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Don DeLillo: The Angel Esmeralda

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Don DeLillo The Angel Esmeralda

The Angel Esmeralda: краткое содержание, описание и аннотация

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This is Don DeLillo’s first collection of short stories, written between 1979 and 2011; in it he represents the wide range of human experience in contemporary America — and forces us to confront the uncomfortable shadows lurking in the background. His characters are plagued by their own deep, often unconscious, longings; they are subjected to shocking violations, exposed to unexpected acts of terror. No matter whether he is focused upon the slums of New York or astronauts in orbit around the Earth, DeLillo chooses never to turn away from the unsettling manner in which humans are brought together. These nine stories describe the extraordinary journey of a great American writer who changed the literary landscape.

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“I looked for you back there,” he said.

“I can’t get it out of my mind.”

“I talked to a policeman.”

“Because actually seeing it, I couldn’t really grasp. It was so far-fetched. Seeing the child in that man’s grip. I think it was more violent than guns. That poor woman watching it happen. How could she ever expect? I felt so weak and strange. I saw you coming along and I said I have to talk to someone. I know I just ranted.”

“You were in complete control.”

“I’ve been sitting here thinking there’s no question about the elements. The car, the man, the mother, the child. Those are the parts. But how do the parts fit together? Because now that I’ve had some time to think, there’s no explanation. A hole opened up in the air. That’s how much sense it makes. There isn’t a chance in a thousand I’ll sleep tonight. It was all too awful, too enormous.”

“She identified the man. It was definitely the father. She gave the police all the details. You had it just about totally right.”

She looked at him carefully. He had a sudden sense of himself, rank and panting, cartoonish in orange shorts and a torn and faded top, and he felt a separation from the scene, as if he were watching from a place of concealment. She wore that odd pained smile. He backed up slightly, then leaned to shake her hand. This was how they said good night.

He went into the white lobby. The echo of the run hummed in his body. He stood waiting in a haze of weariness and thirst. The elevator arrived and the door slid open. He rode up alone through the heart of the building.

THE IVORY ACROBAT

When it was over she stood in the crowded street and listened to the dense murmur of all those people speaking. She heard the first distant blurt of car horns on the avenue. People studied each other to match reactions. She watched them search the street for faces, signs that so-and-so was safe. She realized the streetlights were on and tried to recall how long her flat had been dark. Everyone was talking. She heard the same phrases repeated and stood with her arms crossed on her chest, watching a woman carry a chair to a suitable spot. The sound of blowing horns drifted through the streets. People leaving the city in radial streams. Already she was thinking ahead to the next one. There’s always supposed to be another, possibly many more.

The cardplayers stood outside the café, some of them inspecting a chunk of fallen masonry on the sidewalk, others looking toward the roof. Here and there a jutting face, a body slowly turning, searching. She wore what she’d been wearing when it started, jeans and shirt and light sweater, and it was night and winter, and funny-looking moccasins she only wore indoors. The horns grew louder in a kind of cry, an animal awe. The panic god is Greek after all. She thought about it again and wasn’t sure the lights had been out at all. Women stood with arms folded in the cold. She walked along the middle of the street, listening to the voices, translating phrases to herself. It was the same for everyone. They said the same things and searched for faces. The streets were narrow here and people sat in parked cars, smoking. Here and there a child running, hand-shuffling through the crowd, excited children out near midnight. She thought there might be a glow in the sky and climbed a broad stepped street that had a vantage toward the gulf. She seemed to recall reading there’s sometimes a light in the sky just before it happens or just after. This came under the heading of unexplained.

After a while they started going back inside. Kyle walked for three hours. She watched the cars push into major avenues that led to the mountains and the coast. Traffic lights were dark in certain areas. The long lines of cars, knotted and bent, made scant gains forward. Paralysis. She thought the scene resembled some landscape in the dreaming part of us, what the city teaches us to fear. They were pressing on the horns. The noise spread along the streets and reached a final mass denial, a desolation. It subsided after a time, then began to build again. She saw people sleeping on benches and families collected in cars parked on sidewalks and median strips. She recalled all the things she’d ever heard about an earthquake.

In her district the streets were almost empty now. She went into her building and took the stairs to five. The lights were on in her flat, and there were broken pieces of terracotta (she only now remembered) scattered on the floor by the bookcase. Long cracks branched along the west wall. She changed into walking shoes, put on a padded ski jacket and turned off the lights except for a lamp by the door. Then she placed herself on the sofa between a sheet and blanket, her head resting on an airline pillow. She closed her eyes and folded up, elbows at her midsection, hands pressed together between her knees. She tried to will herself to sleep but realized she was listening intently, listening to the room. She lay in a kind of timeless drift, a mindwork spiral, carried on half-formed thoughts. She passed into a false sleep and then was listening again. She opened her eyes. The clock read four-forty. She heard something that sounded like sand spilling, a trickle of gritty dust between the walls of abutting structures. The room began to move in a creaking sigh. Louder, powerfully. She was out of bed and on her way to the door, moving slightly crouched. She opened the door and stood under the lintel until the shaking stopped. She took the stairway down. No neighbors popping out of doors this time, bending arms into coats. The streets remained nearly empty and she guessed people didn’t want to bother doing it again. She wandered well past daybreak. A few campfires burned in the parks. The horn-blowing was sporadic now. She walked around her building a number of times, finally sitting on a bench near the newspaper kiosk. She watched people enter the street to begin the day and she looked for something in their faces that might tell her what kind of night they’d spent. She was afraid everything would appear to be normal. She hated to think that people might easily resume the knockabout routine of frazzled Athens. She didn’t want to be alone in her perception that something had basically changed. The world was narrowed down to inside and outside.

She had lunch with Edmund, a colleague at the little school where she taught music to children of the international community, grades three to six. She was eager to hear how he’d reacted to the situation but first talked him into eating outdoors at a table set against the facade of a busy snack bar.

“We could still be killed,” Edmund said, “by falling balconies. Or freeze in our chairs.”

“How did you feel?”

“I thought my heart was going to jump right through my chest.”

“Good. Me too.”

“I fled.”

“Of course.”

“On my way down the stairs I had the oddest conversation with the man who lives across the hall. I mean we’d hardly said a word to each other before this. There were two dozen people barreling down the stairs. Suddenly he wanted to talk. He asked me where I work. Introduced me to his wife, who was pretty goddamn uninterested at that point in the details of my employment. He asked me how I like living in Greece.”

Skies were low and gray. People called to each other on the street, chanted from passing cars. Eksi komma eksi. They were referring to the first one, the bigger one. Six point six. Kyle had been hearing the number all morning, spoken with reverence, anxiety, grim pride, an echo along the brooding streets, a form of fatalistic greeting.

“Then what?” she said.

“The second one. I woke up moments before.”

“You heard something.”

“Like a child tossing a handful of sand against the window.”

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