Anne Tyler - Morgan's Passing

"What for? Why not just steal it back?"

"Well, you want the thief arrested, don't you?"

"Yes," he said, "but meanwhile it's parked in a No Parking zone and I might be given a ticket."

"When it wasn't you that parked it there?"

"You can never tell, in this world," he said. "I promised Bonny I wouldn't run up more traffic fines." He was trying all the doors, but they were locked. He walked around to the front of the car and settled on his haunches before the grille. "I don't suppose you have your Swiss Army knife with you," he said.

"My what? No." He plucked at a string that was looped through the grille. Then he set his face close and started gnawing at the string. The woman who'd been painting lowered her brush and turned to watch. "I don't understand what you're after," Emily said.

"The key," Morgan said. Something clinked to the ground. He groped beneath the car for it. "Over to your right," Emily told him. "Closer to the wheel." Morgan stretched out on his stomach, with his legs trailing behind him. (The soles of his snake-proof boots were as deeply ridged as snow tires.) He reached farther under the car. "Got it," he said. A little three-wheeled mail truck the size of a golf cart bounced up and stopped. "Help!" Morgan shouted, and he raised his head. She heard his helmet clang against the underside of the bumper. "I'm hit!" he said.

"Morgan?"

"I'm run over! It's my leg!" A mailman descended from the truck, whistling, and started toward the mailbox. Emily grabbed his sleeve and said, "Move."

"Huh?"

"Move the track! You've run a man over."

"Sheesh," said the mailman. "Don't he see the No Parking sign?"

"Move that truck this instant, I tell you!"

"All right, all right," the mailman said. He turned back to his truck, glancing down at Morgan on the way. Morgan showed him. a face that seemed all teeth.

"Hurry," said Emily, wringing a handful of skirt.

Meanwhile the woman with the paintbrush arrived, dripping apple green. "Oh, that poor, poor man," she said. Emily knelt next to Morgan. She had a sick weight on the floor of her stomach. But at least there was no blood. Morgan's leg, pinned at the shin beneath the toy tire, looked flattened but still in one piece. He was breathing raggedly. Emily laid a hand on his back. "Are you in pain?" she asked him.

"Not as much as you might expect."

"He's going to move the truck,"

"Of all the damn-fool, ridiculous-"

"Never mind, it could happen to anyone," Emily said, patting his back.

"I was talking about the mailman."

"Oh." The mailman released his brake. The truck gave a grinding sound and inched backward. "Oof!" said Morgan. He rolled free. He sat up and inspected his leg. A dusty, wedge-shaped mark ran down the green fabric.

"Is it broken?" Emily asked him.

"I don't know."

"Rip his pants," the woman with the paintbrush suggested.

"Not the pants!" said Morgan. "They're World War Two." Emily started folding up the cuff, working gingerly, tensed for what she might have to see. By now, two old ladies with shopping bags had joined them and the mailman was telling them, "I could report him for illegal parking, if I was that bad of a guy."

"There's nothing here," Emily said. She was inspecting Morgan's pale, hairy shin. "Can you wiggle your toes?"

"Yes."

"Can you stand?" He attempted it, with an arm around Emily for support. He was heavier than he looked, hard-muscled, warm, and he gave off the harsh gray smell of someone who'd been smoking for a very long time. "Yes," he said, "I can stand."

"Maybe he just ran over your trousers." He drew back from her. "That's not true at all," he said.

"But there's no blood, the bone's not broken. . ** "I felt it. I felt the pressure, a pinch, so to speak, at one side of my calf. You think I don't know when I'm hit? Not all hurts show up from outside. You can't just stand outside and pass judgment on whether I've been injured or not. You think I don't know when a U. S. Government mail truck pins me flat to the pavement?"

"Jesus," said the mailman.

The two old ladies went on their way, and the woman returned to her painting. The mailman unlocked the mailbox. Morgan held up a hand; something glittered. "But at least I've got the key," he told Emily.

"Oh, yes. The key," He opened the door on the passenger side. "Quick. Jump in," he said.

