Siri Hustvedt - The Summer Without Men

Four Swans.

Mia,

I have more to show you. Would Thursday be suitable?

Yours,

Abigail

Each word was a tremulous but careful scrawl of letters. I remembered what my mother had once said: “Getting old is fine. The only problem with it is that your body falls apart.”

* * *

“Your poetry’s cracked,” my anonymous tormenter had written. “Nobody can understand it. Nobody wants twisted shit like that. Who do you think you are?!#*

Mr. Nobody.”

* * *

I read the message several times. The more I read it, the more peculiar it became. The repetition of Nobody followed by the pseudonym, Nobody, made it sound as if he, Nobody, did understand it and did, in fact, want twisted shit. Who do you think you are? became another question entirely in that case. Sliding meanings. It seemed unlikely that the phantom was ironic, making some superior joke about the novis dictum for “accessible” poems or playing with the words twisted shit and cracked. Unless it was Leonard, released from South, and annoying me for some preposterous reason of his own. It was true that for years I had been toiling away at work few wanted or understood, that my isolation had become increasingly painful, and that I had harangued Boris with my diatribes about our shallow, debased, virulently anti-intellectual culture that worships mediocrity and despises its poets. Where was Whitman Street in New York City? I had whined about the poets who wrote for the few remaining middlebrow folk in the United States who bothered to glance at a feeble line or two in their copy of the New Yorker and satisfy themselves that they had just nibbled on a morsel of “sophisticated” poetic sentiment or wit about lawns or old watches or wine because, after all, it was in the magazine. Rejection accumulates; lodges itself like black bile in the belly, which, when spewed outecomes a screed, the vain rantings of one redheaded lady poet against the ignoramuses and insiders and culture makers who have failed to recognize her, and poor Boris had lived with her/my bawling ululations, Boris, a man for whom all conflict was anathema, a man for whom the raised voice, the passionate exclamation scraped like sandpaper on his soul. Paranoia chases rejection. During the days of my complete clinical derangement, hadn’t I been paranoid? They plotted against me. Now the words on the screen, the words of Nobody, had taken the place of the accusing voices in my head. Everyone hates you. You’re nothing. No wonder he left you. It was as if Mr. Nobody knew, as if he understood where to strike. I thought of George lying dead on the bathroom floor that same morning, and the future turned suddenly both vast and barren, and doubt, the deforming constant doubts that my poems were shit, a waste, that I had read my way not to knowledge but into an inscrutable oblivion, that I, not Boris, was to blame for the Pause, that my truly great work, Daisy, was behind me seemed all to be true. Now, menopausal, abandoned, bereft, and forgotten, I had nothing left. I put my head on the desk, thinking bitterly that it wasn’t even my own, and wept.

After a couple of minutes of full-throated sobbing, I felt someone’s warm breath on my arm and flinched. Flora and Giraffey were standing very close to me. The child’s eyes were round with attention. A piece of her own light brown hair stuck out from under the wig and the skin all around her mouth had been stained pink from some unknown substance. We looked at each other. Neither of us said anything, but I felt she was observing me with the cool eyes of a scientist, a zoologist perhaps. Her sober gaze was digesting the whole animal, pondering its behavior, and then, without a word, she acted. She lifted up Giraffey and held him out toward me. It wasn’t at all obvious what she intended by the gesture so, rather than take him, I wiped my eyes with the back of my hand and patted the filthy creature on the head.

An instant later I heard Lola call her daughter loudly and urgently and, taking Flora’s hand, which she accepted easily, naturally, I walked with her into the other room to greet Lola and Simon (in Snugli) outside the open screen door. I saw Lola register my face; what it looked like I have no idea — a red-gray mash of tears and mascara, probably — but her brow furrowed for a fraction of a second in sympathy. The young mother looked bedraggled at that moment, almost slovenly, in her cut-off jeans, a pink halter top, and earrings of her own making, two golden birdcages that hung from her earlobes. She had pulled her bleached hair back, and I noticed that she was a little sunburned across her nose. I remember these details because all at once I understood how glad I was to see her, and the emotion I felt has fixed the particulars of the encounter. By then it was around seven-thirty in the evening. Pete was off again and she was going to try to get the children to bed, and then, she said, with an open smile, she had a plan to break out a bottle of wine and eat the quiche she had made that day, and she would love me to join her, and I accepted with an enthusiasm that would have embarrassed me in almost any other circumstance, but which in this instance seemed entirely “normal.” My mother was at her book club discussing Austen’s Emma over a variety of cheeses, and I had no obligations of any kind.

And so that was the night we tackled the double bedtime together. On my side, this involved a complex strategy of rocking, bouncing, and occasionally shaking the just-nrsed Simon, who seemed to have developed paroxysms in the gut vicinity. The little red man squirmed with discomfort, spat milk on my shoulder, and then, after straining mightily, let out in one heavenly, propulsive motion a gob of creamy yellow shit into his diaper, which I happily cleaned while examining his tiny, adorable penis and surprisingly consequential testicles and tucking up his bottom in a Pamper, and then I found a rocking chair, into which we settled, and I rocked and lullabyed the small scion of the family into the arms or, rather, the lap of Morpheus. Meanwhile, Lola waged a parallel campaign with the chattering, not-yet-four fruitcake, Flora, who dillydallied and shammed and bargained her way toward what Sir Thomas Browne once called the “Brother of Death.” Valiantly, how valiantly she fought the loss of consciousness with every possible ruse: bedtime stories and glasses of water and just one more song until she, too, exhausted from the rigors of battle, collapsed, knuckle of curled index finger inside her mouth, free arm flung out across bedspread featuring large purple dinosaur, while Giraffey and his companion, a peroxide beast stolen from the head of slumbering warrior, kept vigil from the bedside table.

Lola and I ate the quiche and slowly got potted over the course of several hours. She lay on the sofa, birdcages catching the light, her tanned, round legs stretched out in front of her. From time to time she wiggled her bare feet, with their slightly dirtied soles, as if she were reminding herself that they were still attached to her ankles. By eleven o’clock I had discovered that Pete was a problem, “even though I love him.” Lola had been informed of my marital fiasco and a tear or two had dripped down both of our noses. We had laughed about our Problems as well, chortled loudly over their mutual propensity for odiferous socks that stiffened with some unknown manly secretion, especially in winter. The girl had a good laugh, a deep and surprising one, which seemed to come from somewhere below her lungs, and a direct way of speaking that charmed me. No indirect discourse or Kierkegaardian ironies for this daughter of Minnesota. “I wish I knew what you know,” she said at one point. “I should have studied harder. Now with the kids, I don’t have time.” I muttered some platitude in response to this, but the fact was, the content of our conversation that night was of little importance. What mattered was that an alliance had been established between us, a felt camaraderie that we both hoped would continue. The unspoken directed the evening. When we parted we hugged and, in a fit of affection augmented by alcohol, I cupped her round face in my hands and thanked her heartily for everything.