David Means - The Spot - Stories

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The Spot is an old blacksmith shed in which three men tweeze apart the intricacies of a botched bank robbery.
The Spot is a park on the Hudson River, where two lovers sense their affair is about to come to an end.
The Spot is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the currents of her own tragic story.
The Spot is in the ear of a Manhattan madman plagued by a noisy upstairs neighbor.
The Spot is a suburban hospital room in which a young father confronts his son's potentially devastating diagnosis.
The Spot is a dusty encampment in Nebraska where a gang of inept radicals plot a revolution.
The Spot draws thirteen new stories together into a masterful collection that shows David Means at his finest: at once comically detached and wrenchingly affecting, expansive and concise, wildly inventive and firmly rooted in tradition. Means's work has earned him comparisons to Flannery O'Connor (
), Alice Munro, Bob Dylan, Jack Kerouac (
), Hemingway, Sherwood Anderson (
/NPR), Denis Johnson (
), Poe, Chekhov, and Carver (
), but the spot he has staked out in the American literary landscape is fully and originally his own.

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All Wondering

Let’s say the beach erodes fifty yards in at the rate of a yard a year, give or take a few. By the time the Atlantic reaches his body — by then nothing but bones, if even that — it won’t matter, Carl said. Unless his body works its way up and out, like a seed in reverse. You know, remember those old biology films showing in slow-mo stop-action the way certain seeds wiggle into the ground, taking advantage — I guess that’s the way to put it — of their natural designs in relation to the winds, wending down until they’re deep enough to root. All manipulation of form in conjunction with nature. Except, knowing Dad, his body might respond the other way, twisting up and out of the sand until some hiker comes upon a toe, or a brow. Just imagine his body emerging under a moonless sky with only the sweep of the lighthouse for company. Just imagine old Pop, old Dad, wondering where the hell he is, or at least theoretically wondering because presumably his wondering days are over. All his wondering has been relegated to some other realm, in the best of circumstances, or to the void, in the worst. Just imagine his bald pate exposed to the salt air — just about impossible to see in the sand, or a toe, already mentioned, coming up and out of the razor grass, or the brambles, and moving, depending on the freezethaw cycles, too slow for the human eye, but over time — if you could see the slowed-down action speeded up — wiggling softly in the manner of resurrected flesh, as one imagines it, Carl argued; or maybe even rising up, stiff-jointed, like a marionette in the quiet of the off-season, jerked around by invisible strings stretching up to the Holy Father. Or it’s just as easy to imagine the body doing the seed routine properly, Carl said, his voice suddenly husky and deep, caught up in a madness that came not so much from Dad’s body, it seemed, but from the lack of logic his argument was taking, gathered up into the sack of his grief, his voice barely audible. Burn the bastard. Freeze his ass. Shoot him into space. Plunge him into the center of the earth. At times, his thoughts, like perfectly out-of-phase sound waves, nullified themselves for a moment into a pure silence. Or the body might dig itself down into the soft pliancy, the liquescence of sand, yearned by gravity, twisting itself with the contraction of drying sinew and cartilage in the bright fall heat, during those clear Cape days before Thanksgiving (Carl said) when the snap of leaf mold and the scent of musket smoke hangs in the air, at least theoretically, because Miles Standish musket smoke is still up there, man, somewhere. (Carl lifted his hand and pointed vaguely in the direction of First Encounter Beach, where, almost four hundred years ago, the first hostile American shots were fired.) The corpse might spiral down (Carl said) until, with toes pointed and head haut, it drove hard to the bedrock. (He forcefully landed on each syllable, dividing the word into two.) Then, when he looked up at me with the mute, inaccessible eyes of a man sealed in the vacuum of stalemate, I saw that he was a chip off the old block. What Dad had contained, he contained. Now the original block was just solid matter, and Carl was the live chip leaning into his shovel to rest, looking out over the Atlantic while between us came a mutual agreement — unspoken — that the hole would have to go down at least fifteen feet to give the body a chance, to find a depth of equalization (as Carl later called it, groping retrospectively for the proper phrase), where the forces drawing our father up would meet on equal terms with the forces drawing him down. From that point it was all digging and digging, widening the hole against the sliding sand, working furiously, one taking a turn with the shovel while the other dug with his hands, working for several hours until we got down fifteen feet, stopping only on occasion to rest, to look out over the roar of surf — big, lazy-edged waves coming in on an angle, rolling themselves against the hook of the beach from one end to the other, each producing a shush sound from right to left while the sun, for its part, sank against the sharp horizon — invisible, over the verge behind us, paring away at whatever light remained of the day.

