Philipp Meyer - The Son

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The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.
Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

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The Indians were milling around a pair of ox-drawn freight wagons. A third wagon was far ahead in the grass, turned on its side, a mule team standing dumbly in front of it. Someone was screaming.

“I don’t want to see this,” said Martin.

There was something white at the edge of the road; a small tow-headed boy in a boiled shirt. An arrow shaft had stuck through his eye and a big red-headed woodpecker was tapping a branch over his head.

Farther up the road blood was dripping from the wagons as if someone had splashed a bucket. There were four or five Texans sprawled in the red dirt and another curled up like a baby in the back of the wagon. Off in the grass and larkspur the Indians were doing something to the last teamster and he was shrieking in a high voice and they were imitating him.

With the exception of the two dealing with the remaining teamster, no one was wasting any time. The mule team was cut loose but they didn’t move; they stood with their heads down as if they had done something wrong. A spotted pony was dead in the ditch, his neck covered with blood, the owner trying to free his saddle. Another Indian pony, a handsome strawberry roan, was standing blowing pink froth out of a hole in its chest. His owner removed his saddle, blanket, and bridle and set them carefully in the road. Then, while hugging and kissing the roan’s neck, he shot it behind the ear.

Everything was pulled from the wagons, including two more bodies we hadn’t noticed. It was hot and the red dust was settling over the flowers. The dead men’s pockets were searched, those who hadn’t been scalped were scalped; the last teamster had gone quiet. One of the Indians had a poultice applied, a pear pad split and tied with cloth; most of the hide shields had fresh lead streaks and a tall brave with Karankawa blood was cleaning his lance with grass. Others were going through the cargo, mostly flour sacks, which were cut and dumped in the road. A keg of whiskey was tomahawked and smaller kegs of gunpowder were strapped to horses along with several small crates, which from their weight must have been lead. Knives and blankets were taken, plugs of tobacco, bullet molds, a pair of axes and a handsaw, some calico fabric, a few repeating pistols. The locks and mainsprings on the rest of the guns were checked and the ones still good were taken. There was a brief debate over a scalp. Two plum pies were discovered and divvied up with the bloody knives.

The younger Comanches were combing the grass for stray arrows, the mules were put into the horse pack, a few quick circles were made to be sure nothing and no one had been missed, a piece of interesting fabric recovered, then all the guns were recharged and the quivers repacked, straps and hitches tightened, mouths rinsed. The oxen bellowed their final protest as someone cut their throats; by then the rest of the blood in the road had turned black and the bodies covered over with dust. They looked like they’d always been there.

The Indians split into three groups and left a wide set of tracks leading toward civilization, opposite the direction we were actually headed. Everyone was in a good mood. One of the braves rode up and slapped a fresh scalp on my head, the stringy gray hair hanging down. A man’s bloody hat was crushed down on top of it, which the Indians found hilarious. We continued northwest, the grass tall with scattered thick motts of oak and the mesquites with their flickering leaves and the yuccas in bloom with their white flowers.

After a few hours the brave decided he didn’t want to soil his trophy any further and took it off my head, tying it to his belt and throwing the dead man’s hat into the bushes. The scalp and hat had been keeping the sun off and I asked for the hat back but we rode on. By then the other groups had rejoined us.

At the next change of horses, the Indians passed around some jerky they’d taken off the teamsters. My brother and I were offered a few bites. It was still hot but the Indians didn’t care about drinking water, and when one of them offered me tobacco I was so thirsty I couldn’t take it. My brother was not offered tobacco. He stood with his legs in a straddle and looked miserable.

When the sun finally went down my mouth was so dry I thought I would choke. I reminded myself to pick up a pebble to suck but then I was thinking about the spring near our house, of sitting and letting the water rush over as I looked out past the river. I began to feel better.

It was dark and at some point we stopped at a muddy hole and the horses were held back while the Indians tore up grass and piled it on the mud and took about two swallows each. My brother and I stuck our whole faces in and drank our fill. It tasted like frogs and smelled like animals had been wallowing but we didn’t care. After he’d swallowed enough my brother started to cry, and then the Indians were kicking him in the belly and giving him the knife at the throat. W uyupa?nit u, quiet down. Nihp u?ait u, stop talking.

They were planning something. They changed their mounts but we were kept back with the horse herd.

“I think we’ve come a hundred miles. We must be right below the San Saba.”

“Do you think they’ll let me drink again?”

“Sure,” I said.

He put his face back in the muddy water. I tried again but now I couldn’t stand the smell. My brother drank and drank. It hurt even just to sit in the dirt now. I wondered how long it would take to heal; weeks maybe. We huddled together as best as possible. There was a bad odor and I realized my brother had shat himself.

“I can’t stop.”

“It’s all right.”

“There’s no point,” he said.

“All we have to do is keep going,” I told him. “It is not that much when you think about it.”

“And then what? What happens when we get where they’re taking us?”

I was quiet.

“I don’t want to find out,” he said.

“There was John Tanner,” I said, “Charles Johnston, you yourself have read those books.”

“I am not the type to live on bark and gooseberries.”

“You’ll be a legend,” I said. “I’ll visit you in Boston and tell your friend Emerson that you’re a real man and not just some cockchafing poet.”

He didn’t say anything.

“You could try a little harder,” I told him. “You’re risking our hair every time you piss them off.”

“I’m doing the best I can.”

“That is not true at all.”

“Well, I’m glad you know.”

He started to cry again. Then he was snoring. I was mad because he was just being lazy. We were not being fed any less, or driven any harder, than the Indians were driving themselves; we’d both had a lot more water than they had and who knew how long they’d been going like this? There was a logic but my brother couldn’t see it. If a man has done it, so can you: that is what our father used to tell us.

Then we were slapped awake. It was still dark and they tied us to the horses and there was a bright light in the distance that I knew was a burning homestead. I hadn’t thought there were whites this far out, but the land was rich and I could see why they had risked it. A few braves came up and I could tell they were pleased with the youngsters for getting us mounted.

In the darkness we saw another dozen or so horses driven into the remuda. There were two new captives; by their crying we knew they were women and by their language we knew they were German, or Dutch as we called them back then.

By sunrise we’d gone another fifty miles, changing horses twice. The Germans didn’t stop crying the entire night. When it was light enough we climbed a mesa, winding around the far side before coming up to watch our backtrail. The land had opened up; there were mesas, buttes, distant views.

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