"Me?"

"Jump in the car. What if the thief comes? All this racket, this hullabaloo…" He waited till she'd climbed in, and then he closed the door and came around to the driver's side. "I've had too much excitement lately," he told her. "I don't know why things can't go a little more smoothly." He settled himself with a grunt and leaned forward to fit the key in the ignition. "Now look," he said. "Another difficulty." The key wouldn't go. A second key was already there, and a dangling leather case. "What are these?" he asked Emily.

"They must have been locked in the car," she said, "I'm always amazed," Morgan said, "by how incompetent your average criminal is."

"But maybe the car wasn't stolen at all," Emily told him.

"How could that be?"

"Maybe you just thought you parked in that other block."

"No, no," he said impatiently. "That would be ridiculous." He started the motor, veered out around the mail truck, and headed up the street. It sounded as if he were in the wrong gear. "Come back with me and meet Bonny," he said.

"Oh, Leon will be wondering where I am. And anyway, don't you have to go to work?"

"I can't work today; I only had an hour of sleep last night. It was Brindle, this business with Brindle. Have you ever heard of such a thing? Robert Roberts, after all these years!" Emily hoped he wouldn't start on Robert Roberts again. She felt exhausted. It seemed to her that those few blocks from Gina's school had taken hours, days; she'd expended years' worth of energy on them. The sight of Morgan beside her (humming "I'm Walkin' " and tapping the steering wheel, fresh as a daisy, without a care in the world) made her head ache.

But then her apartment building approached. Crafts Unlimited was just opening, and its fluorescent lights were fluttering on and off as if unable to gather strength. The windows above it were dark. You could imagine that the building was nothing but an empty shell. Morgan sailed past, still humming. Emily didn't try to stop him.

Emily and Leon had given a good deal of thought to Morgan's wife-to what she must be like, considering the amount of time he spent away from her. He was always dropping in on the Merediths for a visit, mentioning other places he'd just come from and still others where he was heading afterward. Was he ever home at all, in fact? Even weekends? For on Saturdays he engaged in his own unique style of shopping. He would travel to the depths of Baltimore and return with unlikely items: dented canned goods, or knobby packages wrapped in brown paper and tied all around with string in a dozen clumsy knots. (You would think they hadn't heard of bagging yet, where Morgan shopped.) Sundays he went to fairs and festivals. At events where Emily and Leon took their puppets, they might even run into him purely by chance. They'd look through the scrim at the seated audience-no more than a long, low hillock-and find him standing at the rear, this sudden jutting peak topped by some outlandish hat, always alone, always brooding over something and puffing on a cigarette. (But when they came out afterward to take their bows, he'd be beaming mightily and clapping like a proud parent.) Winters, when the fairs died down, he'd go to church bazaars and grade-school fundraisers. No occasion was too small for him. He was never too busy to stop and contemplate the appliquéd felt Christmas-tree skirts or the Styrofoam snowmen with sequin eyes. So who was this Bonny, whom he was so eager to leave? Maybe she nagged him, Leon said. Maybe she was one of those tight, crimped ladies holding court alone in her careful living room, among the polished figurines that Morgan mustn't touch and the crystal ashtrays he mustn't flick his ashes into. But Emily didn't think so. Putting together all that Morgan said (his rush of accidents and disasters, his admiration of the Merediths' stripped apartment), she imagined Bonny as a slattern, in a zip-front housedress and a headful of pincurls. She wasn't surprised when Morgan parked his car in front of a well-kept brick Colonial house-after all, she'd known there was money, — and slate tiles for the roof-but she blinked when she stepped out and found a brown-haired woman in a neat skirt and blouse weeding petunias along the front walk. Well, maybe it was the sister. But Morgan said, "Bonny?" Bonny straightened and wiped her forehead with the back of her wrist. There were a few faint smile lines around her eyes. Her lipstick was a chipped, cracked, glossless red. She looked cheerful but noncommittal; she seemed to be waiting for Morgan to explain himself.