll bring you to it,” said the sheriff.

“No,” said Sugar.

“I’ll not have you threaten that girl’s life,” said the sheriff.

“There is no threat if you do as I ask,” said Sugar.

“I won’t,” said the sheriff. “Not as you ask it.”

The doctor found a club perched on a row of small hooks hanging under the far end of the bar. He lifted it into his hands and gave it a few limp test swings. It was top-heavy and awkward.

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