Tom Robbins - Jitterbug Perfume

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Jitterbug Perfume is an epic.
Which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight (Paris time).
It is a saga as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle.
The bottle is blue, very, very old, and embossed with the image of a goat-horned god.
If the liquid in the bottle actually is the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is only a drop or two left.

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She lumber-waddled on down the block, her handbag whirling in an even wider arc. There were neighborhoods in the world, perhaps even in New Orleans, where she would have attracted attention, but the French Quarter was not one of them. There were in the French Quarter, after all, gay men who wore dog collars and were led around on leashes by their lovers, there were heavily tattooed women who draped themselves with snakes, Dixie mystics who sewed their eyelids shut and would tell your fortune for a beignet, and people who wore their Mardi Gras costumes three hundred and sixty-five days of the year. No, the French Quarter was hardly the neighborhood to take particular notice of an overly made-up stout woman swinging a purse. For that matter, the Quarter took no particular notice of the lanky black man wearing a strangely whirring, pulsating, undulating skullcap who stepped from the shadows and approached the stout woman, extending to her a huge bouquet of jasmine branches, wrapped in soggy newspaper.

That is, the Quarter took no particular notice until two men in suits emerged from shadows on the opposite side of the street and shot the black man dead.

PARIS

". . NINETY MILLION YEARS AGO, give or take twenty million, there occurred. ."

What was that? Was that Bunny's voice?

“. . two events that should be of interest to all perfumers. It was then, toward the end. .”

It was Bunny's voice.

“. . of the Cretaceous Period, that. .”

Who but Bunny had a large, deep, soft, hot, suffocated voice, a voice like coal being formed in the swamps of the Cretaceous Period?

“. . the flowers wiped out the dinosaurs.”

Perhaps Bunny talked that way because, unlike the majority of Frenchmen, he refused to talk through his nose. Bunny believed the nose designed for grander things. But how could Bunny be in Luc's office? Bunny was supposed to have caught the morning flight to America.

Upon hearing his cousin's voice, Claude LeFever's hand had gone as stiff as Medusa's optometrist. Now he commanded motor function back into its fingers and slowly turned the knob. There at the presidential desk, his scow of a head thankfully relieved of its whale mask cargo, sat his father, listening to a cassette player. Luc LeFever nodded to his son and pushed the Pause Button. The cassette silenced, Claude could hear the blood singing in the old man's clogged arteries like the choir aboard the Titanic.

“Sit down, son, and listen to this. I trust your liver is strong this morning.”

“If this is the speech Bunny made at the convention, I've heard it once, and that was once too often.”

“I know,” said Luc, “but I'm looking for clues. I suspect that it was this fool speech that got Marcel invited to the Last Laugh Foundation. I'm trying to determine what it might have been they heard in it.” He pushed Rewind.

Claude didn't give a big quiche about the Last Laugh Foundation, about Bunny's visit to it, or Luc's morbid interest in it. Claude had come to his father's office to discuss the so-called agent file. He was disturbed that one V'lu Jackson was listed as a spy for their company. He wondered if Luc was aware that Bunny was mad about V'lu. Had the old man instigated their affair? Had Bunny played a role in recruiting V'lu? That seemed unlikely, yet Claude had an annoying feeling that business had been conducted behind his back. He was intent upon answers, but it appeared that he would have to wait until they'd listened, once again, to the address that had so embarrassed them when Bunny had delivered it to the Eighth International Congress of Aromatics (the biannual perfumers' convention) in New Orleans during early June.

“Do I have to sit through this? I need to talk to you about—”

“Shush.” Luc aimed his cigar as if it were a laser. Having zapped Claude's vocal cords, he pushed Pause, then Play.

The tape had rewound farther than necessary, and the first sounds to escape the transmitter were those of the chief executive of a large New York fragrance corporation concluding a talk on the future of the industry. “In selecting fine fragrances, the perfumer has the most knowledge as to what new compounds and materials are available, but I don't believe he is close enough to the marketplace or the consumer to apply this knowledge correctly. Finished goods manufacturers have begun almost exclusively to put full responsibility for fragrance selection for their products in the hands of marketing people rather than technical people or fragrance compounders. This trend has made for more commercial, and somehow more successful, fragranced products having been launched in recent years.”

Claude smiled to imagine how Bunny must have been fuming over those assertions.

“. . fragrance must be styled just as fashions are, or automobiles, or table settings, or anything else. Fragrance styles, like fashion styles, are cyclical, but new developments in chemicals, like new developments in fabrics, mean a return-with-a-difference. Thank you.”

During the applause that followed, Claude pictured Bunny clinching pale, manicured fists. In Claude's picture, his cousin was the only member of the audience not clapping. In real life, however, that was not the case. Wiggs Dannyboy had not applauded because he had heard nothing that astonished him (he had, in fact, been bored and disappointed with his introduction to perfuming). V'lu Jackson and Priscilla Partido had not applauded because they, in separate parts of the auditorium, were so close to sleep that their breathing was locked into snore-launch modes. They nodded through the introduction of “master perfumer Marcel LeFever,” twitching into wakefulness only when their respective subconscious minds were pricked, for some odd reason, by the words, “It was then, toward the end of the Cretaceous Period, that the flowers wiped out the dinosaurs.”

Oblivious to the fact that he'd shaken two attractive amateurs from the mosquito nets of drowsiness and reversed an outside observer's decision to go to the men's room for a toke of marijuana, Bunny continued: “Science knows that the disappearance of dinosaurs and the appearance of flowers occurred simultaneously, yet, strangely, it has never drawn much of a connection between the two events. It is up to perfumers to correct the oversight.

“Vegetarian dinosaurs dined on ferns, floating water plants, and the palmlike cycad. They were not very intelligent, and certainly not very French, having developed a limited, strictly specialized diet. When the great mountain building took place during the Cretaceous Period, seaways drained and swamps dried up. First the aquatic plants, then the ferns and cycads succumbed. Insufficient surface water. Some new plants had been gradually moving in, however. These plants were inconspicuous at first, and neither the dinosaurs nor the swamp plants paid them much attention. Ah, but they had plans for the future. They began to grow their roots longer and longer, sink them deeper and deeper, until they could reach the moisture trapped beneath the surface, and when their stringy little exploratory organs hit the water table — POW!” (Bunny smacked the podium; if V'lu and Priscilla hadn't been awake before, they were now.)

“POW! They exploded in a scandalous display of sexual invitation.

“The old claw-and-fang world of drab, predatory, reptilian repression had never seen anything like this. Lasciviously colored, scandalously scented blossom after blossom flaunted its genitalia openly, enticing with visual and heretofore unknown olfactory charms any who might be inclined to sample its pleasures.

“With their appalling genius for adaptability, insects responded enthusiastically to the outbreak of sensuality. So did the smaller birds. Dinosaurs, however, were repulsed. Although their reproductive equipment must have been monumental — the penis of a Brontosaurus would have been only a couple of yards shorter than the thirty-foot organ of the great blue whale — it was kept out of sight and infrequently used. The dim-witted, thin-blooded dinosaur was not a hot lover, another way in which it differed from the French.” There was a soft ripple of laughter. Very soft. “It mated once a year, barring headaches. So put off was the prudish dinosaur by the sexy smell of flowering plants that it starved to death and went extinct rather than eat them.”

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