Anne Tyler - Morgan's Passing

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Morgan Gower has an outsize hairy beard, an array of peculiar costumes and fantastic headwear, and a serious smoking habit. He likes to pretend to be other people — a jockey, a shipping magnate, a foreign art dealer — and he likes to do this more and more since his massive brood of daughters are all growing up, getting married and finding him embarrassing. Then comes his first dramatic encounter with Emily and Leon Meredith, and the start of an extraordinary obsession.

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"I persuade myself," he said, "that there is some virtue in the trivial, the commonplace. Ha! What a notion. I think of those things on TV, those man-in-the-street things where the ordinary triumphs. They stop some ordinary person and ask if he can sing a song, recite a poem… they stop a motorcycle gang. I've seen this! Black-leather motorcycle gang and ask, 'Can you sing all the words to "Some Enchanted Evening"?' And up these fellows start, dead serious, trying hard-I mean, fellows you would never expect had heard of 'Some Enchanted Evening.' They stand there with their arms around each other, switchblades poking out of their pockets, brass knuckles in their blue jeans, earnestly, sweetly singing…" He'd forgotten all about her. He was off on this track of his own, tearing back and forth across his office. Emily sat down on the couch and looked around her. There was a bulletin board on the wall above the filing cabinet, and it was covered with clippings and miscellaneous objects. An Adlai Stevenson button, a frowsy red feather, a snapshot of a bride, a blue silk rose… She imagined Morgan rushing in with them, the spoils of some mysterious, private war, and tacking them up, and chortling, and rushing out again. She was struck, all at once, by his separateness. He was absolutely unrelated to her. She would never really understand the smallest part of him.

"They stop this fat old lady," he was saying. "A mess! A disaster. Gray and puffy like some failed pastry, and layers of clothes that seem to have melted together. 'Can you sing "June Is Bustin' Out All Over"?' they ask, and she says, 'Certainly,' and starts right up, so obliging, with this shiny grin, and ends with her arms spread and this little stamp-stamp finish-" He bit down on his cigarette and stopped his pacing long enough to demonstrate-both hands outlining, one foot poised to stamp. "Just… because… it's JUNE!" he sang, and he stamped his foot."

"I love you too," she told him.

"JUNE!" he sang.

He paused. He took the cigarette from his mouth.

"Eh?" he said.

She smiled up at him.

He tugged his beard. He shot her a sidelong glance from under his eyebrows, and then, he dropped his cigarette and slowly, meditatively ground it out with his heel. When he sat on the edge of the couch, he still seemed to be thinking something over. When he bent to kiss her, he gave off a kind of shaggy warmth, like some furred animal, and he smelled of ashes and Mentholatum.

1977

1

Morgan's daughter Liz finally, finally had her baby, on the coldest night in the coldest February anyone could remember. It was Morgan who had to get up and drive her to the hospital. Then of course her husband, Chester, arrived from Tennessee, and when Liz was released from the hospital, she and Chester and the baby stayed on in her old room a few days till Liz was strong enough to travel. Meanwhile the house filled further, like something flooding upward from the basement. Amy and Jean kept stopping by with their children, and the twins drifted in from Charlottesville, and Molly and her family from New York, and by the time Kate arrived with her boyfriend, there was nowhere to put the boyfriend but the storeroom on the third floor, underneath the eaves. This was on a weekend. They'd be gone by Monday, Morgan reminded himself. He loved them all, he was crazy about them, but life was becoming a little difficult. The daughters who hadn't got along in the past didn't get along any better now. The new baby appeared to be the colicky type. And there was never any time to see Emily. "If we feed the children in the kitchen," Bonny said, counting on her fingers, "that makes sixteen grownups in the dining room, or fifteen if Lizzie wants a tray in bed, but then the mothers would have to keep running out to check on them, so maybe we should — feed the children early. But then the children would be tearing around like wild things while we were trying to eat, and I just remembered, Liz said her old college roommate was coming at seven-thirty, so we can't eat too late, or maybe she meant she was coining for supper; do you think so? And in that case we'd be seventeen at table, assuming Liz does not want a tray in bed, and naturally she wouldn't if her roommate's eating downstairs, but we only have service for sixteen; so we'll have to divide it up, say you and me and Brindle and your mother in the first shift and then the girls and their husbands and… oh, dear, David is Jewish, I think. Is it all right I'm serving ham?"

