John Barth - Letters

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A landmark of postmodern American fiction, Letters is (as the subtitle genially informs us) "an old time epistolary novel by seven fictitious drolls & dreamers each of which imagines himself factual." Seven characters (including the Author himself) exchange a novel's worth of letters during a 7-month period in 1969, a time of revolution that recalls the U.S.'s first revolution in the 18th century — the heyday of the epistolary novel. Recapitulating American history as well as the plots of his first six novels, Barth's seventh novel is a witty and profound exploration of the nature of revolution and renewal, rebellion and reenactment, at both the private and public levels. It is also an ingenious meditation on the genre of the novel itself, recycling an older form to explore new directions, new possibilities for the novel.

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If it rings again, I’ll not be able not to answer. How goes it with you, Dad? And did you ever, even at twenty-nine, have these Scott Fitzgerald moments, these—

Excuse me: the phone.

T.

T: Jacob Horner to Jacob Horner.Der Wiedertraum under way.

6/19/69

TO:

Jacob Horner, Remobilization Farm, Fort Erie, Ontario, Canada

FROM:

Jacob Horner, Remobilization Farm, Fort Erie, Ontario, Canada

To Pier Angeli, Charles Coburn, Edgar Degas, James I, Wallis Warfield Simpson Windsor: happy birthday. Emperor Maximilian of Mexico has been executed by the Juarez party. Israeli warplanes used napalm today on Jordanian-Iraqi artillery positions while police battled students in Ann Arbor. Representatives of seven northeastern American colonies are meeting in Albany with sachems of the Six Nations to plan campaigns against New France. Ethel and Julius Rosenberg have been electrocuted at Sing Sing, and Texas has been annexed by the Union. The U.S.S. Kearsarge has defeated the C.S.S. Alabama off Cherbourg. The Duke of Wellington and Benjamin Constant are dining in Paris with Mme de Staël in celebration of yesterday’s Allied victory at Waterloo: it is Day 97 of the Hundred Days.

And your Drama, Der Wiedertraum, is under way. Starring “Saint Joseph” as Joe Morgan, “Bibi” as Rennie Morgan, and “yourself,” in a sense, as the Interloping Jacob Horner. Reluctant cameo appearances by the Doctor as Himself. Also featuring “Pocahontas” as the Sexually Exploited High School English Teacher Peggy Rankin (a bit of miscasting) and “M. Casteene” as President Schott of Wicomico Teachers College. With a supporting cast of dozens: draft refugees and their girl friends — those willing to regroom themselves — in the role of Wicomico College freshmen of 1953; the patients as the Patients. Still wanting are actresses for the bit parts of Mrs. Dockey, the Mannish Head Nurse, and Shirley Stickles, Dr. Schott’s Waspish Secretary, who misinformed you as to the date of your Job Interview in 1953 and would not acknowledge her error when you Presented yourself in her office on July 20, Petrarch’s birthday and a day early. Ideal roles, either of those, for Pocahontas; but she demands a bigger piece of the action. Produced by Saint Joe. Directed, more or less, by Casteene. Increasingly frowned upon by the Doctor, who fears things will get out of hand. Followed with intermittent interest and filmed in part by Mr. Reg Prinz for possible incorporation into his film in progress, which, it turns out, is not entirely about the War of 1812. Script adapted from the novel adapted from your Scriptotherapeutic narrative adapted from the events leading to Rennie Morgan’s death from aspiration of vomitus in course of illicit surgical abortion October 25, 1953. Road not to end that way this time, on Producer’s orders, or else.

There is no rush to fill the vacant roles, inasmuch as your Drama, like soap opera, is being reenacted in real time. Hence Prinz’s and Ambrose Mensch’s interest, depite the cast’s including Mensch’s ex-mistress and ex-wife and Prinz’s current mistress. On June 1, Trinity Sunday, as the Fenians began their invasion of Ontario from Black Rock and Captain Lawrence aboard the Chesapeake enjoined his crew not to give up the ship and President Madison read his 2nd War Message to the U.S. Congress, the Doctor once again prescribed in the Progress and Advice Room that you Enter the Teaching Profession as therapy for your Seizures of Immobility.

