Philipp Meyer - The Son

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The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.
Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

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Not much later she got up and yawned and said it was getting late for an old lady. Everyone stopped what they were doing and shouted good night, raised their drinks. It was very early but no one protested. As for the girls, they ignored her.

She walked in the dark toward her cabin, the pines enormous above her, everything closed in. She wondered if Hank had done things like this; of course he must have, it was likely he had touched plenty of strippers, he’d spent weeks with other operators at their hunting camps and private islands, for all she knew he became an entirely different person. He certainly would not have gone to bed early — it would have been a mark against him — and she was suddenly sure that he had slept with another woman, absolutely sure, he could have done so, at no risk and no consequence, hundreds or perhaps thousands of times, the code of silence would never be broken. She wondered why she had never realized this. A loneliness came over her.

Why it might disturb her so much, he had been dead twenty years, it made no sense, she listened to the cicadas whirring, laughter and music from the main house, who was she to say who her husband had been? She sat in her underwear on the strange, hard cot. She wondered if she ought to get dressed and drive home, home to Ted, who had asked her to marry him twice now, she would see if he was still up for it. She was tired of being alone.

She lay back down. Too drunk, too far to drive. She fell asleep and the next morning washed her face in the stream, put on makeup in the dull cracked mirror, dismissed the thought of marrying Ted, and spent the morning shooting grouse with Chuck McCabe. After which she got in her Cadillac and headed back to Houston. No one asked why. They pretended they were happy she had come.

She was driving. It was hot and she had a sudden memory of the branding fire, defying her father and all the rest, and now here she was, forty years later, desperate to belong. They had broken her. She had given up. She should have given Ted a child, she had been selfish, her entire life for her father and for Hank, but you could not measure yourself against the dead, they retained their perfection while your flesh got weaker and weaker.

And her father had been weak himself, and even Hank, she could see that now. He had been an idea longer than a real person, but he was only an idea, he was no longer real, she had not done badly, there was no one like her. That ought to count for something. She was not like other women. A dozen lifetimes of tennis or polo could not have made her happy, and, as for a child, if Ted had asked she would have given him one. But he had wanted children like he wanted everything else, it was an old song somewhere in his mind, dim and faint. Though he had been right about this. She should not have come. It was a mistake, an enormous mistake, she would learn from it.

Chapter Fifty-four. Diaries of Peter McCullough,AUGUST 8, 1917

Hot. Blew two tires driving fast on the rocks. Half a day lost; believe we will reach Torreón tomorrow. Sullivan and Jorge Ramirez are with me. Jorge knows the area somewhat. He is very nervous — if we get stopped by the Carrancistas it will be a dice roll on whether we live or die.

I do not particularly care. It feels as if someone might push a finger through me. There is nothing inside.

AUGUST 9, 1917

From some workers along the road Jorge acquired sombreros and proper clothing, which we change into, giving the men our own. Anger at Americans high here especially given Pershing’s recent expedition ( la invasión, they call it). We pass donkeys dragging lumber and mules laden with pottery and thick-footed men padding slowly in the heat, all in white except for the blankets across their shoulders. There are children wearing nothing but hats and ragged blankets that barely reach their waists and we stop often for herds of sheep and goats and bare-ribbed cattle that see no reason to move out of our way.

I asked Sullivan and Jorge if they thought it possible that Phineas had María hurt or worse. Sullivan vigorously denied. Jorge silent. I pressed him and he said no, he did not think so.

Sullivan pointed out that Phineas is preparing to run for governor, and Sally’s father is an important judge. Suggested it was probably because of those reasons they wanted María gone. I pointed out there were other reasons as well.

In Torreón, which is bigger than I thought, we drove until we found a cantina Jorge judged to be safe (what logic he used is beyond me) and spent a few hours sitting in the back corner (after $150 bribe to owner) while Jorge went out to scout. We were both wearing the soiled white shirts and pants of workers, reeking of the sweat of other men. Sullivan kept his.45 on one empty chair and the carbine on the other. I had my pistol under my shirt but doubted I would have the energy to use it. Sullivan sensed this and it angered him.

When Jorge had not come back for several hours, Sullivan pointed out, though he said he had promised himself he would keep quiet, that ten thousand dollars is a lot of money. Enough to start an entirely new life. I am nervous here, boss, to tell you the truth. The longer we stay here, the lower our odds of staying above the snakes.

Am not sure what I am supposed to feel. Jorge finally returned and we ordered food. He had found us a good hotel.

Did María know this would happen? Was she waiting for it? I find it unlikely — she just as well expected to be led into the brasada and shot.

But it is the unstated question for the rest of the day. There are no signs of her that Jorge was able to detect — she might have come through last night, or might not.

I watched as Sullivan and Jorge silently pondered what they might do with ten thousand dollars. Five years’ wages. They would leave me, certainly. I see it on their faces about María. I cannot explain the situation. No longer certain I know it myself.

That she was desperate remains unsaid; that she had everything to gain and nothing to lose also remains unsaid. That she is ten years my junior and beautiful; no one mentions that, either.

AUGUST 10, 1917

Car stolen. Barricaded in hotel room. Waiting for Phineas to wire money for a new vehicle. They now know Jorge’s face and it is dangerous even for him to go outside. Strangely we see a European photographer walking around in the streets; no one seems to harass him in the slightest.

AUGUST 11, 1917

Phineas and my father apparently making calls: chief of police this morning brought a suitcase full of pesos and a 1911 Ford he is willing to sell. I point out that his price is the same as for a new Ford on a dealer lot. Sullivan and Jorge give me a look to shut the hell up.

Jorge’s arm nearly torn off by the starter handle, but we get police escort out of town. They encourage us to make the most of our journey today, it being Sunday, as the people will be taking their leisure. No one seems to know anything about María.

AUGUST 13, 1917

Drove to San Antonio to talk to Pinkertons.

“You want us looking in every city in Mexico.”

“Yes,” I told him.

“That is impossible. It is financially impossible and it is logistically impossible. There is a war going on there.”

“Give me a figure.”

He put up his hands. “One hundred thousand dollars.”

I didn’t say anything.

“I am taking you at your word when you say you want us looking everywhere. There are ways to do it for a tenth as much.”

“Will that get me the same result?”

“Either way, the result will likely be the same.”

“Let’s do it,” I told him.

He looked at the desk. “Everyone knows your family, but…”

“My family is not to know a word about this.”

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