Philipp Meyer - The Son

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The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.
Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

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Very few men ever got close to the horse and its rider, but the few who did said he was sitting normally, except that his head was not attached. His head, along with a sombrero, was strapped to his lap. And so for many years, the cowboys shot at the ghostly rider, but the bullets went through his body like a paper target, and he continued to ride.

Finally, a few cowboys decided to solve the mystery. They waited all night at a watering hole, and when the black stallion and the headless rider appeared, they shot the horse.

On the back of this beautiful mustang there was an old dry corpse tied upright with rawhide, the head tightly bound to his lap. After many months of inquiry, it was discovered that a young Mexican by the name of Vidal, who was a notorious womanizer and horse thief, had met his end.

The men who caught him were Creed Taylor and Bigfoot Wallace, legendary Texans about whom many books have been written. They were great practical jokers, and so to make an example out of Vidal, they cut off his head and tied both his head and body to an unbroken black stallion that had been caught in a trap with other mustangs. They released the stallion and his headless rider, who confused and terrorized the populace for over a decade.

“YOURS IS THE true one,” she says.

“It’s an old story,” I say. “It’s well known.”

“Of course,” she says. “There are many convincing details. First, there is a dead Mexican who was a horse thief, as all dead Mexicans are. Second, there are two famous Texans, who decided, after killing a man, that they would decapitate him for fun. Third, they decide that merely decapitating this man is not funny enough. It will be hilarious if, instead of burying him, they tie his body to a wild horse.”

“Hmmm,” I say.

“And the final convincing detail is that a group of Anglo cowboys, when faced with the task of capturing a legendary black stallion, instead of roping him, or building a simple trap, decided to shoot him, because it required the least effort.”

“That is why I don’t tell stories.”

“No, it was educational.”

“Yours is the one our children should hear.”

“No,” she says. “Our children should know the truth.” Then she kisses my forehead and strokes my hair, as if I am a child myself.

Chapter Forty-nine. Eli McCullough, 1864

At the beginning of the year there was a shakeup and most of the RMN men were sent east. They tried shipping me to the Frontier Regiment, but I didn’t feel like riding against the Comanches and I didn’t like McCord, either, and so as punishment I was sent to the Indian Territories. Most whites didn’t want to work with Indians — they were considered only a step above Negroes — but I suspected it would be high living and I was right.

Of the five civilized tribes, two — the Creeks and Seminoles — had sided with the Union. The other three — the Cherokee, Chickasaw, and Choctaw — were fighting for the Confederacy. There was a brigade of Cherokee under their own general, Stand Watie, and a Choctaw brigade under Tandy Walker. I was given the temporary rank of colonel and put in charge of a battalion of ragged Cherokees. They’d signed enlistment papers the same as whites, but they didn’t believe in boots or uniforms, or remembering their orders, or fighting when they were outnumbered. They believed in eating well and staying in one piece, which made them just about useless, as far as the army was concerned.

By then, we were getting most of our equipment from Union supply trains. We wanted Union-made pistols, which had steel frames instead of brass, and we wanted their repeating rifles, Henrys and Spencers, though we were happy with their Enfields as well. We wanted their wool pants and blankets, their field glasses, their saddles and tack, their horses and ammunition, tinned beef, coffee and salt, quinine, factory-made shirts, their writing paper and sewing needles.

Our only orders were to disrupt the enemy’s rear, which meant riding into Kansas or Missouri, burning barns or bridges or just stealing chickens. Eventually, when our bellies were as empty as bankers’ hearts and there was nothing left to plunder from the locals, we would go south to resupply.

IT WAS A familiar way of living and I did not mind it one bit, sleeping outside and roaming where I wanted, and I did not mind being with the Indians, either, who, civilized or not, lived closer to the natural ways than most whites. But in summer I got a few days’ leave and decided to head back to Austin.

I was heating the axles the whole way but when I came across the hill and saw the judge’s house, I reined up short. I wasn’t sure why I’d come home. I could remember sitting on a horse in my Comanche gear, shooting arrows for the reporters; in the backyard there were hackberries thirty feet tall that I remembered as seedlings. I suddenly felt old, and I nearly turned around and rode north again, but Madeline was standing in the doorway of the guesthouse, so I got off and fixed my horse to the snubbing post and went to her.

She was holding Everett. He was nine months old, or it might have been eight, or eleven.

“Daddy’s back,” she said.

He looked like he might cry and she looked like another person — she’d aged ten years since the war started. She’d had no trouble getting back her old figure, and looking at the dark circles under her eyes and her skin that bruised at the lightest touch, I knew I’d made a mistake for the ages.

We went inside and she put my hands on her chest and then I was in a fierce rutting mood. But once we made it to the bed, I could tell she wasn’t.

Still she wanted me to do it anyway but right before we started she said, “Put it there instead,” and raised her legs a little higher. “I don’t want my milk to get thick.

“Does that feel good?”

I nodded.

“As good as…”

“Sure,” I mumbled.

“It feels good to me, too. It also hurts, though.”

I took it out. She rolled over and examined me.

“I thought it would be filthy.” She looked closer. “It does smell.”

“I better wash I guess.”

“I thought you would like it,” she said. “Did you?”

“Sure,” I said.

The Negroes had kept some water hot so I walked over to the main house and took a bath. When I came back she was dressed again.

“Is it the baby?” I said.

“Probably.”

I looked around the cottage. It was small and dark. I told myself that I loved them.

“I feel a little far away from you, maybe.”

“I’m right here,” I said.

“You’re gone and then every few months you’re back for a few days and we do it and then you’re gone again. I feel like a cow.”

“You’re beautiful.”

“Not the way I look. I mean you come home and leave and that’s all there is to it.”

I started to say something but she interrupted. “My father could get you something here. I know he told you that. I see officers around town all the time and there must be men on the coast who see their families all the time as well.”

“That wouldn’t be fair.”

“To the army or to me? To a bunch of men you’ve known a year, or to me? You like to pretend it’s not a choice but it is, Eli.”

“Why are you mad?” I said. “I just got here.”

“I’m trying not to be.”

Everett was glaring at me. “I made you,” I said.

“That’s just his normal face,” she told me.

THAT AFTERNOON, AFTER we’d been to see the judge and his wife, we were back in bed. Madeline had stolen a bottle of sunflower oil from the kitchen.

“You don’t want another Everett,” I said. “Or a little sister for him?”

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