Anne Tyler - A Spool of Blue Thread

Mrs. Brill had also wanted velvet-flocked wallpaper in the living room, fitted carpets in the bedrooms, and red-and-blue stained glass in the fanlight above the front door. None of which she got. Ha! Junior won just about every argument. Mostly, as with the chandelier, he cited impracticalities, but when he needed to he was not averse to bringing up the issue of taste. “Now, I don’t know why, Mrs. Brill,” he would say, “but that is just not done. The Remingtons didn’t do that, nor the Warings, either”—naming two families in Guilford whom Mrs. Brill especially admired. Then Mrs. Brill would retreat—“Well, you know best, I suppose”—and Junior would proceed as he had originally intended. This was the house of his life, after all (the way a different type of man would have a love of his life), and against any sort of logic he clung to the conviction that he would someday be living here. Even after the Brills moved in and their cluttery decorations choked the airy rooms, he remained serenely optimistic. And when Mrs. Brill started talking about how isolated she felt, how far from downtown, when she went to pieces after she found those burglar tools in the sunroom, he heard the click of his world settling into its rightful place. At last, the house would be his.

As it had been all along, really.

Sometimes, in the weeks when he was sprucing the place up before he installed his family, he drove over in the early morning just to take a walk-through, to relish the thrillingly empty rooms and the non-squeaking floorboards and the sturdy faucet handles above the bathroom sink. (Mrs. Brill had wanted handles she’d seen in a Paris hotel, faceted crystal knobs the size of Ping-Pong balls. In Junior’s opinion, though, the only sensible design was a chubby white porcelain cross — easiest to turn with soapy fingers — and for once Mr. Brill had spoken up and agreed with him.)

He liked to gaze up the stairs and imagine his daughter sweeping down them, an elegant young woman in a white satin wedding gown. He envisioned the dining-room table lined with a double row of grandchildren, mostly boys, his son’s boys to carry on the Whitshank name. They would all have their faces turned in Junior’s direction, like sunflowers turned to the sun, listening to him hold forth on some educational topic. Maybe he could assign a topic each night at the start of the meal — music, or art, or current events. A ham or perhaps a roast goose would sit in front of him waiting to be carved, and the water would be served in stemmed goblets, and the salad forks would have been refrigerated ahead of time as he had observed the maid doing in the Remingtons’ house in Guilford.

Everything till now had been makeshift — his ragtag upbringing, his hidey-hole courtship, his limping-along marriage, and his shabby little rented house in a rundown neighborhood. But now that was about to change. His real life could begin.

Then Linnie Mae had to go and interfere with the porch swing.

In the Brills’ time, the porch swing had been an ugly white wrought-iron affair featuring sharp-edged curlicues that gouged a person’s spine. Its rust-pocked figure-eight hooks made a screechy, complaining sound, and the heavy chains could seriously pinch your fingers if you gripped them wrong. But Mrs. Brill had swung in that swing as a little girl, she’d told Junior, and it was clear from the lingering way she spoke how fondly she looked back on that little girl, how she cherished the notion of her cute little childhood self. So Junior had had to allow it.

When the Brills moved out, they left behind all their porch furniture because they were going to an apartment. Mrs. Brill told Junior, in a sad little voice, to be sure and look after her swing, and Junior said, “Yes, ma’am, I’ll certainly do that.” The moment they were gone, though, he climbed up on a ladder and unhooked the swing himself. He knew what he wanted in its stead: a plain wooden bench swing varnished in a honey tone, with a row of lathed spindles forming the back and supporting each armrest. It should hang by special ropes that were whiter and softer than ordinary ropes, easier on the hands, and when it moved there should be no sound at all, or at most just a genteel creak such as he imagined you would hear from the sails on a sailboat. He had seen such a swing back home, at Mr. Muldoon’s. Mr. Muldoon managed the mica mines, and his house had a long front porch with varnished floorboards, and the steps were varnished as well, and so was the swing.

Junior couldn’t find this swing ready-made and he had to commission one. It cost a fortune. He didn’t tell Linnie how much. She asked, because money was an issue; the down payment on the house had just about ruined them. But he said, “What difference does it make? There’s not a chance on this earth I would live in a place with a white lace swing out front.”

It arrived raw, as he’d specified, so that it could be finished to the shade he envisioned. He had Eugene, his best painter, see to that. Another of his men spliced the ropes to the heavy brass hardware, a fellow from the Eastern Shore who knew how such things were done. (And who whistled when he saw the brass, but Junior had his own private hoard and it was not his fault there was a war on.) When the swing was hung, finally — the grain of the wood shining through the varnish, the white ropes silky and silent — he felt supremely satisfied. For once, something he’d dreamed of had turned out exactly as he had planned.

Up to this point, Linnie Mae had barely visited the house. She just didn’t seem as excited about it as Junior was. He couldn’t understand that. Most women would be jumping up and down! But she had all these quibbles: too expensive, too hoity-toity, too far from her girlfriends. Well, she would come around. He wasn’t going to waste his breath. But once the swing was hung he was eager for her to see it, and the next Sunday morning he suggested taking her and the kids to the house in the truck after they got back from church. He didn’t mention the swing because he wanted it to kind of dawn on her. He just pointed out that since it was only a couple of weeks till moving day, maybe she’d like to carry over a few of those boxes she’d been packing. Linnie said, “Oh, all right.” But after church she started dragging her heels. She said why didn’t they eat dinner first, and when he told her they could eat after they got back she said, “Well, I’ll need to change out of my good clothes, at least.”

“What do you want to do that for?” he asked. “Go like you are.” He hadn’t brought it up yet, but he was thinking that after they’d moved in, Linnie should give more thought to how she dressed. She dressed like the women back home dressed. And she sewed most of her clothes herself, as well as the children’s. There was something thick-waisted and bunchy, he had noticed, about everything that his children wore.

But Linnie said, “I am not lugging dusty old boxes in my best outfit.” So he had to wait for her to change and to put the kids in their play clothes. He himself kept his Sunday suit on, though. Until now their future neighbors, if they ever peeked out their windows (and he would bet they did), would have seen him only in overalls, and he wanted to show his better side to them.

In the truck, Merrick sat between Junior and Linnie while Redcliffe perched on Linnie’s lap. Junior chose the prettiest streets to drive down, so as to show them off to Linnie. It was April and everything was in bloom, the azaleas and the redbud and the rhododendron, and when they reached the Brills’ house — the Whitshanks’ house! — he pointed out the white dogwood. “Maybe when we’re moved in you could plant yourself some roses,” he told Linnie, but she said, “I can’t grow roses in that yard! It’s nothing but shade.” He held his tongue. He parked down front, although with all they had to unload it would have made more sense to park in back, and he got out of the truck and waited for her to lift the children out, meanwhile staring up at the house and trying to see it through her eyes. She had to love it. It was a house that said “Welcome,” that said “Family,” that said “Solid people live here.” But Linnie was heading toward the rear of the truck where the boxes were. “Forget about those,” Junior told her. “We’ll see to them in a minute. I want you to come on up and get to know your new house.”