“There must be a rigid discipline,” he quoted himself from the script, “or else it will be merely an occupation, not an occupational therapy. There must be a body of laws… Tell them you will teach grammar. English grammar… You will teach prescriptive grammar. Now really, Horner: is that your Idea of Plausible Dialogue?”

The next scene will not occur until July 19, a full month hence, when Generalissimo Franco will take Cadiz, Cordova, Granada, Huelva, and Seville while the German army begins its retreat from Belgium and you Leave Baltimore for the Eastern Shore to Look for a Room in Wicomico and Prepare yourself for the Interview which you Innocently Believe to be scheduled for the following day.

Meanwhile, things have not been standing still at the Remobilization Farm. How Drive from Baltimore next month across the Chesapeake to Wicomico without leaving Ontario? Why, by magicking the P & A Room from the one into the other, as the wizards of Stratford magic a bare arena stage into Windsor Castle or Prospero’s Island. And how Reenter the Teaching Profession while in residential therapy? Why, by mobilizing the Farm into the Niagara Frontier Underground University! The dropouts — a touch homesick, it may be — had proposed to Saint Joe a free school: he is obliging them, in his capacity as U.U.‘s unofficial chancellor and history department, with seminars in U.S. Hawkery from 1812 to the present; in the 19th-century American Counterexpansionists; in the Role of Upper Canada as a Haven for Loyalists, Escaped Slaves, Secessionists, Indians, Conscientious Objectors, and Other Refugees from U.S. Violence. Casteene is conducting private tutorials in something called the Game of Governments. Tombo X is teaching karate. And to mollify the geriatrics, who have pressed for straightforward continuing education in the manner of their beloved Chautauqua Institution, you yourself are Offering “far-in” counter-countercultural drills in Prescriptive Grammar, or Repressive English. Restrictive clauses. Close punctuation. The Wave of the Past.

And “Rennie Morgan”—as Bibi/Bea Golden/Jeannine Mack now calls herself even offstage, as it were — in her new capacity as U.U.’s faculty of drama, is producing a small theatrical of her own, a replay-within-the-replay: some sort of “radical minstrel show” inspired by her tidewater Maryland connections, by Mr. Prinz’s unexplained wish to include some showboat footage in his film, and by her desire to demonstrate to her lover that she is possessed of an awakening social consciousness. You and Morgan are to play in blackface Bones and Tambo, respectively, the End Men. The Doctor (pace Jean Genet) is to be coaxed into whiteface to take the part of Mister Interlocutor. Tombo X will perform poorly on both the tambourine and the bones, to demonstrate that he has no sense of rhythm whatever, either natural or acquired. Casteene will do a series of impersonations. Pocahontas, you Suppose, will sing “Indian Love Call.” And “Rennie” will play “Bea Golden” playing “the Mary Pickford of the Chesapeake” as on Captain James Adams’s old floating theater. Performance scheduled for tomorrow night, or the one after, to coincide with the Sun’s entry into Cancer (and the birthdays of Errol Flynn and Jacques Offenbach, and the Black Hole of Calcutta atrocity, and Lord Byron’s first meeting Mme de Staël at Lady Jersey’s salon in London, and the Tennis Court Oath, and the U.S.A.’s adoption of the Great Seal, and West Virginia’s admission into the Union). You have Suggested it be called A Midsummer Night’s Mare.

You Do Not Quite Understand what’s going on. You Suspect that in a sense you Are its Focus — read Target — yet at the same time but a Minor Figure in some larger design. You Are Not At All Sure what Reg Prinz is up to, or Casteene — who, it now seems certain, arranged Morgan’s coming here, and possibly prompted his challenge to you. Did Casteene also arrange the appearance last Friday — from Maryland, on the arm of Ambrose Mensch! — of “Lady Amherst,” who as “Lady Russex” came here two years ago for an abortion? Why did that same lady seem both astonished to see him and not quite convinced that she was seeing him? Did Mensch really not know that his ex-wife is a patient here? He seems to suspect Prinz of what you Suspect Casteene of!

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