The Spot

Jack Dunhill, a.k.a. Bone, a.k.a. the Bear, a.k.a. Stan Newhope, a.k.a. Winston Leonard, a.k.a. Michigan Pete, a.k.a. Bill Dempsey, a.k.a. Shank, said, Not those waves but that little pucker on the surface out there is where the Cleveland water supply is drawn in, right there, and if you were to dump enough poison on that spot you’d kill the entire city in one sweep. Believe me, I’ve thought it out. You’d just have to hit right there, he said, pointing again, and then he turned to examine her gaze, and in doing so presented his face, weathered from years of picking blueberries and cherries in Michigan, and, after that, a merchant marine gig during Vietnam. You see, the water is unsuspecting until it hits that spot. It has no idea it’s gonna be collected, drawn under the streets, cleaned up, and piped into homes. Not a clue. But when it touches that suck, its future vanishes. No chance of becoming a wave after that, no kissing the shore and yearning back out into the lake. Instead, it ends up pooled on somebody’s lawn, or slipping down a throat, or spooned into a bowl of baby cereal. That’s the mystery of chance. One minute you’re one thing, the next you’re another, and choice had nothing at all to do with it. He paused, pointed one last time at the spot, shook himself free of his reverie, and pulled her close while she searched the water, tried to find the spot, and, failing to do so, said, I see it. I do. It’s right where you said it would be.

. . All this while killing time in Cleveland, waiting for the Mansfield john to show up to collect the girl, because against all odds he had sent payment in advance for an evening of pleasurable escort after succumbing to Shank’s well-polished pitch:

The girl’s name is Meg. Hell, name her whatever you want, but I’d like you to call her Meg when you greet her for the first time, my friend. Said girl being in the prime of her youth, fresh as a daisy and raring to go. She’d practically escort you for free if I weren’t around to mediate her desires, my friend, he said from a phone booth outside Ypsilanti, watching the girl as she sat in the car, fixing her face in the mirror. The Mansfield john’s number had come from a list of potential clients he’d been keeping, names and numbers whispered to him as he and Meg rambled aimlessly around the Great Lakes. OHIO MEN IN NEED, it said at the top in block lettering. Below were six names. He’d tried four of them already, with no luck, but this time he felt the guy taking the bait — a sense of urgency formed at the other end of the line as the Mansfield john succumbed to the image he had painted: a bright young girl entwined in a skein of sexual confusion, open to just about anything. A girl born out of the loins of Akron, smothered by a father’s touch, and then cast out to fend for herself. (He’d left out the boring details: the way he had come upon her small body curled up, asleep, beneath an overpass outside Port Huron; the long journey they’d taken around the rim of the state of Michigan, following the mitten, staying as close as possible to the waterline. He’d left out her delicate neckline and the shallow hopelessness of her gaze and the way he’d educated her in how to make use of her flesh to earn funds. He’d left out his former religious training at the Grand Rapids Bible Institute and the way God had failed to give him a precise indication of His Will.)

After that, he’d begun to zero in on a price, speaking to the image he had conjured of a somewhat dainty man in neat trousers, with the kind of studied, dreamy comportment you’d expect from a farmer who had gone into the seed business and left fieldwork behind for good; there was a hint of yokel in the Mansfield john’s voice, a bit of hick around his tongue tempered by churchgoing and Sunday-school teaching. Yes, there was most certainly some Bible study in the formality of his elocutions, and there was fear in the amplitude of his voice — just loud enough to sound natural. In the phone booth, Shank imagined Mansfield as a man with neat hair, parted clean on the lefthand side, held with a shellac of brilliantine, cut tight above the ears. His wife would be in the family room watching television, aware of her husband in the kitchen, maybe even listening in on his side of the conversation, which to her would seem naturally cryptic because he often made deals on the phone, talking about seed prices, the best hybrids to plant, the way to intercrop carrots with corn. With this in mind, Shank took care when the dickering began and told Mansfield, Just say soy if you’re going to bid lower on Meg, and alfalfa if we hit the magic number. Eventually the john said, softly, Yes, alfalfa is the way to go because it’s a versatile crop, alfalfa will do just fine in your soil if you’re lucky with the weather, and Shank said, Good, we’ve got a deal and you’ll be saving this little girl’s life, Mansfield, you understand, because she’s putting money away for college after being kicked out of her home for no good reason. Then he instructed the man where and when to meet, adding, Just give us a nod. You’ll see us standing around outside the Holiday Inn, and then go on and check in and I’ll send her up to you. You’ll know us when you see us. I’ll be the one with the big shoulders, and she’ll be the one with the sweet derriere.

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