James Baldwin - Another Country

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Set in Greenwich Village, Harlem, and France, among other locales,
is a novel of passions — sexual, racial, political, artistic — that is stunning for its emotional intensity and haunting sensuality, depicting men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. In a small set of friends, Baldwin imbues the best and worst intentions of liberal America in the early 1970s.

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She moved slowly out from beneath his weight, kissed his brow and covered him. Then she went into the bathroom and stepped into the shower. She sang to herself in an undertone as the water crashed over her body, and used the towel which smelled of him with joy. She dressed, still humming, and combed her hair. But the pins were on the night table. She came out, to find him sitting up, smoking a cigarette. They smiled at each other.

“How are you, baby?” he asked.

“I feel wonderful. How are you?”

“I feel wonderful, too,” and he laughed, sheepishly. Then, “You have to go?”

“Yes. Yes, I do.” She came to the night table and put the pins in her hair. He reached up and pulled her down on the bed and kissed her. It was a strange kiss, in its sad insistence. His eyes seemed to be seeking in her something he had despaired of finding, and did not yet trust.

“Will Richard be awake?”

“I don’t think so. It doesn’t matter. We’re very seldom together in the evenings; he works, I read, or go out to the movies, or watch TV.” She touched his cheek. “Don’t worry.”

“When will I see you?”

“Soon. I’ll call you.”

“Does it matter if I call you? Or would you rather I didn’t?”

She hesitated. “It doesn’t matter.” They both thought, It doesn’t matter yet. He kissed her again.

“I wish you could spend the night,” he said. He laughed again. “We were just beginning to get started, I hope you know that.”

“Oh, yes,” she said, “I can tell.” He placed his rough cheek next to hers. “But I’ve got to go now.”

“Shall I walk you to a taxi?”

“Oh, Eric, don’t be silly. There’s just no point to that at all.”

“I’d like to. I’ll only be a minute.” He jumped out of bed and entered the bathroom. She listened to the water splashing and flushing and looked around his apartment, which already seemed terribly familiar. She would try to get down and clean it up sometime in the next few days. It would be difficult to get away in the daytime, except, perhaps, on Saturdays. Then it occurred to her that she needed a smoke screen for this affair and that she would have to use Vivaldo and Ida.

Eric came out of the bathroom and pulled on his shorts and his trousers and his T-shirt. He stuck his feet into his sandals. He looked scrubbed and sleepy and pale. His lips were swollen and very red, like those of heroes and gods of antiquity.

“All ready?” he asked.

“All ready.” He picked up her bag and gave it to her. They kissed briefly again, and walked down the stairs into the streets. He put his arm around her waist. They walked in silence, and the street they walked was empty. But there were people in the bars, gesticulating and seeming to howl in the yellow light, behind the smoky glass; and people in the side streets, loitering and skulking; dogs on leashes, sniffing with their masters. They passed the movie theater, and were on the Avenue, facing the hospital. And in the shadow of the great, darkened marquee, they smiled into each other’s faces.

“I’m glad you called me,” he said. “I’m so glad.”

She said, “I’m glad you were home.”

They saw a cab coming crosstown and Eric put up his hand.

“I’ll call you in a few days,” she said, “around Friday or Saturday.”

“All right, Cass.” The cab stopped and he opened the door and put her in, leaned in and kissed her. “Be good, little gal.”

“You, too.” He closed the door on her, and waved. The cab began to move, and she watched him move, alone, into the long, dark street.

There were no phone booths on deserted Fifth Avenue and Vivaldo walked the high, silent block to Sixth Avenue and entered the first bar he came to, heading straight for the phone booth. He rang the number of the restaurant and waited quite a while before an irritated male voice answered. He asked for Miss Ida Scott.”

“She didn’t come in tonight. She called in sick. Maybe you can get her at home.”

“Thank you,” he said. But the man had already hung up. He felt nothing at all, certainly not astonishment; yet, he leaned against the phone for an instant, freezing and faint. Then he dialed his own number. There was no answer.

He walked out of the phone booth into the bar, which was a workingman’s bar, and there was a wrestling match on the TV screen. He ordered a double shot and leaned on the bar. He was surrounded by precisely those men he had known from his childhood, from his earliest youth. It was as though, hideously, after a long and fruitless voyage, he had come home, to find that he had become a stranger. They did not look at him — or did not seem to look at him; but, then, that was the style of these men; and if they usually saw less than was present, they also, often, saw more than one guessed. Two Negroes near him, in working clothes, seemed to have a bet on the outcome of the wrestling match, which they did not, however, appear to be watching very closely. They kept talking to each other in a rumbling, humorous monotone — a smile kept playing on both their faces — and every once in a while they ordered a new round of drinks, or exploded with laughter, or turned their attention again to the screen. All up and down the bar, men stood silently, usually singly, watching the TV screen, or watching nothing. There were booths beside the bar, near the back. An elderly Negro couple and a young Negro couple shared one booth, another booth held three aimless youths, drinking beer, in the very last booth an odd-looking man, who might have been a Persian, was feeling up a pasty-faced, string-haired girl. The Negro couples were in earnest conversation — the elderly Negro woman leaned forward with great vehemence; and the three youths were giggling and covertly watching the dark man and the pasty girl; and if this evening ended as all the others had, they would presently drive off to some haven and watch each other masturbate. The bartender was iron-haired and pablum-faced, with spectacles, and leaned on a barrel at one end of the bar, watching the screen. Vivaldo watched the screen, seeing two ancient, flabby men throwing each other around on a piece of canvas; from time to time a sensually grinning blonde advertised soap — but her grin was far less sensual than the wrestling match — and a strong-jawed neuter in a crew cut puffed rapaciously, with unnerving pleasure, on a cigarette. Then, back to the groaning wrestlers, who really should have been home in bed, possibly with each other.

Where was she? Where was she? With Ellis, certainly. Where? She had called the restaurant; but she had not called him. And she would say, “But we didn’t have any plans for tonight, sweetie, I knew you were seeing Cass, and I was sure you’d have supper with her! ” Where was she? the hell with her. She would say, “Oh, honey, don’t be like that, suppose I made a fuss every time you went out and had a drink with someone else? I trust you, now, you’ve got to trust me. Suppose I really make it as a singer and have to see lots of people, what’re you going to do then ?” She trusted him because she didn’t give a damn about him, the hell with her. The hell with her. The hell with her.

Oh, Ida. She would say, “Mama called me after you left and she was real upset; Daddy got into a fight this week end and he was cut kind of bad and I just left the hospital this very minute. Mama wanted me to stay with her but I knew you’d be worried, so I came on home. You know, they don’t like the idea of my living down here with you one bit, maybe they’ll get used to it, but I’m sure that’s what makes my Daddy so evil, he just can’t get over Rufus, you know, sugar, please make me a little drink, I’m just about dead.”

The hell with her. The hell with her.

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