"Who's David?" Morgan asked.

"Katie's boyfriend, Morgan. Pay attention. This is really very simple." Then after supper one of the grandsons either broke a toe or didn't break a toe, no one could be sure, though everyone agreed that broken toes required no splints anyhow, so there wasn't much point in troubling a doctor outside office hours. Actually, Morgan would not have minded-driving the boy to the hospital, which by now he could have found in his sleep. He needed air. The living room was a sea of bodies-people reading, knitting, wrestling, quarreling, playing board games, poking the fire, lolling around, yawning, discussing politics. The shades had not been drawn, and the darkness pressing in made the house seem even murkier. Louisa's black Labrador, Harry, had chewed a Jiffy bag into little gray flecks all over the carpet.

Morgan went upstairs to his bedroom, but two toddler girls were standing at the bureau trying on Bonny's lipstick. "Out! Out!" he shouted. They lifted their smeared faces to him like tiny, elderly drunks, but they didn't obey. He left, slamming the door behind him. In the hall he was hit by the lingering smell of ham, which made him feel fat. He heard the baby fussing in an edgy voice that clawed at the small of his back. "It's too much," he told this what's-his-name, this David, a thin, studious young man who was just descending the third-floor stairs with a paperback book in his hand. David was too polite to say anything, but there was something about the way he fell in with Morgan, going down the next flight of stairs, that made Morgan feel he sympathized.

Bonny was walking the baby hi the entrance hall, which seemed to be the only space left. "Could you take Pammy for a while?" she asked.

"Pammy. Ah. The baby." He didn't want her, but Bonny looked stretched and gray with fatigue. He accepted the baby in a small, warm, wilted clump. No doubt she would spit all over the shoulder of his pinstriped, head-of-the-family suit that he always wore for these occasions. "Bonny, I think we may have carried things too far, this visit," he said.

"Now, Morgan, you always tell me that. Then the next day after they leave you wander through the house like a dog that's lost its puppies."

"Yes, but every visit there are more, you see," he said, "and they seem to hang around for a longer spell of time." Molly came through from the kitchen, carrying a bucket. "Christopher's thrown up," she said.

"How does the world strike you so far?" Morgan asked the baby.

The doorbell rang. Bonny said, "Who can that be?"

"It must be Liz's roommate."

"Morgan, honestly. Liz's roommate is sitting in the living room."

"She is?"

"She just had supper with us, Morgan." Morgan opened the door, one-handed, Emily stood waiting. She landed in his vision like a pale, starry flash of light He felt everything around him lift and brighten. "Oh," he told her. She smiled at him. She was holding a package tied with pink yarn, (In some illogical way, it seemed the gift was for him. It seemed she was the gift.) Then Bonny said, "Emily!" and stepped forward to kiss her. Emily looked at Morgan over Bonny's shoulder. Grave as a child, she drew away and turned to him and patted the baby's bare foot.

"She's beautiful," she said. She was gazing into his eyes.

The baby had been cranking up to cry again, but gave a sudden hiccup and fell silent-taken aback, maybe, by the icy wind from the door, or by the touch of Emily's cold hand. "Come on inside," Bonny told Emily. "You must be frozen! Did you drive? Have you ever seen such weather?" She led Emily into the living room. Morgan followed. He felt that Emily was the single point of stillness. Everyone milled around her while she stood upright at the center. There was something wonderfully prim about the way she offered her package to Liz, as if she weren't sure it would be accepted. But Liz was already exclaiming as she took it. (Motherhood had enlarged her, fuzzed her edges; she was a flurry of bathrobe and milky smells.) And of course she loved the lamb puppet inside. Everyone had to pass it around and try to work it. The lamb's quilted face was nuzzled to the baby's cheek. The baby started and batted the air with both fists. "Offer Emily a drink, will you?" Bonny told Morgan.

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