Anne Tyler - Celestial Navigation

Even in his dreams, he worked. He cut, pasted, hammered, sanded. He had a feeling of pressure to finish, a sense of being pushed. Although he forced himself to ignore the pressure he went on working without let-up, and the closer he came to completing the piece the more he was filled with a sense of joy and light-headedness. When the last nail was hammered in he laughed out loud. He backed off across the studio with his eyes lowered, so that the finished statue could burst upon him all in one instant, and then he looked up to see what he had made.

A room. A corner of a room, a kitchen, to be exact. A counter with a loaf of rye bread and a bread knife on it, and a coppertone clothes dryer spilling out realistic wads of flowered and plaid and gingham clothes and a formica table with chairs set around it — oh, how he must have worked over that table! Its aluminum edge was grooved with three parallel bands; such attention to detail. The chairs were mismatched, a subtle touch. The wooden one alone must have taken him weeks to make, with its bulbous legs and the tie-on ruffled cushion on its seat and the Bugs Bunny decal on its back. He had even included, on the rungs, the scars of a hundred children’s teetering shoes. Was this what he had labored over for so many hours?

He woke feeling dismal and empty and frightened. Sunlight flooded his face, a deep gold light casting long rectangles so that he suspected it must be mid-morning. What he wanted most was a cup of hot coffee, but all he found outside his door was last night’s supper. A wilted salad, a glass of lukewarm milk, some peculiar brownish casserole that he could not identify. He ate it anyway, although it went down his throat in lumps. He swallowed the milk with narrow, dutiful sips and then set his tray outside the door again.

Now he saw that the statue was all wrong. What had he been thinking of, setting on each curl of hair that way? He might have been building a doll, or a department store mannequin. With a screwdriver he began prying the strips off, one by one. His hands hurt so much that he could hardly bend them. The statue’s head showed nail marks down its back, but he was already thinking up ways to cover them.

At noon he checked for lunch, but found none. Later in the afternoon he checked again. There were only the supper dishes, crusty now. He stood on the landing and called, “Mary?” The word echoed back. There was not a sound in the house; only a clear, bell-like silence in which each of his footsteps fell too loudly. He descended the stairs, passing the empty second floor and continuing to where his children would surely be absorbed in a fairytale or some quiet table game. No. No one was there. In the parlor the baby’s playpen was empty and the toys on the floor seemed to be coated with a furry film of stillness. In the dining room the face of the TV was sleek and blank; in the bedroom his and Mary’s bed was made so neatly that it seemed artificial, something from a furniture store display. He had the feeling that no one had slept there for months, if ever. And the kitchen was strangest of all. The counters were absolutely clean and shining, like an advertisement for a linoleum company. No floury measuring cups, no cucumber peels, no stacked-up dirty dishes. The floor gleamed. The table was spotless. The clock ticked briskly and hollowly.

He felt that his sense of time, which was never good, had deserted him. Had he missed something? Had the days carried everyone else on by and left him stranded in some vanished moment? Maybe his family had just gone out to a movie. Maybe they had abandoned him forever. Maybe they had grown up and moved some thirty years before, had children of their own and grown old and died. He couldn’t prove that it wasn’t so.

Then, turning to the refrigerator for food and solace (fumbling at some new kind of double door where he had expected the old single one), he found a note stuck on with a teapot-shaped magnet. “Dear Jeremy, I have taken the children and left you. I borrowed Brian’s cabin at the Quamikut Boatyard. I think it’s best. Love, Mary.”

He took the note off the door and read it over and over. It seemed that the air had gone out of him, so that the words striking his deflated chest jarred all the way through to his backbone. Finally he folded the piece of paper several times and tucked it in his shirt pocket. He headed through the house and back upstairs, fixing the image of his new statue very firmly in his mind like some magnetic star that would guide him through this moment. In the studio he resumed work immediately. He sanded the wooden head smooth again, at first so hard that the friction burned his fingers through the paper but then more slowly and then more slowly still. Like some clumsy, creaking wheel, he ground to a stop. He dropped the sandpaper and stood motionless, one hand upon his statue, staring numbly at the bare walls of the studio.

Deserted, he was like an old man who sees the last of the guests to the door and returns, stretching, and yawning, to an empty room. Now I am alone again, he says. Finally. We can get down to what I have been waiting to do.

What is it I have been waiting to do?

First it was like a picnic. I mean that I planned it with the same kind of bottled-up, excited energy. I lay awake all Thursday night making mental lists of what I would need for the children — just the essentials. We were finally getting down to the essentials again. I calculated the earliest time I could telephone Brian in the morning, and I decided on seven. Which was too early, as it turned out. I have forgotten the pattern of life without children. Brian answered sounding hoarse and sleepy, and he didn’t seem to be thinking well. I said, “Brian, do you still have that house by the river?”

“Who is this?” he asked.

“It’s Mary Pauling.”

“Do I what?”

“Do you still have that house by the river. Where your boat is moored.”

“Oh. Sure.”

“Would it be all right if the children and I went out there for a few days?”

“Out—?”

“I wouldn’t ask you this but you did say you never use it yourself. Didn’t you?”

“Let me get this straight,” he said. “You want to take the children there?”

“That’s right.”

“You and the children but not Jeremy?”

“That’s right.”

“But this is not a vacation house.”

“No, I know that.”

“It doesn’t even have hot water. And it’s filthy.”

“Yes, we’ve been there once, remember?”

“Mary,” Brian said. “Are you — I mean, is this — you’re not leaving him or anything.”

“Oh,” I said, “you know Jeremy, he’s just so caught up in his work right now and I thought it would help if we got out of his hair for a while.”

Then Brian said, “I see. Well, of course. You can use it as long as you like.”

I could tell that he was still puzzled. But how else could I have explained it? “Actually, Jeremy forgot to marry me, Brian, and of course I could have reminded him but that would have been the third reminder on top of my proposing in the first place, and what kind of wedding is that?”

By then I was packed. I had done that at dawn, while waiting for it to be time to call Brian. I tiptoed into the children’s rooms as they slept and I felt for their things in the dark. All night I had been looking forward to it — I do like getting organized to go someplace — but it turned out not to be what I had expected. For one thing, the bare essentials for six children can fill a trunk in no time. You don’t get the same feeling of purity as when you run away with one small child and her favorite doll. Clothes, vitamins, toothbrushes, baby aspirin, diapers, Edward’s potty chair, Pippi’s antihistamine, seven pairs of plastic pants … Also, I felt so sad. Hadn’t I once sworn never to leave anyone ever again? Especially not Jeremy. Oh, never Jeremy.